Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In an oak-panelled room in a rural Oxford gastropub, ten young undergraduates with cut-glass vowels and deep pockets are meeting, intent on restoring their right to rule - and on getting totally "chatueaued". Members of The Riot Club, an elite student dining society, the fraternity starts to fray when they discover they're a guinea-fowl short and the prostitute they've hired is suddenly banished. An apparent spoof on Oxford's notorious Bullingdon Club, whose past members include Boris Johnson, George Osborne and David Cameron, Posh is a satirical play about power, politics and privilege, and how these elements interact within British institutions. The play is published here as a Methuen Drama Student Edition with commentary and notes by Henry Bell. Posh premiered at the Royal Court Theatre, London, in 2010 and two years later opened in the West End. It was nominated for Best New Play at both the Evening Standard Awards and for the Theatregoers' Choice Awards. It was subsequently made into a film called The Riot Club (2014), starring Sam Claflin, Max Irons and Douglas Booth.

'I am not here, then, as the accused; I am here as the accuser of capitalism dripping with blood from head to foot' - John Maclean, Speech from the Dock, 1918. Feared by the government, adored by workers, celebrated by Lenin and Trotsky; the head of British Military Intelligence called John Maclean 'the most dangerous man in Britain'. This new biography explores the events that shaped the life of a momentous man - from the Great War and the Great Unrest, to the Rent Strike and the Russian Revolution. It examines his work as an organiser and educator, his imprisonment and hunger strike, and how he became the early hero of radical Scottish Independence.

'I am not here, then, as the accused; I am here as the accuser of capitalism dripping with blood from head to foot' - John Maclean, Speech from the Dock, 1918. Feared by the government, adored by workers, celebrated by Lenin and Trotsky; the head of British Military Intelligence called John Maclean 'the most dangerous man in Britain'. This new biography explores the events that shaped the life of a momentous man - from the Great War and the Great Unrest, to the Rent Strike and the Russian Revolution. It examines his work as an organiser and educator, his imprisonment and hunger strike, and how he became the early hero of radical Scottish Independence.

Table Talk-Tischreden-is a substantial folio. The talk of Luther was arranged, according to its topics, into eighty chapters, occupies 1,390 closely printed pages, a full fourteen volumes. Selections from the Table-Talk of Martin Luther condenses Luther's work presenting choice passages. Every paragraph stands unabridged, exactly as it was translated by Captain Bell; and there has been no other purpose governing the choice of matter than a resolve to make it as true a presentment as possible of Luther's mind and character.