In this groundbreaking collection of essays, interviews, and artwork, contributors draw upon a rich treasure trove of Jewish women’s comics to explore the representation of Jewish women’s bodies and bodily experience in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume includes major figures such as Miriam Katin, Emil Ferris, Aline Kominsky-Crumb, and Rutu Modan alongside works by artists translated for the first time into English, such as the Georgian Nino Biniashvili and the Haredi artist Batsheva Havlin. Exploring topics such as family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, and the lingering impact of the Holocaust, the contributors present unique, at times deeply personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women’s experiences.

Contributors to this special issue study the visual histories of sex by examining symbols, images, film, and other visual forms ranging from medieval religious icons to twenty-first-century selfies. They argue that engaging BIPOC, antiracist, queer, and feminist perspectives of the past is vital to understanding the complex historical relationships between sex and visual culture and how these relationships continue to shape sexual lives, bodies, myths, and desires. Essay topics include trans visual archives in Francoist Spain, a visual archive of British escort and nightclub hostess Ruth Ellis, pornography and queer pleasure in East Germany, swimsuit advertisements and "bikini blondes" in the age of the atom bomb, and teaching the history of sexuality with images. This issue also contains a roundtable on curating exhibitions devoted to sex and to queer and trans experience; conversations with historians, artists, and curators who study visual culture and the history of sexuality; and an exploration of the photographic archives of Carol Leigh, a.k.a. Scarlot Harlot. Contributors. Heike Bauer, Roland Betancourt, Alexis L. Boylan, Topher Campbell, Joao Florencio, Kyle Frackman, Javier Fernandez Galeano, Sarah Jones, Carol Leigh, Conor McGrady, Ben Miller, Derek Conrad Murray, Lynda Nead, Melina Pappademos, Ashkan Sepahvand, David Serlin, Meg Slater, Katie Sutton, Annette F. Timm, Jennifer Tucker, Jeanne Vaccaro, Sunny Xiang

Sexology and Translation is the first study of the contemporaneous emergence of sexology in Europe, Asia, and the Middle East. Heike Bauer and her contributors-historians, literary and cultural critics, and translation scholars-address the intersections between sexuality and modernity in a range of contexts during the period from the 1880s to the 1930s. From feminist sexualities in modern Japan to Magnus Hirschfeld's affective sexology, this book offers compelling new insights into how sexual ideas were formed in different contexts via a complex process of cultural negotiation. By focusing on issues of translation-the dynamic process by which ideas are produced and transmitted-the essays in Sexology and Translation provide an important corrective to the pervasive idea that sexuality is a "Western" construct that was transmitted around the world. This volume deepens understanding of how the intersections between national and transnational contexts, between science and culture, and between discourse and experience, shaped modern sexuality.

In this groundbreaking collection of essays, interviews, and artwork, contributors draw upon a rich treasure trove of Jewish women's comics to explore the representation of Jewish women's bodies and bodily experience in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume includes major figures such as Miriam Katin, Emil Ferris, Aline Kominsky-Crumb, and Rutu Modan alongside works by artists translated for the first time into English, such as the Georgian Nino Biniashvili and the Haredi artist Batsheva Havlin. Exploring topics such as family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, and the lingering impact of the Holocaust, the contributors present unique, at times deeply personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women's experiences.

Influential sexologist and activist Magnus Hirschfeld founded Berlin's Institute of Sexual Sciences in 1919 as a home and workplace to study homosexual rights activism and support transgender people. It was destroyed by the Nazis in 1933. This episode in history prompted Heike Bauer to ask, Is violence an intrinsic part of modern queer culture? The Hirschfeld Archives answers this critical question by examining the violence that shaped queer existence in the first part of the twentieth century. Hirschfeld himself escaped the Nazis, and many of his papers and publications survived. Bauer examines his accounts of same-sex life from published and unpublished writings, as well as books, articles, diaries, films, photographs and other visual materials, to scrutinize how violence-including persecution, death and suicide-shaped the development of homosexual rights and political activism. The Hirschfeld Archives brings these fragments of queer experience together to reveal many unknown and interesting accounts of LGBTQ life in the early twentieth century, but also to illuminate the fact that homosexual rights politics were haunted from the beginning by racism, colonial brutality, and gender violence.