This is the first full-length study of the extraordinary period of intense poetic activity in Belfast known as the Ulster Renaissance - a time when young Northern Irish poets such as Seamus Heaney, Derek Mahon, Michael Longley, James Simmons, and Paul Muldoon began crafting their art, and tuning their voices through each other. Drawing extensively upon new archival material, as well as personal interviews and correspondence, The Ulster Renaissance argues that these poets' friendships and rivalries were crucial to their autonomous artistic development. The book also sheds new light on the idea of a collaborative Belfast coterie - often treated derisively by critics - and shows that the poets frequently engaged in efforts to promote a cohesive 'Northern' literary community, distinct from that which existed in London and Dublin. It suggests that it was this cohesion - at turns inclusive and confining - which ultimately challenged the Belfast poets to find their individual voices.

Throughout their marriage, Sylvia Plath and Ted Hughes engaged in a complex and continually evolving poetic dialogue about writing, love, and grief. Although scholars have commented extensively on the biographical details of Plath's and Hughes's marriage, few have undertaken a systematic intertextual analysis of the poets' work. The Grief of Influence reappraises this extraordinary literary partnership, and shows that the aesthetic and ideological similarities that provided a foundation for Plath's and Hughes's creative marriage - such as their mutual fascination with D. H. Lawrence and motifs of violence and war - intensified their artistic rivalry. Through close readings of both poets' work and analysis of new archival sources, Clark reveals for the first time how extensively Plath borrowed from Hughes and Hughes borrowed from Plath. She also explores the transatlantic dynamics of Plath's and Hughes's 'colonial' marriage within the context of the 1950s Anglo-American poetry scene and demonstrates how each poet's misreadings of the other contributed to the damaging stereotypes that now dominate the Plath-Hughes mythology. Following Plath and Hughes through alternating periods of collaboration and competition, The Grief of Influence shows how each poet forged a voice both through and against the other's, and offers a new assessment of the twentieth century's most important poetic partnership.

The first biography of this great and tragic poet that takes advantage of a wealth of new material, this is an unusually balanced, comprehensive and definitive life of Sylvia Plath. 'Surely the final, the definitive, biography of Sylvia Plath' Ali Smith *WINNER OF THE SLIGHTLY FOXED PRIZE 2021* *A BOOK OF THE YEAR IN THE DAILY TELEGRAPH AND THE TIMES* *FINALIST FOR THE PULITZER PRIZE IN BIOGRAPHY 2021* Drawing on a wealth of new material, Heather Clark brings to life the great and tragic poet, Sylvia Plath. Refusing to read Plath's work as if her every act was a harbinger of her fate, Clark evokes a culture in transition in the mid-twentieth century as she thoroughly explores Sylvia's world. We see Plath's early relationships and determination not to become a conventional woman and wife; we witness her Cambridge years and thunderclap meeting with Ted Hughes; and, through clear-eyed portraits of the demonised players in the arena of her suicide, we gain a deeper understanding of her final days. Featuring illuminating readings of Plath's poems, Red Comet brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women the world over. 'A first-class biography . . . Each chapter reads with the ease of a novel . . . I couldn't put it down' The Times

With meticulous care, Judith G. Raymo presents an impressive array of Sylvia Plath's published and personal writings. As Raymo notes in her insightful introduction, Plath's journals, when read in tandem with her correspondence to her mother, friends, and family "provide us with an abundant record of a writer's interior and private life and its many turning points." Expanding on an exhibition held at the Grolier Club, this catalogue includes an essay by Plath's award-winning biographer Heather Clark.

At long last community interpreters are coming into their own as professionals in various parts of the world. At the same time, the complexity of their practice has been thrown into sharp relief. In this thought-provoking volume of selected papers from the third Critical Link conference held in 2001 (Montreal), we see a profession that is carving out a place for itself amid political adversity, economic constraints and a host of historical and cultural conditions. Community interpreters are learning to work better with governments, courts, police, psychologists, doctors, patients, refugees, violent offenders, and human rights missions in war-torn countries. From First Peoples to minority language speakers to former refugees and members of the Deaf community, interpreters are seeking out the training, legal protection and credentials they need. They are standing up to be counted in surveys, reaping the fruits of specialization and contributing to salient academic discussions on language, communication and translation studies.

Organization and Management: A Critical Text goes beyond the descriptive and managerial accounts of organizational behaviour. It offers a more critical and reflective text which contextualises and criticises conventional wisdom and attempts to re-orient the field by offering alternative approaches to the study of organizational behaviour. The authors take account of historical developments and key issues and ideas in their social, political, economic and global context. Areas examined include labour process issues, gender and other identities, flexibility and globalisation. More recent post-structuralist and post-modern approaches are also explored.