A special edition from Macmillan Collector's Library; a series of stunning classics that make perfect gifts or a treat for any book lover. Featuring beautiful heritage wallpaper patterns from Jane Austen's own home in Hampshire, these collectable paperback editions are a must for all Jane Austen fans. Two sisters of opposing temperament but who share the pangs of tragic love provide the subjects for Jane Austen's Sense and Sensibility. Elinor, practical and conventional, the epitome of sense, desires a man who is promised to another woman. Marianne, emotional and sentimental, the epitome of sensibility, loses her heart to a scoundrel who jilts her. A powerful drama of family life and growing up, Sense and Sensibility is at once a subtle comedy of manners and a striking critique of early nineteenth-century society. With original illustrations by the celebrated Hugh Thomson, this Macmillan Collector's Library edition also features bonus material by Jane Austen expert Sophie Reynolds.

A special edition from Macmillan Collector's Library; a series of stunning classics that make perfect gifts or a treat for any book lover. Featuring beautiful heritage wallpaper patterns from Jane Austen's own home in Hampshire, these collectable paperback editions are a must for all Jane Austen fans. Jane Austen's best-loved novel is an unforgettable story about the inaccuracy of first impressions, the power of reason and, above all, the strange dynamics of human relationships and emotions. A tour de force of wit and sparkling dialogue, Pride and Prejudice shows how the headstrong Elizabeth Bennet and the aristocratic Mr Darcy must have their pride humbled and their prejudices dissolved before they can acknowledge their love for each other. With original illustrations by the celebrated Hugh Thomson, this Macmillan Collector's Library edition also features bonus material by Jane Austen expert Sophie Reynolds.

Two sisters of opposing temperament but who share the pangs of tragic love provide the subjects for Jane Austen's Sense and Sensibility. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful hardbacks make perfect gifts for book lovers, or wonderful additions to your own collection. Gorgeously illustrated by the celebrated Hugh Thomson, this edition also includes an afterword by author and critic Henry Hitchings. Elinor, practical and conventional, the epitome of sense, desires a man who is promised to another woman. Marianne, emotional and sentimental, the epitome of sensibility, loses her heart to a scoundrel who jilts her. A powerful drama of family life and growing up, Sense and Sensibility is at once a subtle comedy of manners and a striking critique of early nineteenth-century society.

Jane Austen's wickedly satirical final novel, and the inspiration for a major motion picture starring Dakota Johnson, Henry Golding and Richard E. Grant. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful hardbacks make perfect gifts for book lovers, or wonderful additions to your own collection. Gorgeously illustrated by the celebrated Hugh Thomson, this edition also includes an afterword by author and critic Henry Hitchings. Persuasion follows the story of Anne Elliott who, as a teenager, was engaged to a seemingly ideal man, Frederick Wentworth. But after being persuaded by her friend Lady Russell that he is too poor to be a suitable match, Anne ends their engagement. When they are reacquainted eight years later, their circumstances are transformed: Frederick is returning triumphantly from the Napoleonic War, while Anne's fortunes are floundering. Will their past regrets prevent them from finding future happiness?

A major TV series starring Olivia Cooke, Simon Russell Beale and Micheal Palin. Brilliant anti-heroine Becky Sharp will do anything to climb to society's loftiest heights and couldn't be more different from her rich, sweet-natured schoolmate, Amelia Sedley. Their parallel lives are marked by love, lust, marriage, fortune and loss, in all their different guises, as they navigate the corrupt circus of upper-class Regency England. Hailed as a literary masterpiece upon first publication, William Makepeace Thackeray's Vanity Fair has never waned in popularity and remains a highly entertaining satire of early nineteenth-century high society. This gorgeous edition includes an afterword by the prizewinning author and critic, Henry Hitchings. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

'Hitchings is extremely good at unravelling Johnson’s most bullish assertions . . . lucid and empathetic, scholarly but lively. A model Johnsonian, in fact.' The Times

The World in Thirty-Eight Chapters or Dr Johnson’s Guide to Life is a source of profound good sense about what it means to teach, read, write and travel. More than that, though, Henry Hitchings continually translates Samuel Johnson's experience of poverty, scorn, pain and madness into a rich understanding of how to be.

Samuel Johnson was a critic, an essayist, a poet and a biographer. He was also, famously, the compiler of the first good English dictionary, published in 1755. A polymath and a great conversationalist, his intellectual and social curiosity were boundless. Yet he was a deeply melancholy man, haunted by dark thoughts, sickness and a diseased imagination. In his own life, both public and private, he sought to choose a virtuous and prudent path, negotiating everyday hazards and temptations. His writings and aphorisms illuminate what it means to lead a life of integrity, and his experience, abundantly documented by him and by others (such as James Boswell and Hester Thrale), is a lesson in the art of regulating the mind and the body.

Johnson’s story touches on many themes that have enduring significance. He was, and remains, a perceptive commentator on the vanity of human wishes, the rewards and dangers of charity, the need to cultivate kindness, the complexities of family life (especially marriage), the effects of boredom and the fleeting nature of pleasure. He writes and speaks incisively and humanely about the ego, ambition, hypocrisy, fallibility and disorders of the mind, as well as the corrosive effects of obsession, the precariousness of fame and the skulduggery of the literary world.

Most of us know a bit about what passes for good manners - holding doors open, sending thank-you notes, no elbows on the table. We certainly know bad manners when we see them. But where has this patchwork of beliefs and behaviours come from? How did manners develop? How do they change? And why do they matter so much to us? In examining our manners, Henry Hitchings delves into the English character and investigates our notions of Englishness. Sorry! presents an amusing, illuminating and quirky audit of English manners. From basic table manners to appropriate sexual conduct, via hospitality, chivalry, faux pas and online etiquette, Hitchings traces the history of our country's customs and courtesies. Putting under the microscope some of our most astute observers of humanity, including Jane Austen and Samuel Pepys, he uses their lives and writings to pry open the often downright peculiar secrets of the English character. Hitchings' blend of history, anthropology and personal journey helps us understand our bizarre and contested cultural baggage - and ourselves.

AN "ECONOMIST" BOOK OF THE YEAR
"The Secret Life of Words "is a wide-ranging account of the transplanted, stolen, bastardized words we've come to know as the English languag. It's a history of English as a whole, and of the thousands of individual words, from more than 350 foreign tongues, that trickled in gradually over hundreds of years of trade, colonization, and diplomacy. Henry Hitchings narrates the story from the Norman Conquest to the present day, chronicling the English language as a living archive of human experience.
A SAMPLE OF THE THOUSANDS OF STORIES BEHIND THE WORDS:
- Alcatraz Island was named by a Spanish explorer who arrived in 1775 to find the island covered with pelicans, or "alcatraces." And "alcatraces"? The word goes back to the Arabic "al-qadus," which was a bucket used in irrigation that resembled the bucket beaks of pelicans.

- What does a walnut have to do with walls? The word comes from the Old English walhnutu, meaning foreign nut. They were originally grown in Italy and imported, and the northern Europeans named them to distinguish them from the native hazelnut.

- A crayfish is not a fish. The name comes from the old French word "crevice," through the Old German "crebiz "and the modern French "ecrevisse." The "fish" part is just the result of a mishearing."
"The Secret Life of Words "is a wide-ranging chronicle of how words witness history, reflect social change, and remind us of our past.

A humorous and charming investigation into what it really means to have proper manners
Most of us know a bit about what passes for good manners--holding doors open, sending thank-you notes, no elbows on the table--and we certainly know bad manners when we see them. But where has this patchwork of beliefs and behaviors come from? How did manners develop? How do they change? And why do they matter so much? In examining English manners, Henry Hitchings delves into the English character and investigates what it means to be English.
"Sorry " presents an amusing, illuminating, and quirky audit of English manners. From basic table manners to appropriate sexual conduct, via hospitality, chivalry, faux pas, and online etiquette, Hitchings traces the history of England's customs and courtesies. Putting some of the most astute observers of humanity--including Jane Austen and Samuel Pepys--under the microscope, he uses their lives and writings to pry open the often downright peculiar secrets of the English character. Hitchings's blend of history, anthropology, and personal journey helps us understand the bizarre and contested cultural baggage that goes along with our understanding of what it means to have good manners.

Christopher Hibbert draws on every known contemporary source to provide a minutely detailed look at the fascinating writer Samuel Johnson. Using facts and anecdotes, Hibbert delivers intimate glimpses into Johnson's time as a schoolboy, his eccentricities as an undergraduate at Oxford, his struggle as a poor writer in London, and his slow rise to the legendary figure with a court of admirers and a steady stream of visitors. Hibbert combines personal stories with an examination Johnson's writing, offering a compelling and readable account.

AN "ECONOMIST" BOOK OF THE YEAR
"The Secret Life of Words "is a wide-ranging account of the transplanted, stolen, bastardized words we've come to know as the English languag. It's a history of English as a whole, and of the thousands of individual words, from more than 350 foreign tongues, that trickled in gradually over hundreds of years of trade, colonization, and diplomacy. Henry Hitchings narrates the story from the Norman Conquest to the present day, chronicling the English language as a living archive of human experience.
A SAMPLE OF THE THOUSANDS OF STORIES BEHIND THE WORDS:
- Alcatraz Island was named by a Spanish explorer who arrived in 1775 to find the island covered with pelicans, or "alcatraces." And "alcatraces"? The word goes back to the Arabic "al-qadus," which was a bucket used in irrigation that resembled the bucket beaks of pelicans.

- What does a walnut have to do with walls? The word comes from the Old English walhnutu, meaning foreign nut. They were originally grown in Italy and imported, and the northern Europeans named them to distinguish them from the native hazelnut.

- A crayfish is not a fish. The name comes from the old French word "crevice," through the Old German "crebiz "and the modern French "ecrevisse." The "fish" part is just the result of a mishearing."
"The Secret Life of Words "is a wide-ranging chronicle of how words witness history, reflect social change, and remind us of our past.

Henry Hitchings was born in 1974. He is the author of "Defining the World "and has contributed to many newspapers and magazines.

An "Economist" Best Book of the Year
Words are essential to our everyday lives. An average person spends his or her day enveloped in conversations, e-mails, phone calls, text messages, directions, headlines, and more. But how often do we stop to think about the origins of the words we use? Have you ever thought about which words in English have been borrowed from Arabic, Dutch, or Portuguese? Try "admiral," "landscape," and "marmalade," just for starters. "The Secret Life of Words" is a wide-ranging account not only of the history of English language and vocabulary, but also of how words witness history, reflect social change, and remind us of our past. Henry Hitchings delves into the insatiable, ever-changing English language and reveals how and why it has absorbed words from more than 350 other languages--many originating from the most unlikely of places, such as "shampoo" from Hindi and "kiosk "from Turkish. From the Norman Conquest to the present day, Hitchings narrates the story of English as a living archive of our human experience. He uncovers the secrets behind everyday words and explores the surprising origins of our most commonplace expressions. "The Secret Life of Words" is a rich, lively celebration of the language and vocabulary that we too often take for granted.

"This historical tour of the English lexicon considers words as etymological 'fossils of past dreams and traumas, ' revealing the preoccupations of the ages that produced them. The nineteenth century's 'cult of fine feelings' gave currency to 'sensibility' and 'physiognomy'; 'popery' and 'libertine' sprang from the religious skepticism of the sixteen-hundreds. Many such relics began as imports: centuries of Anglophone empire-building have occasioned borrowings from some three hundred and fifty languages, including Arabic ('sash') and Sanskrit ('pundit'). The chapters are loosely focused on different themes, but trade is a constant thread: 'tycoon' comes from taikun, a Japanese honorific picked up on Commodore Matthew Perry's eighteen-fifties mission to open the ports of Japan. Hitchings offers a rich array of anecdotes and extracts."--"The New Yorker "
"Many will know that the word 'muscle' comes from the Latin for 'mouse' (rippling under the skin, so to speak). But what about 'chagrin', derived from the Turkish for roughened leather, or scaly sharkskin. Or 'lens' which comes from the Latin 'lentil' or 'window' meaning 'eye of wind' in old Norse? Looked at closely, the language comes apart in images, like those strange paintings by Giuseppe Arcimboldo where heads are made of fruit and vegetables. Not that Henry Hitchings's book is about verbal surrealism. That is an extra pleasure in a book which is really about the way the English language has roamed the world helping itself liberally to words, absorbing them, forgetting where they came from, and moving on with an ever-growing load of exotics, crossbreeds and subtly shaded near-synonyms. It is also about migrations within the language's own borders, about upward and downward mobility, about words losing their roots, turning up in new surroundings, or lying in wait, like 'duvet' which was mentioned by Samuel Johnson, for their moment . . . At every stage, the book is about people and ideas on the move, about invasion, refugees, immigrants, traders, colonists and explorers. This is a huge subject and one that is almost bound to provoke question-marks and explosions in the margins--soon forgotten in the book's sheer sweep and scale . . . The author's zest and grasp are wonderful. He makes you want to check out everything . . . Whatever is hybrid, fluid and unpoliced about English delights him."--"The Economist
""There's not a word in English that isn't furled-up history, resonating to some degree withits notorious unfairness and spin. Indeed, to peer into words is to discover dioramas of vanished worlds with model people busily framing meaning to suit their own purposes. I have never read a book that so perfectly reveals those hidden worlds as Henry Hitching's "The Secret Life of Words: How English Became English." The book follows the 'pedigree and career' of the English language through history, exposing its debt to invasions, to threats from abroad, and to an island people's dealings with the world beyond its shores. In doing this, Hitchings lays bare the general spirit of acquisitiveness that informs English as no other language. But, for all that, his true object is to reveal past frames of mind and to show how our present outlook is informed by the history squirreled away in the words we use. This is an enormous undertaking, and Hitchings does it with deft command. He begins with the familiar story of how the basic fabric of English was woven from Germanic Anglo-Saxon and French Norman threads, and how the social hierarchy of those groups is reflected in words: those derived from Anglo-Saxon being neutral and earthy; those from Norman French smacking of sophistication and ease. It's all English; nonetheless, the most persistent acrimony over keeping English free of foreign contamination is internecine: Anglo-Saxon derived words are generally considered purer and stronger, more oaken as you might say, than French-derived ones, which are 'artificial, barbarous and infused with the dark scent of depravity.' Centuries of cross-channel animosity exist in this prejudice, efflorescing (to use an un-oaken word) now and again in eccentric partisans of Anglo-Saxon. Hitchings presents us, for instance, with the 19th-century clergyman William Barnes, who 'preferred wheelsaddle to bicycle and folkwain to omnibus.' For him, pathology was painlore and forceps were nipperlings. The book is full of that sort of entertainment. But Hitchings goes well beyond curious tales to penetrating discussions of changes in consciousness, o

A "Los Angeles Times" Favorite Book of the Year
In 1746, Samuel Johnson undertook the Herculean task of writing the first comprehensive English dictionary. Imagining he could complete the job in three years, Johnson in fact took more than eight, and the dictionary itself turned out to be as much a work of literature as it was an invaluable reference. In alphabetized chapters, from "Adventurous" to "Zootomy," Henry Hitchings tells of Johnson's toil and triumph and offers a closer look at the definitions themselves, which were alive with invention, poetry, erudition, and, at times, hilarious imprecision. The story of Johnson's adventure into the essence of words is an entertainment that "sparkles on every page" ("The Philadelphia Inquirer").

One man. 42,773 entries. The brilliant story of how Dr Johnson succeded in writing the first great English Dictionary By 1700, France and Italy already had dictionaries of their own, and it became a matter of national pride that England should rival them. Dr Johnson rose to the challenge, turning over the garret of his London home to the creation of his Dictionary. He imagined it would take three years. Eight years later it was finally published, full of idiosyncrasies, but complete nevertheless. It would become the most important British cultural monument of the eighteenth century. This is the story of Johnson's attempt to define each and every word. In wonderfully engaging chapters, Hitchings describes Johnson's adventure - his ambition and vision, his moments of despair, the mistakes he made along the way and his ultimate triumph.

The English language is a battlefield. Since the age of Shakespeare, arguments over correct usage have been acrimonious, and those involved have always really been contesting values - to do with morality, politics and class. THE LANGUAGE WARS examines the present state of the conflict, its history and its future. Above all, it uses the past as a way of illuminating the present. Moving chronologically, the book explores the most persistent issues to do with English and unpacks the history of 'proper' usage. Where did these ideas spring from? Which of today's bugbears and annoyances are actually venerable? Who has been on the front line in the language wars? THE LANGUAGE WARS examines grammar rules, regional accents, swearing, spelling, dictionaries, political correctness, and the role of electronic media in reshaping language. It also takes a look at such niggling concerns as the split infinitive, elocution and text messaging. Peopled with intriguing characters such as Jonathan Swift, H. W. Fowler and George Orwell as well as the more disparate figures of Lewis Carroll, Buffy the Vampire Slayer and Lenny Bruce, THE LANGUAGE WARS is an essential volume for anyone interested in the state of the English language today or intrigued about its future.

By 1700, France and Italy already had dictionaries of their own, and it became a matter of national pride that England should rival them. Dr Johnson rose to the challenge, turning over the garret of his London home to the creation of his Dictionary. He imagined it would take three years. Eight years later it was finally published, full of idiosyncrasies, but complete nevertheless. It would become the most important British cultural monument of the eighteenth century. This is the story of Johnson's attempt to define each and every word. In wonderfully engaging chapters, Hitchings describes Johnson's adventure - his ambition and vision, his moments of despair, the mistakes he made along the way and his ultimate triumph.

"Exemplary...Hitchings has created a fascinating, wholly readable, and gratifyingly informative book."---"Financial Times "(London)

The English language is a battlefield. Since the age of Shakespeare, arguments over correct usage have been bitter; often they've had more to do with morality, politics, and the values of the age than with language itself. Peopled with intriguing characters such as Jonathan Swift, Lewis Carroll, and Lenny Bruce, "The Language Wars" is essential reading for anyone interested in the contemporary state of the English language, its contested history, and its future.