Native American Literature underwent a Renaissance around 1968, and the current canon of novels written in the late twentieth century in American English by Native American or mixed-blood authors is diverse, exciting and flourishing. Despite this, very few such novels are accepted as part of the broader American literary canon.

This book offers a valuable and original approach to contemporary Native American literature. Dennis's contemplation of space and spatialized aesthetics is compelling and persuasive. Considering Native American literature within a modernist framework, and comparing it with writers such as Woolf, Stein, T.S Eliot and Proust results in a valuable and enriching context for the selected texts.

Vital reading for scholars of Native American Literature, this book will also provide good grounding in the subject for those with an interest in American and twentieth century literature more generally.

Native American Literature underwent a Renaissance around 1968, and the current canon of novels written in the late twentieth century in American English by Native American or mixed-blood authors is diverse, exciting and flourishing. Despite this, very few such novels are accepted as part of the broader American literary canon.

This book offers a valuable and original approach to contemporary Native American literature. Dennis 's contemplation of space and spatialized aesthetics is compelling and persuasive. Considering Native American literature within a modernist framework, and comparing it with writers such as Woolf, Stein, T.S Eliot and Proust results in a valuable and enriching context for the selected texts.

Vital reading for scholars of Native American Literature, this book will also provide good grounding in the subject for those with an interest in American and twentieth century literature more generally.

Diane Glancy is one of the outstanding Native American authors of modern times. Working in multiple genres - poetry, novel, theatre and nonfiction - she has created a vast, ceaselessly provocative oeuvre (more than 35 volumes) and an instantly recognizable voice. Her subject matter is astonishingly diverse, encompassing everything from the Cherokee Trail of Tears to the New Testament character of Dorcas, from the lives of small-town Midwestern women to the joys of classic automobiles, from grade school maskmaking to the recuperation of personal heritage in the archives.The essays in this groundbreaking volume represent the first attempt to systematically survey this challenging writer. Ten outstanding scholars approach her work, mapping out controversies and providing readers of Glancy with various contexts and comparisons through which to understand her ideas. These chapters take a variety of ideological and methodological positions (feminist, Christian, postcolonial, literary-nationalist and more), the better to draw out the complexities of a writer whose work never lets the reader come to easy conclusions. Also included are an original interview with Glancy herself, a survey of previous criticism and a bibliography of her writings. This volume will therefore serve equally well as an introduction to Glancy for newcomers and as an in-depth survey for people already familiar with her work.The Salt Companion to Diane Glancy is part of a unique series of companion volumes to Native American poets. Previous subjects include Carter Revard and Jim Barnes.