Educational Theory and Jewish Studies in Conversation: From Volozhin to Buczacz, by Harvey Shapiro, PhD, brings together two different fields of study-modern Jewish studies and contemporary educational theory-to provide new theoretical frameworks for their interaction. Although Jewish studies and education programs at secular universities have joined denominational and transdenominational institutions of higher learning in adopting a dual or parallel course structure, there has been little scholarly attention given to the basis for doing so. Shapiro provides alternative theoretical frameworks for the relationship between Jewish studies and educational theory and discusses different ways of developing and articulating these relationships between disciplines. Shapiro shows what is at stake when students and faculty think and communicate together across discourses-in particular, between the fields of education and Jewish studies. Presenting an alternative to conventional notions of interdisciplinarity, this book's import extends to virtually all relationships between the humanities and professional education when these different discourses illuminate and challenge one another.

Winner of the Pulitzer Prize for Poetry (1992) Winner of the William Carlos Williams Award (1992) The Selected Poems James Tate's Pulitzer Prize-winning collection and his first British publication, gathers work from nine previous books, from the Lost Pilot which was a Yale Younger Poets selection in 1967, through his 1986 collection Reckoner. He is a most agile poet in a precarious world. Life is alarming and absurd, but properly considered that absurdity reveals, often with laughter, the something else by which we live. The poems are about our world, our wrecked, vexed love for it. Tate has been described as a surrealist. If that is what he is, his surrealism issues in a vision of a world delivered back to itself by his unillusioned subversion and candor.

The distinguished poet Harvey Shapiro passed away on January 7, 2013. The poems in this book, many of them previously unpublished and discovered only after his death, are a great gift, and the final confirmation of his extraordinary talent. Edited by Shapiro's literary executor, the poet and critic Norman Finkelstein, these last poems bear an unprecedented gravitas, and yet they are as supple, jazzy, and edgy as Shapiro's earlier work. All the themes for which he is known are beautifully represented here. There are poems of his experiences in World War II, the erotic life, and of daily moments in Brooklyn and Manhattan, all in search of a worldly wisdom and grace that the poet calls "a momentary glory." As Shapiro tells us, the poem "Is an Egyptian / ship of the dead, / everything required / for life stored / in its hold." The book includes an introduction by the editor. An online reader's companion will be available.

Direct, informal, and richly evocative of his Jewish heritage and New York City home, Harvey Shapiro's poetry has occupied a unique place in American letters for over 50 years. This new collection brings together his latest work and much of his 11 previous collections, revealing the full arc of his carefully calibrated poetics. Shapiro engages themes including the immigrant experience, urban landmarks and lifestyles, family life, and war. The reader will see the more formal British-tinged cadences of his earlier work give way to the colloquial, personal nature of his later poems, and how Shapiro's candor and simplicity mark his work throughout the last five decades. Bringing the city and its balance of despair and exuberance into stark relief, this poetry is intimately attuned both to life's quiet disappointments and to its unanticipated miracles.

Direct, informal, and richly evocative of his Jewish heritage and New York City home, Harvey Shapiro's poetry has occupied a unique place in American letters for over 50 years. This new collection brings together his latest work and much of his 11 previous collections, revealing the full arc of his carefully calibrated poetics. Shapiro engages themes including the immigrant experience, urban landmarks and lifestyles, family life, and war. The reader will see the more formal British-tinged cadences of his earlier work give way to the colloquial, personal nature of his later poems, and how Shapiro's candor and simplicity mark his work throughout the last five decades. Bringing the city and its balance of despair and exuberance into stark relief, this poetry is intimately attuned both to life's quiet disappointments and to its unanticipated miracles.

This is the book of an urban mystic, someone who believes that the streets he walks, the incidents he sees and in which he sometimes plays a part have significance; he understands that the hidden beauty and music of New York City. Madison Avenue, the Brooklyn Bridge, Central Park appear and reappear as though they, the poet, and the work were inseparable. The people he recalls - a bag lady, E.E. Cummings - are as familiar to us as the city itself, but here they are lyrical and light, these poems also hold love, loss, melancholy, and tenderness -they reflect the incessant rhythms between a man and his surroundings.