Eating disorders are situated at the complex interface of biology, medicine, culture, society, and politics, and are seen differently from each perspective. This book brings together discussions of eating, food, gender, sexuality and mental health through analysis of published autobiographical narratives authored by men with experience of living with one of the main eating disorders (anorexia nervosa, bulimia nervosa and binge-eating disorder) as well as associated mental health problems such as body dysmorphic disorder and depression. Written by a literary scholar, the book speaks with authority on the value of literary narratives for much-needed qualitative research and training on the lived experience of eating disorders in men. With its transnational and comparative focus on texts from the US, UK, Germany, and Austria, Men Writing Eating Disorders will appeal to readers working across the arts and humanities and science disciplines. Its interdisciplinary approach offers new insights for readers interested in autobiography, illness narratives, Gender Studies and Critical Masculinity Studies; for scholars keen to explore the nexus of the arts, humanities and sciences within the emerging disciplines of Health Humanities and Medical Humanities; and for healthcare professionals and clinical researchers who recognize the importance of personal narratives in training and practice.

Presents fifteen new German-language novelists and a close reading of an exemplary work of each for academics and the general reader alike. After the international success in the 1990s of authors such as Bernhard Schlink, Marcel Beyer, and Thomas Brussig, an impressive number of new German-language novelists are making a significant impact. Some, like Karen Duve, Daniel Kehlmann, and Sasa Stanisic, have achieved international recognition; some, like Julia Franck, have won major prizes; others, like Clemens Meyer, Alina Bronsky, and Ilja Trojanow, are truly "emerging authors" who have begun toattract attention. Between them they represent a range of literatures in German, from women's writing to minority writing (from Turkish immigrants and Eastern Europe), to "pop literature" and perspectives on the former GDR and onGermany's Nazi past. This volume devotes individual essays to fifteen such writers, examining in detail a major work of each. Translated excerpts from works by Vladimir Vertlib and Clemens Meyer round out the book, which willbe of interest not only to academics and students of English and Comparative Literature in the UK, the US, and beyond, but also to the general reader, for whom titles of texts and quotations are translated. Contributors: Lyn Marven, Stuart Taberner, Anke S. Biendarra, Stephen Brockmann, Rebecca Braun, Frauke Matthes, Brigid Haines, Julian Preece, Emily Jeremiah, Valerie Heffernan, Barbara Mennel, Heike Bartel, Kate Roy, Andrew Plowman, Sonja E.Klocke, Jamie Lee Searle, Katy Derbyshire. Lyn Marven is a Lecturer in German at the University of Liverpool. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds.