During the nineteenth century, antiquarians such as William Gell and George Dennis visited the ancient city of Veii, some 15 km north of Rome, and noted the rapid destruction of its archaeology. The city continued under to be under threat, and in the 1950s was the subject of ground-breaking survey and excavation by John Ward-Perkins. However, the results of his fieldwork were never published fully. Knowledge and understanding of material culture (especially pottery, votive objects and architectural terracottas) has increased dramatically over the past fifty years, so allowing the authors to reveal the full potential of the data. This publication reaffirms many of Ward-Perkins s original insights, and contextualizes his research within the new discoveries of the past fifty years; whilst an important contribution to our knowledge, it is also a spur to further work.

The Changing Landscapes of Rome's Northern Hinterland presents a new regional history of the middle Tiber valley as a lens through which to view the emergence and transformation of the city of Rome from 1000 BC to AD 1000. Setting the ancient city within the context of its immediate territory, the authors reveal the diverse and enduring links between the metropolis and its hinterland. At the heart of the volume is a detailed consideration of the results of a complete restudy of the pioneering South Etruria Survey (c. 1955-1970), one of the earliest and most influential Mediterranean landscape projects. Between 1998 and 2002, an international team based at the British School at Rome conducted a comprehensive restudy of the material and documentary archive generated by the South Etruria Survey. The results were supplemented with a number of other published and unpublished sources of archaeological evidence to create a database of around 5000 sites across southern Etruria and the Sabina Tiberina, extending in date from the Bronze Age, through the Etruscan/Sabine, Republican and imperial periods, to the middle ages. Analysis and discussion of these data have appeared in a series of interim articles published over the past two decades; the present volume offers a final synthesis of the project results. The chapters include the first detailed assessment of the field methods of the South Etruria Survey, an extended discussion of the use of archaeological legacy data, and new insights into the social and economic connectivities between Rome and the communities of its northern hinterland across two millennia. The volume as a whole demonstrates how the archaeological evidence generated by landscape surveys can be used to rewrite narrative histories, even those based on cities as familiar as ancient Rome. Includes contributions by Martin Millett, Simon Keay and Christopher Smith, and a preface by Andrew Wallace-Hadrill.

Black-gloss ware is a fine ware produced from the 4th to the 1st centuries BC - in some areas until the early Empire - and used as table ware, for funerary vessels and for ritual purposes. This ware developed in part from later Attic production, spread widely in the Mediterranean, and in part from local traditions. This work focuses on two main topics: A reconstruction of the geography of black-gloss ware workshops in ancient Italy, including aspects of the organization and management of production; and a proposal for a new approach to the study of black-gloss ware with the aim of compiling local and regional histories of ancient Italy in relation to the growth and development of Roman power. Whoever studies the Republican period will inevitably come across black-gloss ware and all its complexities. This class of vessels represents one of the main chronological and cultural indicators of this period and can reflect, in the development of its shapes, decorations and its quantitative distribution, the process of meetings between Rome and the various cultures of ancient Italy. In some parts of Italy the appearance of black-gloss ware takes place at the same time as Roman expansion, with the foundation of colonies and the spread of Roman cults. The study of black-gloss ware, therefore, also necessitates studying the course of the Roman military conquest and consequent integration of the peoples of ancient Italy, as well as trading patterns and the movements of the craftsmen, who carried the techniques, styles and methods of decorating pottery typical of their original region, to the new colonies to which they moved.