Popular in its day both as a sourcebook for writers and orators and as a guidebook for living a moral life, this remarkably rich document serves as an engaging introduction to the cultural and moral history of ancient Rome. Valerius' "thousand tales" are arranged thematically in ninety-one chapters that cover nearly every aspect of life in the ancient world, including such wide-ranging topics as military discipline, child rearing, and women lawyers. As a whole, the work gives the reader fascinating insights into what it felt like to be an ancient Roman, what the ancient Romans really believed, what their private world was like, how they related to one another, and what they did when nobody was watching.

Popular in its day both as a sourcebook for writers and orators and as a guidebook for living a moral life, this remarkably rich document serves as an engaging introduction to the cultural and moral history of ancient Rome. Valerius' "thousand tales" are arranged thematically in ninety-one chapters that cover nearly every aspect of life in the ancient world, including such wide-ranging topics as military discipline, child rearing, and women lawyers. As a whole, the work gives the reader fascinating insights into what it felt like to be an ancient Roman, what the ancient Romans really believed, what their private world was like, how they related to one another, and what they did when nobody was watching.

The twin deities known by the ancient Greeks as the Dioskouroi, and by the Romans as the Gemini, were popular figures in the classical world. They were especially connected with youth, low status and service, and were embraced by the common people in a way that eluded those gods associated with regal magnificence or the ruling classes. Despite their popularity, no dedicated study has been published on the horse gods for over a hundred years. Henry John Walker here addresses this neglect. His comparative study traces the origins, meanings and applications of the twin divinities to social and ritual settings in Greece, Vedic India (where the brothers named Castor and Pollux were revered as Indo-European gods called the Asvins), Etruria and classical Rome. In the Bronze and Early Iron Ages of Vedic India, the young horse gods are seen to have markedly similar characteristics to their Greco-Roman counterparts. Quick to come to the rescue of those in trouble, the Asvins are ready to assist the old, the weak and the humble. Charting the parallels and correspondences between these ancient myths, Walker uncovers not a single, universal coda but rather a great variety of loosely related beliefs and practices relating to the sibling deities. He demonstrates, for example, that, just as the Dioskouroi were regarded as being halfway between gods and men, so young Spartans - undergoing a fierce and uncompromising military training - saw themselves as standing midway between animal and human. Such diverse and creative interpretations of the myth seem to have played a central role in the culture and society of antiquity.