Von Kleist's last work and his masterpiece--a story of guilt, innocence, and moral righteousness invoking a prince who violates his orders of battle when distracted by a beautiful princess. Plays for Performance.

"No amount of wisdom could possibly make sense of the mysterious verdict which God intended through this duel."
A new translation of a key work by one of European literature's most important early writers.
One of the few novellas written by the master German playwright, "The Duel" was considered by Thomas Mann and others to be one of the great works of German literature. The story of a virtuous woman slandered by a nobleman, it is a precise study of a subject that fascinated von Kleist: That people are sometimes seemingly punished for their very innocence.
This Is A Melville House "HybridBook"
HybridBooks are a union of print and electronic media: Purchasers of this print edition also receive Illuminations--additional curated material that expand the world of Kleist's novella through text and illustrations--at no additional charge.
To obtain the Illuminations for "The Duel "by Heinrich von Kleist, simply scan the QR code (or follow a url) found at the back of the print book, which leads to a page where you can download a file for your preferred electronic reading device.
Illuminations for "The Duel" by Heinrich von Kleist contain:
Writings by:
Paul the Deacon - J.G. Millingen - Sir Walter Scott - Johann Ludwig Uhland - Miguel de Cervantes - Andrew Lang - John Carl Blankenagel - Louis and Regis Senac - Alfred Hutton - Fiore de Liberi and a collection of the twelve laws of chivalry.
Full-color illustrations from:
Gerhard von Kugelgen - Johannes Gehrts - Jorg Breu Jungere and Pauls Hector Mair - Achilles Emperaire - George Muhlberg
Also included is The Duelist's Supplement - "The Art of Dueling: How To Shoot and Slash Your Way To Satisfaction" which includes an entire facsimile scan of Fior de Liberi's "Flower of Battle."
The Art of The Novella Series
Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

In this extraordinary and unpredictable cross-section of the work of one of the most influential free spirits of German letters, Peter Wortsman captures the breathlessness and power of Heinrich von Kleist's transcendent prose. These tales, essays, and fragments move across inner landscapes, exploring the shaky bridges between reason and feeling and the frontiers between the human psyche and the divine. From the "The Earthquake in Chile," his damning invective against moral tyranny; to "Michael Kohlhaas," an exploration of the extreme price of justice; to "The Marquise of O . . .," his twist on the mythic triumph of love story; to his essay "On the Gradual Formulation of Thoughts While Speaking," which tracks the movements of the unconscious decades before Freud; Kleist unrelentingly confronts the dangers of self-deception and the ultimate impossibility of existence ina world of absolutes. Wortsman's illuminating afterword demystifies Kleist's vexed history, explaining how the century after his death saw Kleist's legacy transformed from that of a largely derided playwright into a literary giant who would inspire Thomas Mann and Franz Kafka. The concerns of Heinrich von Kleist are timeless. The mysteries in his fiction and visionary essays still breathe.

In a Northern Italian town during the Napoleonic Wars, Julietta, a young widow and mother of impeccable reputation, finds herself unexpectedly pregnant. This follows an attack on the town's citadel, in which several Russian soldiers tried to assault her before she was rescued by Count F-, at which point she fell unconscious. Thrown out of her father's house, Julietta publishes an announcement in the local newspaper stating that she is pregnant and would like the father of her child to make himself known so that she can marry him.

What follows is an ambiguously comic drama of sexuality and family respectability. One of Kleist's best-loved works, The Marquise of O- is an ingenious and timeless story of the mystery of human desire, and Nicholas Jacobs's new translation captures the full richness of its irony.

"Heroic commander of the Prussian cavalry, the Prince of Homburg dreams of victory, glory and fame. But reckless disobedience during a crucial military operation leads the Prince into his greatest battle yet. The creative team behind the Donmar's critically acclaimed production of Life Is A Dream present Von Kleist's poetic masterpiece, which is considered to be one of the most haunting and beautiful plays of the nineteenth century, exploring honour, courage, ambition and love. Adapted for stage by acclaimed British writer Dennis Kelly, this is an exciting new adaptation of a classic of European literature."

"Tell me, please - is this a dream?' The night before he leads his troops into battle, the prince of Homburg strips off his uniform and goes sleepwalking. Moonstruck, his mind races with a young man's fantasies - love, ambition and victory. But when the morning comes, a single reckless act of disobediance sets in motion a chain of events that leads inexorable to the one thing he never dreamt would happen; his own death. Heinrich von Kleist is one of the most enigmatic figures in theatre history. Driven to suicide at the age of 34, he left behind him seven extraordinary plays. Unperformed during his own lifetime, The Prince of Homburg is now regarded as von Kleist's masterpiece and is one of the most mysterious and beautiful plays of the nineteenth century. Neil Bartlett's production opened at the RSC Stratford in January 2002, and transferred to the Lyric Theatre."

A reprint of the J M Dent edition of 1997. Heinrich von Kleist was born and grew up in the Enlightenment and died in a suicide pact in 1811, aged only thirty-four. He left behind him literary works which are among the most disturbing and amusing of any produced in that revolutionary and romantic period.

Michael Kohlhaas has been wronged. First his finest horses were unfairly confiscated and mistreated. And things keep going worse-his servants have been beaten, his wife killed, and the lawsuits he pursues are stymied-but Kohlhaas, determined to find justice at all costs, tirelessly persists. Standing up against the bureaucratic machine of the empire, Kohlhaas becomes an indomitable figure that you can't help rooting for from start to finish. Knotty, darkly comical, magnificent in its weirdness, and one of the greatest and most influential tales in German literature, this short novel, first published in German in 1810, is now available in award-winning Michael Hofmann's sparkling new English translation.