Sites, Bodies and Stories examines the intimate links between history and heritage as they have developed in postcolonial Indonesia. Sites discussed in the book include Borobudur in Central Java, a village in Flores built around megalithic formations, and ancestral houses in Alor. Bodies refers to legacies of physical anthropology, exhibition practices and Hollywood movies. The Stories are accounts of the Mambesak movement in Papua, the inclusion of wayang puppetry in UNESCO's List of the Intangible Cultural Heritage of Humanity, and subaltern history as written by the people of Blambangan in their search for national heroes. Throughout the book, citizenship entitlement figures as a leitmotif in heritage initiatives. Contemporary heritage formation in Indonesia is intrinsically linked to a canon of Indonesian art and culture developed during Dutch colonial rule, institutionalized within Indonesia's heritage infrastructure and in the Netherlands, and echoed in museums and exhibitions throughout the world. The authors in this volume acknowledge colonial legacies but argue against a colonial determinism, considering instead how contemporary heritage initiatives can lead to new interpretations of the past.

Citizenship and Democratization in Southeast Asia redirects the largely western-oriented study of citizenship to postcolonial states. Providing various fascinating first-hand accounts of how citizens interpret and realize the recognition of their property, identity, security and welfare in the context of a weak rule of law and clientelistic politics, this study highlights the importance of studying citizenship for understanding democratization processes in Southeast Asia. With case studies from Thailand, Indonesia, the Philippines and Cambodia, this book provides a unique bottom-up perspective on the character of public life in Southeast Asia. Contributors are: Mary Austin, Laurens Bakker, Ward Berenschot, Sheri Lynn Gibbings, Takeshi Ito, David Kloos, Merlyna Lim, Astrid Noren-Nilsson, Oona Pardedes, Emma Porio, Apichat Satitniramai, Wolfram Schaffer and Henk Schulte Nordholt.

The essays in this volume examine, from a historical perspective, how contested notions of modernity, civilization, and being governed were envisioned through photography in early twentieth-century Indonesia, a period when the Dutch colonial regime was implementing a liberal reform program known as the Ethical Policy. The contributors reveal how the camera evoked diverse, often contradictory modes of envisioning an ethically governed colony, one in which the very concepts of modernity and civilization were subject to dispute.

This title is available online in its entirety in Open Access. In Environment, Trade and Society in Southeast Asia: A Longue Duree Perspective, eleven historians bring their knowledge and insights to bear on the long sweep of Southeast Asian history. Ranging across many centuries, their contributions seek to identify the repeating patterns in Southeast Asia's past.

In Spectacular Accumulation, Morgan Pitelka investigates the significance of material culture and sociability in late sixteenth-century Japan, focusing in particular on the career and afterlife of Tokugawa Ieyasu (1543-1616), the founder of the Tokugawa shogunate. The story of Ieyasu illustrates the close ties between people, things, and politics and offers us insight into the role of material culture in the shift from medieval to early modern Japan and in shaping our knowledge of history. This innovative and eloquent history of a transitional age in Japan reframes the relationship between culture and politics. Like the collection of meibutsu, or ""famous objects,"" exchanging hostages, collecting heads, and commanding massive armies were part of a strategy Pitelka calls """"spectacular accumulation,"""" which profoundly affected the creation and character of Japan's early modern polity. Pitelka uses the notion of spectacular accumulation to contextualize the acquisition of """"art"""" within a larger complex of practices aimed at establishing governmental authority, demonstrating military dominance, reifying hierarchy, and advertising wealth. He avoids the artificial distinction between cultural history and political history, arguing that the famed cultural efflorescence of these years was not subsidiary to the landscape of political conflict, but constitutive of it. Employing a wide range of thoroughly researched visual and material evidence, including letters, diaries, historical chronicles, and art, Pitelka links the increasing violence of civil and international war to the increasing importance of samurai social rituals and cultural practices. Moving from the Ashikaga palaces of Kyoto to the tea utensil collections of Ieyasu, from the exchange of military hostages to the gift-giving rituals of Oda Nobunaga and Toyotomi Hideyoshi, Spectacular Accumulation traces Japanese military rulers' power plays over famous artworks as well as objectified human bodies.