Zygotes and Confessions is a publication devoted to the work of London-based artist Nick Hornby, and has been produced to accompany his first solo exhibition in a public gallery. The exhibition, which shares its title with the publication, is presented at MOSTYN, Wales, UK, from November 2020 to April 2021. Hornby is known for his monumental site-specific works that combine digital software with traditional materials such as bronze, steel, granite and marble. In this publication he presents a substantial new body of smaller, more intimate work comprising three discrete yet interrelated series of works inspired by the history of sculptural busts, modernist abstractions and mantelpiece ceramic dogs. United by glossy photographic surfaces created by means of an industrial process in which his marble and resin composite sculptures are dipped into liquid photographs, these new works explore themes of portraiture, the body, identity, sexuality and intimacy in the digital era. A number of the works have been made in collaboration with fashion photographer Louie Banks. Along with a foreword by Helen Boyd, Head of Marketing and Publisher Relations at the Casemate Group, the publication features a text by MOSTYN director Alfredo Cramerotti and an essay by London-based publisher, editor and writer Matt Price. Price writes: "With one eye on the sculpture of the past and the other on that of tomorrow, technology is at the heart of London-based Nick Hornby's practice and is central to the production of his often imposing, mind-bending and futuristic-looking sculptures. Using materials such as bronze and marble, his work points back towards the Renaissance or the nineteenth century, yet his use of resin and digital technology positions him very much in the present, exploring languages both figurative and abstract, often simultaneously." The texts are presented in both English and Welsh. Newly commissioned studio photography of the works by Ben Westoby, along with installation views of the exhibition commissioned by MOSTYN from Mark Blower, illustrate the publication, which has been designed by Joe Gilmore / Qubik. The publication is co-published by MOSTYN, Wales, UK, and Anomie Publishing, London, and distributed internationally by Casemate Art, a division of the Casemate Group. Nick Hornby (b.1980) is a British artist living and working in London. Hornby studied at the Slade School of Art and Chelsea College of Art. His work has been exhibited at Tate Britain, Southbank Centre London, Leighton House London, CASS Sculpture Foundation, Glyndebourne, Fitzwilliam Museum Cambridge, Museum of Arts and Design New York, and Poznan Biennale, Poland. Residencies include Outset (Israel) and Eyebeam (USA), and awards include the UAL Sculpture Prize. His work has been reviewed in the New York Times, frieze, Artforum, The Art Newspaper, The FT, and featured in Architectural Digest and Sculpture Magazine.

Over two million Girl Scouts worldwide owe their membership to its founder, Juliette Low--a woman who, as a girl growing up in the post--Civil War South, refused to accept that girls couldn't do everything boys could. Whether angrily defending her friend against taunts of schoolmates or rescuing a kitten from the highest branches of a tree, Low possessed the spirit and strength of character that would lead her in adulthood to act as a world-famous advocate for girls. Children will experience Low's joy at the gift of her very own horse, feel her excitement at attending her first dance, and share her frustration with being thrust in to the role of a well-behaved 19th-century young lady who would rather have been riding, creating sculptures, or climbing.

Helen Boyd's husband, who had long been open about being a cross-dresser, was considering living as a woman full time. Suddenly, Boyd was confronted with the reality of what it would mean if her husband were actually to become a woman -- socially, legally, and medically. Would Boyd love and desire her partner the same way?
Boyd's first book, "My Husband Betty, " explored the relationships of cross-dressing men and their partners. Now, "She's Not the Man I Married" is both a sequel and a more expansive examination of gender in relationships. It's for couples who are homosexual or heterosexual, and for readers who fall anywhere along the gender continuum.
As Boyd struggles to understand the nature of marriage, passion, and love, she shares her confusion and anger, providing a fascinating observation of the ways in which relationships are gendered, and how we cope, or don't, with the emotional and sexual pressures that gender roles can bring to our marriages and relationships.

Author Helen Boyd is a happily married woman whose husband enjoys sharing her wardrobeand she has written the first book on transgendered men to focus on their relationships and their female partners. Traditionally known as cross-dressers, transvestites, or drag queens, men like Helen's husband are diverse and don't always conform to stereotype. Many of the older transvestites are socially conservative, deeply closeted, and devout churchgoers. Helen addresses every imaginable question concerning the reasons for behavior that still baffles not only "mental health professionals" but the practitioners themselves; the taxonomy of the transgendered and the distinct but overlapping societies of each group; coming out; bisexuality; and homophobia. The book features interviews with some very interesting people, all of whom struggle and love: dominatrix and her cross-dressing husband; a crossdressing Reiki master and his son; a woman who after dating one cross-dresser wanted to date others and metand fell in love witha transsexual instead; a woman whose husband promised her he was only a cross-dresser and later realized that he was transsexual. This is a book about relationships that will engage the reader, and Helen's narrative is a powerful lens with which to examine our own notions of gender and equality. "