Leonard Cohen opens in Los Angeles on the last night of the man s life in 2016. Alone in his final hours, the beloved writer and musician ponders his existence in a series of flashbacks that reveal the ups and downs of a storied career. A young Cohen traded in the promise of steady employment in his family s Montreal garment business for the unlikely path of a literary poet. His life took another sharp turn when, already in his thirties, he recorded his first album to widespread international acclaim. Along the way he encountered a who s who of musical luminaries, including Lou Reed, Nico, Janis Joplin, and Joni Mitchell. And then there s Phil Spector, the notorious music impresario who held a gun to Cohen s head during a coke-fueled, all-night recording session. Later in Cohen s life, there s the story of Hallelujah, one of his most famous songs, and its slow rise from relative obscurity when first recorded in the 1980s to its iconic status a decade later with covers by John Cale and Jeff Buckley. And the period when Cohen went broke after his manager embezzled his lifetime savings, which ironically sparked an unlikely career resurgence and several worldwide tours in the 2000s. Written with careful attention to detail and drawn with a palette of warm, lush colors by the Quebec-based cartoonist Philippe Girard, Leonard Cohen is an engaging portrait of a cultural icon.

Paul at Home is Quebecois superstar Michel Rabagliati s most personal book yet, a riveting, emotional, and frequently amusing take on the losses and loneliness of being closer to retirement than to university. Paul is in his mid-50s, a successful cartoonist with an achy shoulder living in a house he once shared with his wife and daughter. The backyard is unkempt, full of weeds. A swing set sits idle, slowly rusting beside a half-dead tree Paul planted with his then-five-year old daughter. The room that belonged to his now-18-year-old daughter is mostly unused, especially once she decides to move overseas. Left unspoken but lingering in the background is Paul s divorce after a three decade relationship with his high school sweetheart. Amid all of this emotional turmoil, Paul visits his ailing mother in the final months of her life. Like Paul, she divorced in mid-life after a long marriage. She spent most of her remaining years alone or in unfulfilling relationships, which Paul implicitly fears might happen to him. Online dating only seems to make the world worse. Rabagliati doesn t shy away from these intimate issues, approaching them as much with self-deprecating humor as with sorrow or pain. Characterized by both a deep insight and a willingness to poke fun at life s shortcomings, Paul at Home is a playful and poetic rumination on loss and the sometimes unsettling changes that come with middle age.

A portrait of flourishing desire in a body ever-changing. As she examines her life experience and traumas with great care, Delporte faces the questions about gender and sexuality that both haunt and entice her. Deeply informed by her personal relationships as much as queer art and theory, Portrait of a Body is both a joyous and at times hard meditation on embodiment a journey to be reunited with the self in an attempt to heal pain and live more authentically. Delporte's idyllic colored pencil drawings contrast with the near urgency that structures her confessional memoir. Each page is laden with revelation and enveloped in organic, natural shapes rocks, flowers, intertwined bodies, women's hair blowing in the wind captured with devotion. The vitality of these forms interspersed with Delporte s flowing handwriting hold space for her vivid and affecting observations. Skillfully translated by Helge Dascher and Karen Houle, Portrait of a Body provokes us to remain open to the lessons our bodies have on offer.