This collection of critical essays is the first work to examine all of the short stories of Ann Petry, a noted African American writer. While best known for her best-selling debut novel, "The Street," the focus of this text is her equally important, but less familiar, volume of short stories "Miss Muriel and Other Stories." Within Ann Petry's "Short Fiction: Critical Essays," contributors from a variety of disciplines, from literary studies to philosophy, analyze and comment on stories such as "Like a Winding Sheet," "Solo on the Drums," and "Olaf and His Girlfriend." Organized into three parts, the first section provides an overview of Petry's short fiction from different theoretical perspectives. In the following two segments, essays are arranged in chronological order, beginning with Petry's work from the 1940s. Contributors discuss her portrayal of characters and conflict as well as thematic threads that run through Petry's work. Taken together, these 14 essays constitute an invaluable companion to Petry's work. This illuminating collection will interest scholars of literature, history, and culture, as well as anyone interested in the fiction of Ann Petry.

Ervin has brought together 16 reviews and 26 essays that chronicle the literary reception of Ann Petry and her three novels in America from 1946 to the present. Collectively and individually, all of the reviews and essays gauge the historical, cultural, social, political, literary aesthetic, and theoretical depths of Petry's novels. While specific essays will offer overviews of Petry's life and works, others will name literary influences, explore and evaluate her style and structure, identify her aesthetic positions as a writer and novelist, and define her positions in larger discussions of the male and female in general and the African American female in particular. Teachers, students, critics, and others will appreciate this volume. Select reviews and essays provide an overview of Petry's life and works, style, and literary position as a novelist, while other reviews and essays present her as a writer of community, cultural traditions, literary traditions, and characters. As a social critic, she speaks for the voiceless and the maligned; her criticism is sympathic, yet frank and honest. She speaks to and for men and women, rich and poor, young and old.