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A grossly inaccurate "memoir" about Canadian folk legends. Henry
Adam Svec has been pushing boundaries in Canadian folklore since he
unearthed songs by CFL players in Library and Archives Canada,
thereby thrusting himself into the scene-and the media spotlight.
Those spartan poems are finally included in this anthology, in
addition to the fruits of his subsequent expeditions, but there is
much more besides, including honest accounts of the folklorist's
myriad trials and tribulations. This experimental and genre-defying
book mixes the adventurous energies of Alan Lomax and Stompin' Tom,
the intertextual conceptualism of Vladimir Nabokov and Mark Z.
Danielewski, and the searing intensity of Elizabeth Smart and Chris
Kraus. "Comically entertaining, presented with 'performative
verve', as novelist Jacob Wren puts it."-Atlantic Books Today "This
book is cracking me up-and I don't even like football-but it is
just so well written."-Robert Dayton, author of The Canadian
Romantic
American folk music has long presented a problematic conception of
authenticity, but the reality of the folk scene, and its
relationship to media, is far more complicated. This book draws on
the fields of media archaeology, performance studies, and sound
studies to explore the various modes of communication that can be
uncovered from the long American folk revival. From Alan Lomax's
cybernetic visions to Bob Dylan's noisy writing machines, this book
retrieves a subterranean discourse on the concept of media that
might help us to reimagine the potential of the networks in which
we work, play, and sing.
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