The Cartulary of Premontre offers a full critical edition, consisting of a transcription of the cartulary's 509 charters together with historical notes and apparatus. The thirteenth-century cartulary of the abbey of Saint-Jean-Baptiste de Premontre is one of the few manuscripts to survive from this monastery. Offering a window into daily life in medieval France and to contemporary documentary practices, the cartulary of Premontre is a rich source for the socio-economic and religious history of the Picardy and Champagne regions during the twelfth and thirteenth centuries. The charters contained in the cartulary illuminate how this major northern French abbey functioned as a mother house for the Premonstratensian Order, and how it interacted with people - both elite and non-elite as well as secular and ecclesiastical. It also reveals the complexities of cartulary production within a larger institutional and archival context. In an introductory essay, Heather Wacha and Yvonne Seale consider not only the history of the manuscript and of the abbey of Premontre, but also the cartulary's materiality, its place within the broader field of cartulary studies, and what it shows us about women's roles in contemporary society. In doing so, this volume offers new connections between the field of cartulary studies and feminist studies.

This innovative collection examines how book history and digital humanities (DH) practices are integrated through approach, access, and assessment. Eight essays by rising and senior scholars practicing in multiple fields—including librarians, literature scholars, digital humanists, and historians—consider and reimagine the interconnected futures and horizons at the intersections of texts, technology, and culture and argue for a return to a more representative and human study of the humanities.   Integrating intermedial practices and assessments, the editors and contributors explore issues surrounding the access to and materiality of digitized materials, and the challenge of balancing preservation of traditional archival materials with access. They offer an assessment in our present moment of the early visions of book history and DH projects. In revisiting these projects, they ask us to shift our thinking on the promises and perils of archival and creative work in different media. Taken together, this volume reconsiders the historical intersections of book history and DH and charts a path for future scholarship across disciplinary boundaries.