This volume challenges the imagery of cities by looking through a gendered lens at how women utilize urban space. Focusing on the conceptual and methodological manner of boundaries, the book reminds us that women are members of multiple and diverse groups and as such, they can be active, creative, and powerful agents. Multidisciplinary essays, contributed by urbanists, geographers, political scientists, and historians, explore the ways in which women confront, break down, resist, and form new boundaries and interconnections, both visible and invisible. Arguing for a change in the traditional agenda of cities, the authors investigate how aspects of urban life and space would look considerably different if the alternatives and options presented by women and other marginalized groups were taken into account. They urge us toward a better understanding of how diverse social groups interact, how urban space can enhance such interaction, and what role formal and informal laws, by-laws, policies, and other planning measures should play.

The essential introduction to the life and work of Jackson Pollock, the pioneering Abstract Expressionist painter.

Literary Nonfiction. Art Studies. Edited by Helen A. Harrison. Foreword by Irving Sandler. The absence of traditional subject matter was a primary issue for painters in mid-twentieth-century America whose imagery lacked representational references; it was also a problem for those struggling to understand modern art. Robert Goodnough (19170-2011), then a New York University graduate student and an artist deeply involved with these issues, responded to the situation in a 1950 research paper, "Subject Matter of the Artist: An Analysis of Contemporary Subject Matter in Painting as Derived from Interviews with Those Artists Referred to as the Intrasubjectivists." Goodnough's paper constitutes the first scholarly work on the artists who became known as the Abstract Expressionists and includes interviews with William Baziotes, Willem de Kooning, Adolph Gottlieb, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko. This previously unpublished study is presented here for the first time alongside related writings by Goodnough.

Step into a gentler, simpler world. A girl stays with her grandparents in the summer of 1971 - but it might almost as well be 1961 or even 1951, because nothing changes in Grandma's house. This may remind you of your own childhood in the days before mobile phones and video recorders, and I hope it will make you feel warm and happy. Sarah