Callum and Amy discover a sea dragon in a cave along the beach. The sea dragon is lost and cannot find his friends and relatives. They buy the sea dragon ice cream, chips with curry sauce and a balloon to play with. As the summer ends it's time for the sea dragon to find other sea dragons.

Rose Wylie RA (b.1934) trained as an artist in the 1950s, but it was her re-engagement with painting in the early 1980s, after a period spent raising a family, that marked the beginning of a remarkable career that continues to evolve and impress. This monograph, the first of its kind, follows Wylie's fascinating artistic journey celebrating her achievements while also examining her current practice. Rose Wylie's large-scale paintings are inspired by a wide range of visual culture. Her subject matter ranges from contemporary Egyptian Hajj wall paintings and Persian miniatures to films, news stories, celebrity gossip and her observation of daily life. Often working from memory, she distills her subjects into succinct observations, using text to give additional emphasis to her recollections. In weaving together imagery from different sources with personal elements, Wylie's paintings offer a direct and wry commentary on contemporary culture. Her pictures refuse judgment but reveal a concern with the everyday that makes visible its enigmatic core. Drawing on a series of extended interviews with the artist, Clarrie Wallis unpicks the complexities of Wylie's visual language so providing an important contribution to our understanding, and appreciation of, a significant, and increasingly celebrated, figure in contemporary British art.

They stand by side on the rock, facing out to sea. They are hidden from land here. Even spies would see nothing of them. It is spring 1917 in the Cornish coastal village of Zennor, and the young artist Clare Coyne is waking up to the world. Ignoring the whispers from her neighbours, she has struck a rare friendship with D.H. Lawrence and his German wife, who are hoping to escape the war-fever of London. In between painting and visits to her new friends she whiles away the warm days with her cousin John, who is on leave from the trenches, harbouring secrets she couldn't begin to understand. But as the heat picks up, so too do the fear and the gossip that haunt the village. And the freedom to love will come at a steep price. ______________________________________________ **Winner of the McKitterick Prize** 'Highly original and beautifully written' Sunday Telegraph 'Electrifying . . . Helen Dunmore mesmerizes you with her magical pen' Daily Mail 'Deceit gives Helen Dunmore's novel a jagged edge. Secrets, unspoken words, lies that have the truth wrapped up in them somewhere make Dunmore's stories ripples with menace and suspense' Sunday Times 'We believe in Clare's intelligence, talent and passion. A triumph' Independent on Sunday

The malarkey is over in the back of the car - As soon as you turn your back, time slips. The humdrum present has become the precious, irrecoverable past. The ways in which the present longs for the past, questions it, tries to get in touch with it and stretches the power of memory to its limits, are central to this new collection by Helen Dunmore. Joseph Severn recalls Keats hurling a bad dinner out onto the steps of the Piazza di Spagna; the glamour of John Donne's portrait 'taken in shadows' seduces a new generation; the dead assert their right to walk through the imaginations of the living - These are poems and stories of loss and extraordinary rediscovery. The Malarkey is Helen Dunmore's first poetry book since Glad of These Times (2007) and Out of the Blue: Poems 1975-2001 (2001), a comprehensive selection drawing on seven previous collections. It brings together poems of great lyricism, feeling and artistry.

Stunning reissue in a beautiful new cover-look of this fourth novel in the critically acclaimed Ingo Chronicles. Sapphire, Conor and their Mer friends Faro and Elvira are ready to make the Crossing of Ingo - a long and dangerous journey that only the strongest young Mer are called upon to make. No human being has ever attempted this thrilling voyage to the bottom of the world. Ervys, his followers and new recruits, the sharks, are determined that Sapphire and Conor must be stopped - dead or alive...

To be alive is to be inside the wave, always travelling until it breaks and is gone. These poems are concerned with the borderline between the living and the dead - the underworld and the human living world - and the exquisitely intense being of both. They possess a spare, eloquent lyricism as they explore the bliss and anguish of the voyage. Inside the Wave, Helen Dunmore's tenth and final poetry book, was her first since The Malarkey (2012), whose title-poem won the National Poetry Competition. Her final poem, 'Hold out your arms', written shortly before her death and not included in the first printing of Inside the Wave, was added to all subsequent printings. Her posthumous retrospective, Counting Backwards: Poems 1975-2017 (2019), covers ten collections she published over four decades up to and including Inside the Wave. Costa Book of the Year 2017, winner of the 2017 Costa Poetry Award

An atmospheric and beautifully written adventure, from the award-winning author of the Ingo series. Morveren lives with her parents and twin sister Jenna on an island off the coast of Cornwall. As Morveren and Jenna's relationship shifts and changes, like driftwood on the tide, Morveren finds a beautiful teenage boy in a rock pool after a storm. Going to his rescue, she is shocked to see that he is not human but a Mer boy. With Jenna refusing to face the truth, Morveren finds herself alone at the worst possible time. Because when the worlds of Air and Mer meet, the consequences can be terrible...

Winner of the Costa Book of the Year for her final collection, Inside the Wave, Helen Dunmore was as spellbinding storyteller in her poetry and in her prose. Her haunting narratives draw us into darkness, engaging our fears and hopes in poetry of rare luminosity, nowhere more so than in Inside the Wave, in its exploration of the borderline between the living and the dead - the underworld and the human living world - and the exquisitely intense being of both. All her poetry casts a bright, revealing light on the living world, by land and sea, on love, longing and loss. Counting Backwards is a retrospective covering ten collections written over four decades, bringing together all the poems she included in her earlier selection, Out of the Blue (2001), with all those from her three later collections, Glad of These Times (2007), The Malarkey (2012) and Inside the Wave (2017), along with a number of earlier poems.

Spending the holiday with friends, as she has for many years, Camilla finds that their private absorptions - Frances with her painting and Liz with her baby - seem to exclude her from the gossipy intimacies of previous summers. Anxious that she will remain encased in her solitary life as a school secretary, Camilla steps into an unlikesly liaison with Richard Elton, a handsome, assured - and dangerous - liar.

______________________________ 'A deceptively simple masterpiece' Independent on Sunday 'Will haunt you for months, if not years' Guardian 'Outstanding ... if you only buy one book, make it this one' Good Housekeeping The Cold War is at its height, and a spy may be a friend or neighbour, colleague or lover. At the end of a suburban garden, in the pouring rain, a woman buries a briefcase deep in the earth. She believes that she is protecting her family. What she will learn is that no one is immune from betrayal or the devastating consequences of exposure.

THE SUNDAY TIMES BESTSELLER 'Quietly brilliant ... among the best fiction of our time.' Daily Telegraph 'The finest novel Dunmore has written.' Observer 'Superb and poignant.' Guardian It is 1792 and Europe is seized by political turmoil and violence. Lizzie Fawkes has grown up in Radical circles where each step of the French Revolution is followed with eager idealism. But she has recently married John Diner Tredevant, a property developer who is heavily invested in Bristol's housing boom, and he has everything to lose from social upheaval and the prospect of war. Diner believes that Lizzie's independent, questioning spirit must be coerced and subdued. She belongs to him: law and custom confirm it, and she must live as he wants. But as Diner's passion for Lizzie darkens, she soon finds herself dangerously alone. ______________ Nominated for the 2018 Independent Booksellers Week Award Longlisted for the 2018 Walter Scott Prize for Historical Fiction

**FROM THE AUTHOR OF THE COSTA BOOK OF THE YEAR 2017** 'Scrupulous, pitch-perfect. With heart-pounding force, Dunmore builds up a double narrative of suspense' Sunday Times Leningrad, 1952. Andrei, a young hospital doctor and Anna, a nursery school teacher, are forging a life together in the post-war, post-siege wreckage. But their happiness is precarious, like that of millions of Russians who must avoid the claws of Stalin's merciless Ministry for State security. So when Andrei is asked to treat the seriously ill child of a senior secret police officer, he and Anna are fearful. Trapped in an impossible, maybe unwinnable game, can they avoid the whispers and watchful eyes of those who will say or do anything to save themselves? The Betrayal is a powerful and touching novel of ordinary people in the grip of a terrible and sinister regime, and a moving portrait of a love that will not be extinguished. 'Beautifully crafted, gripping, moving, enlightening. Sure to be one of the best historical novels of the year' Time Out 'Magnificent, brave, tender...with a unique gift for immersing the reader in the taste, smell and fear of a story' Independent on Sunday Novelist and poet Helen Dunmore has achieved great critical acclaim since publishing her first adult novel, the McKitterick Prize winning, Zennor in Darkness. Her novels, Counting the Stars, Your Blue-Eyed Boy, With Your Crooked Heart, Burning Bright, House of Orphans, Mourning Ruby, A Spell of Winter, and Talking to the Dead, and her collection of short stories Love of Fat Men are all published by Penguin. Helen also writes for children, her titles include The Deep and Ingo.

**FROM THE AUTHOR OF INSIDE THE WAVE, THE COSTA BOOK OF THE YEAR 2017** Leningrad, September 1941. Hitler orders the German forces to surround the city at the start of the most dangerous, desperate winter in its history. For two pairs of lovers - Anna and Andrei, Anna's novelist father and banned actress Marina - the siege becomes a battle for survival. They will soon discover what it is like to be so hungry you boil shoe leather to make soup, so cold you burn furniture and books. But this is not just a struggle to exist, it is also a fight to keep the spark of hope alive... A brilliantly imagined novel of war and the wounds it inflicts on ordinary people's lives, and a profoundly moving celebration of love, life and survival. 'Remarkable, affecting...there are few more interesting stories than this; and few writers who could have told it better' Rachel Cusk, Daily Telegraph 'Literary writing of the highest order set against a background if suffering so intimately reconstructed it is hard to believe that Dunmore was not there' Richard Overy, Sunday Telegraph 'Utterly convincing. A deeply moving account of two love stories in terrible circumstances. The story of their struggle to survive appears simple, as all great literature should. . . a world-class novel' Antony Beevor, The Times Novelist and poet Helen Dunmore has achieved great critical acclaim since publishing her first adult novel, the McKitterick Prize winning, Zennor in Darkness. Her novels, Counting the Stars, Your Blue-Eyed Boy, With Your Crooked Heart, Burning Bright, House of Orphans, Mourning Ruby, A Spell of Winter, and Talking to the Dead, and her collection of short stories Love of Fat Men are all published by Penguin. This edition includes the first chapter of Betrayal, the sequel to The Siege.

With an introduction by Helen Dunmore Come for a walk down the river road, For though you're all a long time dead The waters part to let us pass The way we'd go on summer nights In the times we were children And thought we were lovers. The Drowned Book is a work of memory, commemoration and loss, dominated by elegies for those the author has loved and admired. Sean O'Brien's exquisite collection is powerfully affecting, sad and often deeply funny; but it is also a dramatically compelling book - disquieting, even - and full of warnings. As the book unfolds, O'Brien's verse occupies an increasingly dark, subterranean territory - where the waters are rising, threatening to overwhelm and ruin the world above. Winner of both the T. S. Eliot and Forward prizes, The Drowned Book is an extraordinary collection, a classic from one of the leading poets of our time.

Nominated for the Folio Prize and shortlisted for the Walter Scott Prize for Historial Fiction, and the Royal Society of Literature Ondaatje Prize. Set during and just after the First World War, The Lie is an enthralling, heart-wrenching novel of love, memory and devastating loss by one of the UK's most acclaimed storytellers. Cornwall, 1920, early spring. A young man stands on a headland, looking out to sea. He is back from the war, homeless and without family. Behind him lie the mud, barbed-wire entanglements and terror of the trenches. Behind him is also the most intense relationship of his life. Daniel has survived, but the horror and passion of the past seem more real than the quiet fields around him. He is about to step into the unknown. But will he ever be able to escape the terrible, unforeseen consequences of a lie?

WINNER OF THE WOMEN'S PRIZE FOR FICTION 'Tense, dark and intensely gripping . . . written so seductively that passages sing out from the page ' Sunday Times Cathy and her brother, Rob, don't know why they have been abandoned by their parents. Alone in their grandfather's decaying country house, they roam the wild grounds freely with minds attuned to the rural wilderness. Lost in their own private world, they seek and find new lines to cross. But as the First World War draws closer, crimes both big and small threaten the delicate refuge they have built. Cathy will do anything to protect their dark Eden from anyone, or anything, that threatens to destroy it. 'An electrifying and original talent, a writer whose style is characterized by a lyrical, dreamy intensity' Guardian 'Stops you in your tracks with the beauty of its writing' Observer 'Has a strong and sensuous magic' The Times 'Her spellbinding, lyrical prose is close to poetry' Daily Mail

Called elegantly, starkly beautiful by The New York Times Book Review, The Siege is Helen Dunmore's masterpiece. Her canvas is monumental -- the Nazis' 1941 winter siege on Leningrad that killed six hundred thousand -- but her focus is heartrendingly intimate. One family, the Levins, fights to stay alive in their small apartment, held together by the unlikely courage and resourcefulness of twenty-two-year-old Anna. Though she dreams of an artist's life, she must instead forage for food in the ever more desperate city and watch her little brother grow cruelly thin. Their father, a blacklisted writer who once advocated a robust life of the mind, withers in spirit and body. At such brutal times everything is tested. And yet Dunmore's inspiring story shows that even then, the triumph of the human heart is that love need not fall away. The novel's imaginative richness, writes The Washington Post, lies in this implicit question: In dire physical circumstances, is it possible to have an inner life? The answer seems to be that no survival is possible without one. Amid the turmoil of the siege, the unimaginable happens -- two people enter the Levins' frozen home and bring a kind of romance where before there was only bare survival. A sensitive young doctor becomes Anna's devoted partner, and her father is allowed a transcendent final episode with a mysterious woman from his past. The Siege marks an exciting new phase in a brilliant career, observed Publishers Weekly in a starred review: Dunmore has built a sizable audience ... but this book should lift her to another level of literary prominence. Dunmore's ... novel ... is an intimate record of an extraordinary human disaster ... a moving story of personal triumph and public tragedy. -- Laura Ciolkowski, San Francisco Chronicle In Helen Dunmore's hands, this epic subject assumes a lyrical honesty that sometimes wrenches but more often lifts the spirit. -- Frances Taliaferro, The Washington Post Dunmore unravels the tangle of suffering, war, and base emotions to produce a story woven with love ... Extraordinary. -- Barbara Conaty, Library Journal (starred review)

The inaugural winner of England's prestigious Orange Prize, A Spell of Winter is a compelling turn-of-the-century tale of innocence corrupted by secrecy, and the grace of second chances. Cathy and her brother, Rob, have forged a passionate refuge against the terror of loneliness and family secrets, but their sibling love becomes fraught with danger. As Catherine fights free of her dark present and haunting past, the spell of winter that has held her in its grasp begins to break. "Dunmore touches everything: skin, bone, frozen earth." -- Los Angeles Times Book Review "[A] literary page-turner." -- Publishers Weekly (starred review) "[A] modern Gothic." -- Library Journal

These three novellas display D. H. Lawrence's brilliant and insightful evocation of human relationships - both tender and cruel - and the devastating results of war. In The Fox, two young women living on a small farm during the First World War find their solitary life interrupted. As a fox preys on their poultry, a human predator has the women in his sights. The Captain's Doll explores the complex relationship between a German countess and a married Scottish soldier in occupied Germany, while in The Ladybird a wounded prisoner of war has a disturbing influence on the Englishwoman who visits him in hospital.

Talking to the Dead is bestselling author Helen Dunmore's fourth novel. There's nothing closer than sisters . . . Unloved by their distant mother, Isabel and Nina cemented their bond in childhood when tragedy struck the family. Many yeas later, with the difficult birth of Isabel's first child, it is Nina who comes to stay and help out her older sister. But Nina has other, important reasons for being under her sister's roof - not least of these is Isabel's husband, Richard. The tragedy that drew two sisters together so many years ago still has the power to wrench them apart . . . 'A writer of quiet deadly power . . . it takes two paragraphs to hook you. Don't resist' Time Out 'Dunmore's capacity for hauntingly psychological storytelling is on brilliant display' Sunday Times 'Flies off the page, startling the reader with its brilliance' Financial Times Helen Dunmore has published eleven novels with Penguin: Zennor in Darkness , which won the McKitterick Prize; Burning Bright; A Spell of Winter, which won the Orange Prize; Talking to the Dead; Your Blue-Eyed Boy; With Your Crooked Heart; The Siege, which was shortlisted for the 2001 Whitbread Novel of the Year Award and for the Orange Prize for Fiction 2002; Mourning Ruby; House of Orphan; Counting the Stars and The Betrayal, which was longlisted for the Man Booker Prize 2010. She is also a poet, children's novelist and short-story writer.