This vibrant catalogue presents the work of contemporary artist Harmonia Rosales. Featuring over twenty paintings and a monumental sculptural installation, Harmonia Rosales: Master Narrative is the artist’s first major touring exhibition and first scholarly catalogue of her work. Los Angeles-based artist Harmonia Rosales (b. Chicago, 1984) rewrites the canon, or the master narrative of art history, from the perspective of an Afro-Cuban American woman in the twenty-first century. Her canvases seamlessly weave the tales and characters rooted in West African Yorùbá religion, Greek mythology, and Christianity with the canonical works and artistic techniques of the European Renaissance. Through her visual storytelling, Rosales presents the notion of human and cultural survival on her own terms – one that highlights the beauty and strength of Black people, particularly women, while touching upon grand narratives of creation, tragedy, survival and transcendence. This beautifully illustrated publication includes a catalogue of works in the exhibition, a biography of the artist and new essays by noted scholars in their fields. These essays explore themes ranging from storytelling and narrative to gender and depiction of beauty to race and diaspora.

The embrace of reception theory has been one of the hallmarks of classical studies over the last 30 years. This volume builds on the critical insights thereby gained to consider reception within Greek antiquity itself. Reception, like 'intertextuality', places the emphasis on the creative agency of the later 'receiver' rather than the unilateral influence of the 'transmitter'. It additionally shines the spotlight on transitions into new cultural contexts, on materiality, on intermediality and on the body. Essays range chronologically from the archaic to the Byzantine periods and address literature (prose and verse; Greek, Roman and Greco-Jewish), philosophy, papyri, inscriptions and dance. Whereas the conventional image of ancient Greek classicism is one of quiet reverence, this book, by contrast, demonstrates how rumbustious, heterogeneous and combative it could be.

This collection of papers by an international team of contributors seeks to examine the various ways in which ancient authors and modern readers respond to the interrelations of Greek and Latin texts. The works studied in individual chapters vary widely in genre and historical period, with Plato and Cicero taking their places alongside Homer and Catullus.

Achilles Tatius' Leucippe and Clitophon, long regarded as the most controversial of the ancient Greek novels, is an outrageous tale of love and loss, of Phoenicians and philosophers, virginity tests and snuff murders. This book, the first published monograph on Achilles Tatius, is a study of Leucippe and Clitophon in its literary and visual contexts. It presents fresh insights into the work's narrative complexities and interpretative difficulties. It is particularly concerned with the novel's obsessions with the eye, with theories, descriptions, and metaphorics of the visual. It advances a reading that gives full play to the narrative's 'disgressions' - ekphrasis, sententia, blason, and spectacle - and discusses the politics of digressivity. This book is written to be accessible to non-specialists and all Greek is translated or paraphrased. It aims to contribute to a cultural history of viewing and to feminist literary criticism, as well as to the study of the ancient novel.

Achilles Tatius' Leucippe and Clitophon is a 'Greek novel' composed in the second century AD. Like the other four novels that survive from this period, it focuses on the mutual love of a boy and a girl and the travails and obstacles that prevent them from consummating that love. What distinguishes Leucippe and Clitophon is its exuberant style and racy content. This new translation (which incorporates detailed notes) aims to capture the variety and vivacity of Achilles Tatius' writing. A substantial introduction sets the text in its historical and literary contexts.

A witty, inspiring reckoning with the ancient Greek and Roman myths and their legacy, from what they can illuminate about #MeToo to the radical imagery of Beyonce. The picture of classical antiquity most of us learned in school is framed in certain ways -- glossing over misogyny while omitting the seeds of feminist resistance. Many of today's harmful practices, like school dress codes, exploitation of the environment, and rape culture, have their roots in the ancient world. But in Antigone Rising, classicist Helen Morales reminds us that the myths have subversive power because they are told -- and read -- in different ways. Through these stories, whether it's Antigone's courageous stand against tyranny or the indestructible Caeneus, who inspires trans and gender queer people today, Morales uncovers hidden truths about solidarity, empowerment, and catharsis. Antigone Rising offers a fresh understanding of the stories we take for granted, showing how we can reclaim them to challenge the status quo, spark resistance, and rail against unjust regimes.

A trio of tales offering an eye-opening alternative view of ancient Greece's literary culture.
A fascinating counterpoint to the monumental epics of ancient Greece, Greek Fiction features three novelistic works written between the first and fourth centuries AD. Chariton's "Callirhoe"-perhaps the first novel ever written-is the stirring tale of two star-crossed lovers who are torn apart when Callirhoe is kidnapped and sold into slavery. Longus's "Daphnis and Chloe" tells the story of a boy and girl-both abandoned at birth-who grow up to fall in love and battle pirates. "Letters of Chion" is an early thriller about tyranny and political assassination. Together these works open a welcome window onto ancient Greece's little-explored legacy of prose fiction.

From Zeus and Europa, to Diana, Pan, and Prometheus, the myths of ancient Greece and Rome seem to exert a timeless power over us. But what do those myths represent, and why are they so enduringly fascinating? Why do they seem to be such a potent way of talking about our selves, our origins, and our desires? This imaginative and stimulating Very Short Introduction goes beyond a simple retelling of the stories to explore the rich history and diverse interpretations of classical myths. It is a wide-ranging account, examining how classical myths are used and understood in both high art and popular culture, taking the reader from the temples of Crete to skyscrapers in New York, and finding classical myths in a variety of unexpected places: from arabic poetry and Hollywood films, to psychoanalysis, the bible, and New Age spiritualism. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

'Her mouth was like the bloom of a rose, when the rose begins to part the lips of its petals. As soon as I saw, I was done for...All my dreams were of Leucippe.' Achilles Tatius' Leucippe and Clitophon is the most bizarre and risque of the five 'Greek novels' of idealized love between boy and girl that survive from the period of the Roman empire. Stretching the capacity of the genre to its limits, Achilles' narrative covers adultery, violence, evisceration, pederasty, virginity-testing, and (of course) an improbable happy ending. Ingenious and sophisticated in conception, Leucippe and Clitophon is in execution at once subtle, stylish, moving, brash, tasteless, and obscene. This new translation aims to capture Achilles' writing in all its exuberant variety. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A star par excellence, Dolly Parton is one of country music's most likable personalities. Even a hard-rocking punk or orchestral aesthete can't help cracking a smile or singing along with songs like "Jolene" and "9 to 5." More than a mere singer or actress, Parton is a true cultural phenomenon, immediately recognizable and beloved for her talent, tinkling laugh, and steel magnolia spirit. She is also the only female star to have her own themed amusement park: Dollywood in Pigeon Forge, Tennessee. Every year thousands of fans flock to Dollywood to celebrate the icon, and Helen Morales is one of those fans. In Pilgrimage to Dollywood, Morales sets out to discover Parton's Tennessee. Her travels begin at the top celebrity pilgrimage site of Elvis Presley's Graceland, then take her to Loretta Lynn's ranch in Hurricane Mills; the Country Music Hall of Fame and the Grand Ole Opry in Nashville; to Sevierville, Gatlinburg, and the Great Smoky Mountains National Park; and finally to Pigeon Forge, home of the "Dolly Homecoming Parade," featuring the star herself as grand marshall. Morales's adventure allows her to compare the imaginary Tennessee of Parton's lyrics with the real Tennessee where the singer grew up, looking at essential connections between country music, the land, and a way of life. It's also a personal pilgrimage for Morales. Accompanied by her partner, Tony, and their nine-year-old daughter, Athena (who respectively prefer Mozart and Miley Cyrus), Morales, a recent transplant from England, seeks to understand America and American values through the celebrity sites and attractions of Tennessee. This celebration of Dolly and Americana is for anyone with an old country soul who relies on music to help understand the world, and it is guaranteed to make a Dolly Parton fan of anyone who has not yet fallen for her music or charisma.

The Satyricon is one of the most outrageous and strikingly modern works to have survived from the ancient world. Most likely written by an advisor of Nero, it recounts the adventures of Encolpius and his companions as they travel around Italy, encountering courtesans, priestesses, con men, brothel-keepers, pompous professors and, above all, Trimalchio, the nouveau riche millionaire whose debauched feasting and pretentious vulgarity make him one of the great comic characters in literature. Estimated to date from 63 - 65 AD, and only surviving in fragments, The Satyricon nevertheless offers an unmatched satirical portrait of the age of Nero, in all its excesses and chaos.

A star par excellence, Dolly Parton is one of country music's most likable personalities. Even a hard-rocking punk or orchestral aesthete can't help cracking a smile or singing along with songs like "Jolene" and "9 to 5." More than a mere singer or actress, Parton is a true cultural phenomenon, immediately recognizable and beloved for her talent, tinkling laugh, and steel magnolia spirit. She is also the only female star to have her own themed amusement park: Dollywood in Pigeon Forge, Tennessee. Every year thousands of fans flock to Dollywood to celebrate the icon, and Helen Morales is one of those fans.
In "Pilgrimage to Dollywood," Morales sets out to discover Parton's Tennessee. Her travels begin at the top celebrity pilgrimage site of Elvis Presley's Graceland, then take her to Loretta Lynn's ranch in Hurricane Mills; the Country Music Hall of Fame and the Grand Ole Opry in Nashville; to Sevierville, Gatlinburg, and the Great Smoky Mountains National Park; and finally to Pigeon Forge, home of the "Dolly Homecoming Parade," featuring the star herself as grand marshall. Morales's adventure allows her to compare the imaginary Tennessee of Parton's lyrics with the real Tennessee where the singer grew up, looking at essential connections between country music, the land, and a way of life. It's also a personal pilgrimage for Morales. Accompanied by her partner, Tony, and their nine-year-old daughter, Athena (who respectively prefer Mozart and Miley Cyrus), Morales, a recent transplant from England, seeks to understand America and American values through the celebrity sites and attractions of Tennessee.
This celebration of Dolly and Americana is for anyone with an old country soul who relies on music to help understand the world, and it is guaranteed to make a Dolly Parton fan of anyone who has not yet fallen for her music or charisma.