In his time, the Austrian American composer Arnold Schoenberg (1874–1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century’s most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the “Procrustean bed” of tradition. Defying his critics—among them the Nazis, who described his music as “degenerate”—he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesising Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present or future of Western music.

In this magisterial volume, Harvey Sachs, author of the highly acclaimed biography Toscanini, takes readers into the heart of ten great works of classical music-works that have endured because they were created by composers who had a genius for drawing music out of their deepest wellsprings. These masters-Mozart and Beethoven; Schubert, Schumann, Berlioz, Verdi and Brahms; Sibelius, Prokofiev and Stravinsky-communicated their life experiences through music and through music they universalised the intimate. By expanding our perceptions of these ten pieces-composed in the years between 1784 and 1966-Sachs, in lush, exquisite prose, invites us to consider why music stimulates, disturbs, exalts and consoles us. He has lived with these masterpieces for a lifetime and his descriptions of them and the dramatic lives of the composers who wrote them bring a heightened dimension to the musical perceptions of readers who may be casual listeners, students, professional musicians or anyone in between.

Arturo Toscanini (1867-1957) was famed for his dedication, photographic memory, explosive temper and impassioned performances. At times he dominated La Scala, the Metropolitan Opera, the New York Philharmonic, and the Bayreuth, Salzburg and Lucerne festivals. His reforms influenced generations of musicians, and his opposition to Nazism and Fascism made him a model for artists of conscience. With unprecedented access to the conductor's archives, Harvey Sachs has written a new biography positioning Toscanini's musical career and sometimes scandalous life against the currents of history. Set in Italy, across Europe, the Americas and in Palestine, with portraits of Verdi, Puccini, Caruso, Mussolini and others, Toscanini soars in its exploration of genius, music and moral courage.

A decade after the French Revolutionary and Napoleonic Wars had given way to an era of retrenchment and repression, 1824 became a watershed year. The premiere of the Ninth Symphony, the death of Lord Byron - who had been aiding the Greeks in their struggle for independence, Delacroix's painting of the Turkish massacre of Greeks at Chios and Pushkin's anti-tyrannical play Boris Godunov all signalled that the desire for freedom was not dead. And all of these works and events were part of the flowering of the High Romantic period. In The Ninth, eminent music historian and biographer Harvey Sachs employs memoir, anecdote and his vast knowledge of history to explain how the premiere of Beethoven's staggering last symphony was emblematic of its time - a work of art unlike any other - and a magisterial, humanistic statement that remains a challenge down to our own day and for future generations.

Arturo Toscanini (1867-1957) was famed for his dedication, photographic memory, explosive temper and impassioned performances. At times he dominated La Scala, the Metropolitan Opera, the New York Philharmonic, and the Bayreuth, Salzburg and Lucerne festivals. His reforms influenced generations of musicians, and his opposition to Nazism and Fascism made him a model for artists of conscience. With unprecedented access to the conductor's archives, Harvey Sachs has written a new biography positioning Toscanini's musical career and sometimes scandalous life against the currents of history. Set in Italy, across Europe, the Americas and in Palestine, with portraits of Verdi, Puccini, Caruso, Mussolini and others, Toscanini soars in its exploration of genius, music and moral courage.

The premier of Beethoven's Ninth Symphony in Vienna on May 7, 1824, was the most significant artistic event of the year--and the work remains one of the most precedent-shattering and influential compositions in the history of music. Described in vibrant detail by eminent musicologist Harvey Sachs, this symbol of freedom and joy was so unorthodox that it amazed and confused listeners at its unveiling--yet it became a standard for subsequent generations of creative artists, and its composer came to embody the Romantic cult of genius. In this unconventional, provocative book, Beethoven's masterwork becomes a prism through which we may view the politics, aesthetics, and overall climate of the era. Part biography, part history, part memoir, "The Ninth" brilliantly explores the intricacies of Beethoven's last symphony--how it brought forth the power of the individual while celebrating the collective spirit of humanity.

The Other Toscanini is the only book in English about the Argentine conductor and composer Hector Panizza (1875-1967). Known all over the world by his Italian name - Ettore - the maestro was in fact born in Buenos Aires and developed an astonishing international career, becoming music director of, successively, Covent Garden, la Scala (where he conducted alongside Arturo Toscanini), Teatro Colon, and the New York Metropolitan Opera. At the Met between 1934 and 1942, he was in charge of the Italian repertoire and started the first radio broadcasts, whose recordings are his most well-known. He conducted widely in Europe and the Americas and devoted part of his energies to composing, recording, and organizing musical institutions. Now virtually forgotten, Panizza's name is being revived in this definitive biography, which describes both his life and his legacy, strongly associated with that of the great Arturo Toscanini. The book also describes Panizza's important accomplishments as a composer. In his native Argentina, he is known for the patriotic "Cancion de la Bandera," based on a text by Luigi Illica, Puccini's librettist. But Panizza also wrote operas, orchestral works, chamber music, and songs, widely performed in their day and still worthy of frequent revivals.