An epic adventure filled with danger and excitement. Perfect for studying author s craft, plot and comparing two writers from different centuries. On stage, this script is great for creating high dramatic tension and provides 15 colourful parts.

Hortense yearns for a new life away from rural Jamaica. Gilbert dreams of becoming a lawyer. Queenie longs to escape her Lincolnshire roots. Three intimately connected stories, tracing the tangled history of Jamaica and Britain. Andrea Levy's epic novel, adapted for the stage by Helen Edmundson, journeys from Jamaica to Britain in 1948 - the year that HMT Empire Windrush docked at Tilbury. Small Island was first performed at the National Theatre, London, in 2019, in an acclaimed production directed by Rufus Norris. This revised edition of the play was published alongside the revival of the production in 2022.

A heartbreaking tale of orphans, angels, murder and music - dramatised from the Whitbread Award-winning novel set in 18th-century England. In 18th-century Gloucestershire, the evil Otis Gardner preys on unmarried mothers, promising to take their babies (and their money) to Thomas Coram's hospital for foundling children. Instead, he buries the babies and pockets the loot. But Otis's downfall is set in train when his half-witted son Meshak falls in love with a young girl, Melissa, and rescues the unwanted son she has had with a disgraced aristocrat. The child is brought up in Coram's hospital, and proves to have inherited the startling musical gifts of his father - gifts that ultimately bring about his father's redemption and a heartbreaking family reunion. Helen Edmundson's adaptation of Jamila Gavin's award-winning novel, Coram Boy, was first performed at the National Theatre, London, in 2005. It won the Time Out Live Award for Best Play. 'A rich and almost Gothic drama' - Philip Pullman

A story of lust, madness and destruction set in the backstreets of Paris. Based on Emile Zola's classic novel. The beautiful but doomed heroine is trapped in a loveless marriage to her sickly cousin, Camille. Every Thursday evening she watches her domineering aunt, Madame Raquin, play dominoes... until one day her husband brings along an old friend, the alluring and athletic Laurent. As Laurent and The re se embark on an illicit affair, a turbulent passion is unleashed that drives them ultimately to violence and murder. Helen Edmundson's sensuous adaptation of Therese Raquin premiered at the Theatre Royal, Bath, in July 2014. It was later seen on Broadway in a production starring Keira Knightley.

In the late 1600s, in a convent in Mexico, a gifted and progressive writer finds herself at the centre of a deadly battle of ideas. Celebrated by the Court but silenced by the Church, she is betrayed by the very people she thought she could trust. Inspired by the extraordinary life of Sor Juana Ines de la Cruz, Helen Edmundson's The Heresy of Love is a powerful drama about a clash between organised religion and personal faith, full of intrigue and danger, ruthless ambitions and illicit desire. Premiered by the Royal Shakespeare Company in 2012, The Heresy of Love was revived in a new production at Shakespeare's Globe, London, in 2015.

A classic from the Spanish Golden Age, Calderon's richly poetic, epic masterpiece explores illusion, reality, fate and destiny against the backdrop of a mythical Polish kingdom. 'If I'm asleep, don't let me wake. If this is real, don't let me dream.' To protect the country from the horrors prophesied, the young Prince Segismundo is condemned for all eternity to be shut away from his country and his birthright. Banished to a secret world high in the mountains and cut off from the sun, he can only dream of a life reversed: of palaces, empires, freedom - revenge... Helen Edmundson's version of Calderon's Life is a Dream was premiered at the Donmar Warehouse, London, in 2009.

A re-invention of George Eliot's classic story of loss, tragedy and the relentless nature of fate. Outgrowing - but still hopelessly devoted to - her family, Maggie befriends the disfigured Phillip Wakem, son of a local lawyer. But their fathers become embroiled in a bitter legal dispute that only the prosperous Wakem can win, and the Tullivers find fate dealing them the first harsh hand of many. With their father dead, the family must face up to their cold future together. Helen Edmundson's stage adaptation of George Eliot's novel The Mill on the Floss was first performed by Shared Experience Theatre Company in 1994.

Helen Edmundson's gripping play tells the little-known story of a monarch caught between friendship and duty. 1702. William III is on the throne and England is on the verge of war. Princess Anne is soon to become Queen, and her advisors vie for influence over the future monarch. Who can Anne turn to when even her most trusted friends seem bent on pursuing power? Contending with deceit and blackmail, Anne must decide where her allegiances lie, and whether to sacrifice her closest relationships for the sake of the country. Commissioned by the Royal Shakespeare Company, Queen Anne premiered at the Swan Theatre, Stratford-upon-Avon, in November 2015, and was revived at the Theatre Royal Haymarket, London, in 2017.

Four superlative stage adaptations by contemporary playwrights, giving bold new interpretations of classic novels

This volume, relaunching the Frontline Intelligence series, contains stage adaptations by contemporary dramatists of well-known, well-loved classics. Included are Jane Austen's "Emma" by Michael Fry, John Cleland's "The Life and Times of Fanny Hill" by April De Angelis, Charles Dickens's "Great Expectations" by John Clifford and George Eliot's "The Mill on the Floss" by Helen Edmundson. The introduction by Michael Fry discusses the issue of adapting classics in context.

Arthur Ransome's famous and much-loved children's classic is brought thrillingly to life in Helen Edmundson's wonderfully theatrical adaptation, with 'delightfully catchy and often witty' (Telegraph) songs by Neil Hannon of The Divine Comedy When John, Susan, Titty and Roger are granted their wish to set sail on their beloved boat Swallow, they know it will be the summer holiday of a lifetime. But their adventure truly begins when they encounter Nancy and Peggy, the self-proclaimed Amazon Pirates, and the dastardly Captain Flint. This adaptation was first performed at the Bristol Old Vic in 2010. It had its West End premiere in 2011.

Mary Shelley: daughter of Mary Wollstonecraft; lover of Shelley; author of Frankenstein... Helen Edmundson's compelling play explores a crucial episode in the early life of Mary Shelley - her meeting and scandalous elopement aged sixteen with Percy Bysshe Shelley, and its consequences for her sisters, her stepmother and above all, her troubled father, the political philosopher William Godwin. Mary Shelley was first staged in a co-production between Shared Experience, Nottingham Playhouse and West Yorkshire Playhouse, at the West Yorkshire Playhouse, Leeds, in March 2012.

Helen Edmundson's celebrated and 'exemplary' (The Times) adaptation of Leo Tolstoy's enduring classic is a vibrant and deeply moving meditation on the nature of love. Anna is beautiful and admired but empty - until a chance meeting throws her into emotional turmoil and a scandalous affair. Contrasting with this tale of destructive love is the story of Levin, an idealistic man striving to find meaning in life - and a self-portrait of Tolstoy himself. Helen Edmundson's stage adaptation of Anna Karenina was first performed by Shared Experience at the Theatre Royal, Winchester, in January 1992 at the start of a nationwide tour. The production went on to win the Time Out Award for Outstanding Theatrical Event of 1992. This edition of the play was published alongside a revival at the Arcola Theatre, London, in 2011.

A gripping play exploring Western guilt towards the Third World, from an author well-known for her award-winning adaptations for Shared Experience and the National Theatre. 'You're not a saint. Saints don't exist. You're just a woman doing her best.' Mark arrives in a village in India to try and find his wife. He doesn't understand what has driven her to abandon her young son. Jane cannot explain why she needed to escape or how she ended up looking after children in India - or what is in the bag she's been holding on to. It is hot, dusty and poor, and a long way from their comfortable life in London. Helen Edmundson's play Mother Teresa is Dead was first performed at the Royal Court Theatre, London, in June 2002.