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These twelve original essays by geographers and anthropologists
offer a deep critical understanding of Allan Pred's pathbreaking
and eclectic cultural Marxist approach, with a focus on his concept
of "situated ignorance": the production and reproduction of power
and inequality by regimes of truth through strategically
deployedmisinformation, diversions, and silences. As the essays
expose the cultural and material circumstances in which situated
ignorance persists, they also add a previously underexplored
spatial dimension to Walter Benjamin's idea of "moments of danger."
The volume invokes the aftermath of the July 2011 attacks by
far-right activistAnders Breivik in Norway, who ambushed a Labor
Party youth gathering and bombed a government building, killing and
injuring many. Breivik had publicly and forthrightly declared war
against an array of liberal attitudes he saw threatening Western
civilization. However, as politicians and journalists interpreted
these events for mass consumption, a narrative quickly emerged that
painted Breivik as a lone madman and steered the discourse away
from analysis of theresurgent right-wing racisms and nationalisms
in which he was immersed. The Breivik case is merely one of the
most visible recent examples, say editors Heather Merrill and Lisa
Hoffman, of the unchallenged production of knowledge in the public
sphere. In essays that range widely in topic and setting-for
example, brownfield development in China, a Holocaust memorial in
Germany, an art gallery exhibit in South Africa-this volume peels
back layers of "situated practices and their associated meaning and
power relations." Spaces of Danger offers analytical and conceptual
tools of a Predian approach to interrogate the taken-for-granted
and make visible and legible that which is silenced.
Black Spaces examines how space and place are racialized, and the
impacts on everyday experiences among African Italians, immigrants,
and refugees. It explores the deeply intertwined histories of
Africa and Europe, and how people of African descent negotiate,
contest, and live with anti-blackness in Italy. The vast majority
of people crossing the Mediterranean into Europe are from West
Africa and the Horn of Africa. Their passage is part of the legacy
of Italian and broader European engagement in colonial projects.
This largely forgotten history corresponds with an ongoing effort
to erase them from the Italian social landscape on arrival. Black
Spaces examines these racialized spaces by blending a critical
geographical approach to place and space with Afro-Pessimist and
critical race perspectives on the lived experiences of Blackness
and anti-blackness in Italy.
Black Spaces examines how space and place are racialized, and the
impacts on everyday experiences among African Italians, immigrants,
and refugees. It explores the deeply intertwined histories of
Africa and Europe, and how people of African descent negotiate,
contest, and live with anti-blackness in Italy. The vast majority
of people crossing the Mediterranean into Europe are from West
Africa and the Horn of Africa. Their passage is part of the legacy
of Italian and broader European engagement in colonial projects.
This largely forgotten history corresponds with an ongoing effort
to erase them from the Italian social landscape on arrival. Black
Spaces examines these racialized spaces by blending a critical
geographical approach to place and space with Afro-Pessimist and
critical race perspectives on the lived experiences of Blackness
and anti-blackness in Italy.
In the 1980s, Italy transformed from a country of emigration to one
of immigration. Italians are now faced daily with the presence of
migrants from all over Africa, parts of South and Central America,
the Middle East, Asia, and Eastern Europe. While much attention has
been paid to the impact on Italians, few studies have focused on
the agency of migrants themselves. In "An Alliance of Women,"
Heather Merrill investigates how migrants and Italians struggle
over meanings and negotiate social and cultural identities.
Taking as a starting point the Italian crisis over immigration in
the early 1990s, Merrill examines grassroots interethnic spatial
politics among female migrants and Turin feminists in Northern
Italy. Using rich ethnographic material, she traces the emergence
of Alma Mater--an anti-racist organization formed to address
problems encountered by migrant women. Through this analysis,
Merrill reveals the dynamics of an alliance consisting of women
from many countries of origin and religious and class backgrounds.
Highlighting an interdisciplinary approach to migration and the
instability of group identities in contemporary Italy, "An Alliance
of Women" presents migrants grappling with spatialized boundaries
amid growing nativist and anti-immigrant sentiment in Western
Europe.
Heather Merrill is assistant professor of geography and
anthropology at Dickinson College.
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