The Royal Pavilion and Museums Trust cares for five venues in Brighton and Hove, including the spectacular Royal Pavilion, a royal palace created by George IV as his summer retreat, designed in its final form by John Nash in a Moghul Indian style and set in landscaped picturesque gardens. The Trust's other venues are Brighton Museum and Art Gallery that holds important local history and archaeology, world art, and decorative art collections; Preston Manor a large house preserved in the Edwardian style with a beautiful walled garden; The Booth Museum of natural history; and Hove Museum and Art Gallery. The Trust cares for around one million objects, many of international importance and covering a wide range of subjects and types. In this enjoyable and richly illustrated guide, Hedley Swain, the Trust's CEO, shares highlights from The Trust's vast collections.

The difficult and sensitive issue of how museums and other repositories should treat human remains in their possession is here addressed through a number of important case studies. How to care for, store, display and interpret human remains, and issues of their ownership, are contentious questions, ones that need to be answered with care and due consideration. This book offers a systematic overview of the responses made by museums and other repositories in the United Kingdom, providing a baseline for understanding the scope and nature of human remains collections and the practices related to their care. The introduction sets UnitedKingdom practices within an international context, while subsequent chapters, all written by leading experts, cover a wide range of topics through key case studies: legislation and ethical obligations; issues of both long-term andshort-term care; differing perspectives associated with human remains collections in different parts of the United Kingdom; a comparison of attitudes and approaches in large institutions and small museums; the creative use of redundant churches; and challenges facing research/teaching laboratories and collections resulting from recent archaeological excavations. Myra Giesen is Lecturer at the International Centre for Cultural and Heritage Studies, Newcastle University. Contributors: Myra Giesen, Liz White, Hedley Swain, Charlotte Woodhead, Kirsty McCarrison, Victoria Park, Jennifer Sharp, Mark A. Hall, Rebecca Redfern, Jelena Bekvalac, Gillian Scott, Simon Mays, Charlotte Roberts, Jacqueline I. McKinley, Mike Parker Pearson, Mike Pitts, Duncan Sayer, Margaret Clegg.

An Introduction to Museum Archaeology provides a comprehensive survey and synthesis of all aspects of current museum practice in relation to the discipline of archaeology. Drawing heavily on examples it deconstructs the different challenges posed by trying to tell archaeological stories in museum buildings, and on related sites. The final section sums up the state of museum archaeology in the early 21st century and discusses the major issues it is currently confronting. There is also a detailed list of every museum and exhibit mentioned in the book, with a Web address and an exhaustive list of references. An Introduction to Museum Archaeology provides an essential text for anyone studying museums, archaeology or cultural heritage and a reference for those working in these fields. It is full of detailed information, and discusses concepts and provides the context for current debates.

An Introduction to Museum Archaeology provides a comprehensive survey and synthesis of all aspects of current museum practice in relation to the discipline of archaeology. Drawing heavily on examples it deconstructs the different challenges posed by trying to tell archaeological stories in museum buildings, and on related sites. The final section sums up the state of museum archaeology in the early 21st century and discusses the major issues it is currently confronting. There is also a detailed list of every museum and exhibit mentioned in the book, with a Web address and an exhaustive list of references. An Introduction to Museum Archaeology provides an essential text for anyone studying museums, archaeology or cultural heritage and a reference for those working in these fields. It is full of detailed information, and discusses concepts and provides the context for current debates.