Herbert Wilcox directs this classic British drama starring Anna Neagle and Sylvia Syms. The film follows Valerie Carr (Neagle), a widowed mother, who struggles to keep her 17-year-old daughter Janet (Syms) under control and out of trouble. However, with Janet falling under the influence of Tony Ward Black (Kenneth Haigh), an apparently wealthy and carefree young man, Valerie has her work cut out for her...

In addressing her grandchildren in the foreword to this autobiography, Helen Hayes writes: 'It is no longer fashionable to have faith; but your grandmother has never been famous for her chic.' It is, in fact, because of her tenacious faith in the world that Helen Hayes decided to write this book as a legacy for her grandchildren; to be read one day when they are grown. In setting down all the family stories, the backstage anecdotes and her recollections of spiritual struggle, she has produced a legacy for all of us. After years of unwillingness to discuss her private world-which even her bestselling book A Gift of Joy did not do-she has looked beyond her legend and directly at life's lessons as she was forced to learn them. Deeply moving and affectionately witty, her autobiography is an affirmation of the faith that first gave it impetus. All the Helens are here: the 'unrehearsed' child and her shy but ambitious mother; the young actress who so appealed to such luminaries as John Drew and William Gillette; the young woman who forged a marriage with a brilliant renegade named Charles MacArthur; the mother of Mary and Jim; the keeper of an endless procession of hilariously tyrannical poodles; the friend of Fitzgerald, Harpo Marx and Dietrich; the lady who became out 'First Lady of the Theater'; the mature woman, looking forward; and still, and always, the actress. On Reflection is in every sense, an unforgettable book.

A better "casting" could not be conceived. The authors of this book are gold smiths on the subject. I have followed their work since their "entry" into cyto genetics and I have a high esteem for them. I consider it an honour to be asked to write the preface of their opus. Paul Popescu, Directeur de Recherche at INRA, has also played a promi nent part in the development of animal cytogenetics, especially in domestic animals. He is able to tell you the cost of a translocation in a pig breeding farm or a cow population: a fortune! P. Popescu has played a great part in gene mapping of these species using "in situ DNA hybridisation". His contributions are recognised world-wide. His laboratory receives many visitors every year and it serves as a reference for domestic animal cytogenetics. Helene Hayes, Charge de Recherche at INRA, has collaborated with P. POPESCU in the elaboration of the "at hand" techniques and in many other discoveries which are listed in her bibliography. She showed the fascinating correspondence between bovine and human chromosomes and the com pared gene maps of domestic bovidae.

Hayes analyzes the situation of undocumented immigrants in the U.S. and what happens to them in the aftermath of implementation of two key provisions of the 1986 Immigration Reform and Control Act (IRCA) legalization and employer sanctions. Referred to by legislators as a generous and compassionate bill that would legalize much of the undocumented population in our midst, it resulted instead in placing a highly vulnerable silent subclass in deeper jeopardy. Hayes traces the history of undocumented immigration, Congressional debate and implementation of IRCA and provides direct access to the "faces" of the undocumented through original empirical research on the social and economic impact of IRCA on specific groups of undocumented Haitian, Irish, and Salvadoran immigrants. The general theme is America's ambivalence towards its historic lifeline, new immigrants whether legal or undocumented, and how the two central provisions of IRCA uniquely embodied within the same piece of legislation contradictory and ambivalent attitudes toward immigrants which became the seeds of its implementation difficulties. Hayes looks at the issue of undocumented immigration from a legislative, policy, human rights, and implementation perspective, but she also points beyond national strategies to "push factors" emanating from the home countries of the undocumented and makes the case that undocumented immigration is a global social problem that needs global solutions. The book is of particular interest to policy makers, scholars, and other researchers and students involved with social policy and welfare, immigration law, and ethnic studies.

Box set featuring six Shakespeare adaptations starring legendary actor Laurence Olivier. In 'King Lear' (1983), the ageing King Lear (Olivier) decides to split his kingdom between three daughters - Regan, Cordelia and Goneril - with each receiving a share appropriate to the amount of love they feel for him. However, when the faithful Cordelia refuses to protest her devotion, an enraged Lear foolishly cedes complete control to the devious remaining siblings - with terrible results. In 'Henry V' (1944), the young king (Olivier) puts his rakish past behind him and rallies his men to invade France, winning against the enemy's superior numbers. The film was shot in Ireland to avoid the constant bombardment of the Blitz and Olivier was discharged from the Navy to make the film. In 'Hamlet' (1948), Hamlet (Olivier), Prince of Denmark, is still mourning over the death of his father and his mother Gertrude's (Eileen Herlie) subsequent remarriage to Hamlet's despised uncle, Claudius (Basil Sydney), who is now King. When his father's ghost appears to Hamlet and reveals that it was Claudius who murdered him, the young prince vows revenge. However, a fatal flaw in his character - hesitation - mars his efforts, resulting in murder, madness and treachery. In 'The Merchant of Venice' (1974), Jewish moneylender Shylock (Olivier) provides young Antonio (Anthony Nichols) with a loan, stating that if it is not repaid he will claim a pound of flesh. When Antonio's bond defaults, Shylock attempts to claim his grisly compensation in a court of law, but Portia (Joan Plowright) pleads Antonio's case. In 'Richard III' (1955), Olivier stars as the cold and calculating king, a treacherous and untrustworthy fellow who makes plans to kill anyone who threatens his position. Henry Stafford (Ralph Richardson), the Duke of Clarence (John Gielgud) and Lady Anne Neville (Claire Bloom) are just some of those moving in his orbit. 'As You Like It' (1936) was filmed in England in 1936 when Olivier was still considered a promising young actor rather than one of the finest thespians ever, as he would later become, this is his first filmed Shakespeare performance and thus a milestone in film history.

Box set containing all five films from the hugely popular 'Herbie' series. In 'The Love Bug' (1969), Herbie, a Volkswagen with a mind of its own, gets involved with a race car driver (Dean Jones), after a stuffy rival (David Tomlinson) takes a haughty attitude towards the car. In 'Herbie Rides Again' (1974), Herbie tries to help an old woman who is trying to prevent a property developer from building a skyscraper on her land. In 'Herbie Goes to Monte Carlo' (1977), a spy ring hide a huge diamond in Herbie's gas tank while he is racing in a Paris to Monte Carlo race. Herbie also finds time to fall in love with a Lancia. In 'Herbie Goes Bananas' (1980), the little VW is being driven to Brazil to to race in Rio, but finds several slapstick obstacles in his way. Finally, in 'Herbie Fully Loaded' (2005), the world's wackiest Volkswagen is back in action. Maggie Peyton (Lindsay Lohan), the first Peyton to graduate from college receives a graduation present from her dad (Michael Keaton). But instead of a 250Z, she instead receives a Volkswagon Bug (Herbie) who soon takes over all of Maggie's driving. After having her best friend Kevin (Justin Long) restore Herbie, she goes to the car show and beats all-time racer Trip Murphy (Matt Dillon). He demands a rematch and attempts to discover the secret behind Herbie. After losing a big race to Trip because of Herbie's stubbornness, Maggie enters the Daytona 500. But will Herbie win?

Gary Cooper, Helen Hayes and Adolphe Menjou star in this classic romantic drama based on Ernest Hemingway's novel and directed by Frank Borzage. Frederick Henry (Cooper) is an American serving as an ambulance driver in World War I. When his friend Captain Rinaldi (Menjou) introduces him to the beautiful English nurse Catherine Barkley (Hayes), Frederick immediately falls for her. The pair share a brief idyllic interlude together, but the jealous Rinaldi does his best to come between them...

Alfred Hitchcock's most celebrated British thriller, adapted from John Buchan's novel. Richard Hannay (Robert Donat) becomes the victim of mistaken identity when a female corpse is dumped in his flat by a spy ring. He tries to track down the true murderers whilst being pursued by the police, and hooks up with an unwilling accomplice (Madeleine Carroll). Their adventure eventually leads them to a music hall, where the secret of the 39 steps is revealed. Also included is the documentary 'Hitchcock - The Early Years'.

A better "casting" could not be conceived. The authors of this book are gold smiths on the subject. I have followed their work since their "entry" into cyto genetics and I have a high esteem for them. I consider it an honour to be asked to write the preface of their opus. Paul Popescu, Directeur de Recherche at INRA, has also played a promi nent part in the development of animal cytogenetics, especially in domestic animals. He is able to tell you the cost of a translocation in a pig breeding farm or a cow population: a fortune! P. Popescu has played a great part in gene mapping of these species using "in situ DNA hybridisation". His contributions are recognised world-wide. His laboratory receives many visitors every year and it serves as a reference for domestic animal cytogenetics. Helene Hayes, Charge de Recherche at INRA, has collaborated with P. POPESCU in the elaboration of the "at hand" techniques and in many other discoveries which are listed in her bibliography. She showed the fascinating correspondence between bovine and human chromosomes and the com pared gene maps of domestic bovidae.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

Applause for The Fabulous Lunts "Mr. Brown has produced a thoroughly researched study of the Lunts that powerfully evokes a romantic age of the theatre ... A worthy testament to their art." -New York Times Book Review "Their story is an irresistibly appealing one, and Brown's telling of it will help to speed their return to our common consciousness. As darkness threatens to fall on Broadway, we are more than ever in need of the memory of who they were and what they achieved." -The New Yorker (Brendan Gill) "A must for anyone involved with or interested in theatre and a fascinating, well-written book even for the general reader." -Washington Post Book World "For those fortunates who missed seeing them, this book about the Lunts describes their wonder; for those of us who knew them, saw them, and were magicked, it is a surpassing souvenir, a shining memory." -Garson Kanin "I was dazzled by the book ... It almost amounts to an American theatre history from the turn of the century through the fifties and, of course, provides a badly needed sense of heritage for young artists." -Uta Hagen "I can testify that one's theatre library would not be complete unless it included The Fabulous Lunts. This book is a must for all theatre lovers " -Carol Channing

Hayes analyzes the situation of undocumented immigrants in the U.S. and what happens to them in the aftermath of implementation of two key provisions of the 1986 Immigration Reform and Control Act (IRCA) legalization and employer sanctions. Referred to by legislators as a generous and compassionate bill that would legalize much of the undocumented population in our midst, it resulted instead in placing a highly vulnerable silent subclass in deeper jeopardy. Hayes traces the history of undocumented immigration, Congressional debate and implementation of IRCA and provides direct access to the faces of the undocumented through original empirical research on the social and economic impact of IRCA on specific groups of undocumented Haitian, Irish, and Salvadoran immigrants.

The general theme is America's ambivalence towards its historic lifeline, new immigrants whether legal or undocumented, and how the two central provisions of IRCA uniquely embodied within the same piece of legislation contradictory and ambivalent attitudes toward immigrants which became the seeds of its implementation difficulties. Hayes looks at the issue of undocumented immigration from a legislative, policy, human rights, and implementation perspective, but she also points beyond national strategies to push factors emanating from the home countries of the undocumented and makes the case that undocumented immigration is a global social problem that needs global solutions. The book is of particular interest to policy makers, scholars, and other researchers and students involved with social policy and welfare, immigration law, and ethnic studies.

Set in the Scottish Orkney Islands during the First World War, this is the story of three German spies plotting to sink the British fleet. U-Boat Captain Hardt (Conrad Veidt) makes contact with his beautiful co-conspirator (Valerie Hobson). He falls in love with her, but she is already having an affair with the third spy in their group, Royal Navy traitor Lieutenant Ashington (Sebastian Shaw). The tensions in the group affect their operation as a unit.

Classic comic espionage caper from Disney studios starring Peter Ustinov and Derek Nimmo. Lord Southmere (Nimmo) hides a top-secret microfilm containing the formula for the mysterious 'Lotus X' in a dinosaur skeleton at the Natural History Museum in London after narrowly escaping from a gang of ruthless Chinese spies. When he realises that the spies are following him, he instructs his former nanny Hettie (Helen Hayes) to retrieve the microfilm. Southmere is then promptly recaptured by the head spy, Hnup Wan (Peter Ustinov), while the resourceful Hettie assembles a group of fellow nannies to help her search for the microfilm. But the nannies are up against the cunning of the evil spy gang, who will stop at nothing to get to the prized Lotus X before Hettie and her helpers.

Collection of ten classic films from the award-winning British director. In 'The Sound Barrier' (1952), Ralph Richardson stars as an aircraft manufacturer whose all-consuming passion with making the ultimate supersonic jet kills both his son and son-in-law and almost destroys him and the rest of his family. In 'Hobson's Choice' (1953), Lancashire bootmaker Henry Horatio Hobson (Charles Laughton) keeps a tight rein on his three daughters until his eldest, Maggie (Brenda De Banzie), marries his assistant, Willie Mossop (John Mills), and sets him up in his own bootmaking firm. To Hobson's consternation, Willie has soon become his father-in-law's main business rival. In 'Blithe Spirit' (1945), cynical writer, Charles Condomine (Rex Harrison), asks a medium (Margaret Rutherford) to hold a seance in his house so he can collect material for his latest book. No one is more surprised than the medium when she inadvertently conjures up the ghost of Condomine's first wife (Kay Hammond). The ghost refuses to go away, preferring to taunt her less sophisticated replacement (Constance Cummings). In 'Brief Encounter' (1945), a respectable, happily married doctor (Trevor Howard) comes to the aid of an equally upstanding housewife (Celia Johnson) when a passing train blows cinder into her eye. Thus begins a tentative romance, conducted in the tearooms and railway cafe of a small English town. In 'Great Expectations' (1946), orphan, Pip (Anthony Wager), befriends an escaped convict before being elevated to higher circles as the companion of Miss Havisham and her niece, Estella (Jean Simmons), with whom the boy quickly falls in love. When the adult Pip (Mills) discovers a mysterious benefactor has paved the way for him to become a gentleman, he assumes Miss Havisham is responsible. In 'Oliver Twist' (1948), Oliver (John Howard Davis) is a young orphan boy who is expelled from the workhouse run by Mr Bumbel (Francis L. Sullivan). After becoming an apprentice to an undertaker, Oliver decides to run away to London, only to meet the Artful Dodger (Anthony Newley) and fall amongst his gang of thieves, led by the scheming Fagin (Alec Guinness). In 'Madeleine' (1949), Madeleine (Ann Todd) is the eldest daughter in a respectable Victorian Glasgow family. She begins an affair with Frenchman, Emile L'Anglier (Ivan Desny), without her father's knowledge. Meanwhile, Madeleine's father insists on her seeing various suitors. When Madeleine becomes engaged to William Minnoch (Norman Wooland), Emile threatens to reveal their relationship. 'The Passionate Friends' (1944) is an episodic tale of an average working class family in the interwar years. The story traces the melodrama caused by illicit affairs, family bereavement, the first ripples of women's liberation and political instability in the country during the General Strike. It highlights the fact that these internal wranglings are all happening in one house in an average street, and that each average house has its own dramatic stories to tell. Finally, 'In Which We Serve' (1942) is a World War II drama about a destroyer, told through flashbacks and the reminiscences of the surviving crew after their beloved ship is torpedoed.