The pre-Columbian city we call Tikal was abandoned by its Maya residents during the tenth century A.D. and succumbed to the Guatemalan rain forest. It was not until 1848 that it was brought to the attention of the outside world. For the next century Tikal, remote and isolated, received a surprisingly large number of visitors. Public officials, explorers, academics, military personnel, settlers, petroleum engineers, chicle gatherers, and archaeologists came and went, sometimes leaving behind material traces of their visits. A short-lived hamlet was established among the ancient ruins in the late 1870s. In 1956 the University of Pennsylvania Museum of Archaeology and Anthropology initiated its fourteen-year-long Tikal Project. This report chronicles documented visits to Tikal during the century following its modern discovery, and presents the post-Conquest material culture recovered by the Tikal Project in the course of its investigation of the pre-Columbian city. Further research on the nineteenth-century settlement was carried out in 1998 in its southern part by the Lacandon Archaeological Project (LAP) under the direction of Joel W. Palka of the University of Illinois at Chicago. The material culture recovered by the LAP supplements the Tikal Project collection and is referenced here. Historical Archaeology at Tikal, Guatemala is intended as a contribution to nineteenth and early twentieth century Lowland Mesoamerican research. It is rounded out with several appendices that will be of interest to historians and historical archaeologists. The printed volume includes many black and white photographs and drawings. A gallery of color photographs, several from Palka's 1998 excavations, is included on the accompanying CD-ROM. Content of the book's CD-ROM may be found online at this location: http://core.tdar.org/document/376606. University Museum Monograph, 135

In this, the first monograph of Richard Filipowski, a major figure bridging the Bauhaus and American midcentury modernism finally gets his due. Richard Filipowski (1923-2008) was among the most gifted polymaths in the annals of American modernism. Whether as a painter, sculptor, or designer of furniture and jewelry, Filipowski developed a lush, abstract, and amazingly consistent visual language that marks him among the finest figures of midcentury art and design. As a student at the Institute of Design (formerly the New Bauhaus) in Chicago, he quickly became a protege of founder Laszlo Moholy-Nagy, who featured several of Filipowski's works in his seminal text Vision in Motion (1947); Filipowski was the only student Moholy-Nagy called upon to join the faculty, where he taught alongside Walter Gropius and Marcel Breuer. Recruited by Gropius to develop a course in design fundamentals at Harvard, which remains a cornerstone of design pedagogy to this day, he would move to MIT where he taught for more than three decades, until his retirement in 1988. With a foreword by Laszlo Moholy-Nagy's daughter Hattula, Richard Filipowski: Art and Design Beyond the Bauhaus is the first monograph of this master, who over the course of his career created a unique body of work in diverse media that has largely, until recently, been held in private collections due to his relative lack of compulsion to seek media attention or worldly rewards. But now through the efforts of the Filipowski family and new attention by design scholars - several of whom contribute essays here on Filipowski's graphic and painted works, sculpture, furniture, and position in design history - the work is being revealed to a new generation of aficionados. Richard Filipowski is a rich document of a life and career that is poised to reenter the canon of modernism.

A collection of essays presenting original data that have allowed the author to reconstruct prehistoric Maya environment and subsistence.