The Dementia Experience is a novel by Henry Johnson, a short story based upon real life experiences of people living with a dementia. Are you worried about getting dementia in later life or do you have a relative or friend who already has dementia? Are you interested in caring for people with dementia? This book will prove invaluable in putting your mind at rest. You can have dementia and be happy, and many people living with dementia in care homes are happy. This book will restore your faith in the form of a short story about a girl called Maria who has a week's work experience at a fictitious care home called St Michael's, based upon real life experiences of carers of people and people living with dementia.

This book is for children aged between ten and thirteen years old, though if you're a little younger or a little older and you'd still like to give it a go why not! It's about a boy called Jacob and although things start out nice and sweet things turn a little bit eery, you might think what on earth's going on here?? Your mind will open up and your imagination will run into overdrive as the story of what's in store for us all unfolds! Don't give up you might need this one day, this is only the beginning!

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This volume explores the notion of "affective media" within and across different arts in Japan, with a primary focus on music, whether as standalone product or connected to other genres such as theatre and photography. The volume explores the Japanese reception of this "affective media", its transformation and subsequent cultural flow. Moving from a discussion of early encounters with the West through Jesuits and others, the contributors primarily consider the role of music in the nineteenth, twentieth, and twenty-first centuries. With ten original chapters, the volume covers a wealth of themes, from education, koto music, guitar making, avant-garde recorder works, musicals and rock photography, to interviews with contemporary performers in jazz, modern rock and J-pop. Innovative and fascinating, the book provides rich new insights and material to all those interested in Japanese musical culture.

This multidisciplinary collection examines the connections between education, migration and translation across school and higher education sectors, and a broad range of socio-geographical contexts. Organised around the themes of knowledge, language, mobility, and practice, it brings together studies from around the world to offer a timely critique of existing practices that privilege some ways of knowing and communicating over others. With attention to issues of internationalisation, forced migration, minorities and indigenous education, this volume asks how the dominance of English in education might be challenged, how educational contexts that privilege bi- and multi-lingualism might be re-imagined, what we might learn from existing educational practices that privilege minority or indigenous languages, and how we might exercise 'linguistic hospitality' in a world marked by high levels of forced migration and educational mobility. As such, it will appeal to scholars across the social sciences with interests in education, migration and intercultural communication.

This book is the first to explore style and spectacle in glam popular music performance from the 1970s to the present day, and from an international perspective. Focus is given to a number of representative artists, bands, and movements, as well as national, regional, and cultural contexts from around the globe. Approaching glam music performance and style broadly, and using the glam/glitter rock genre of the early 1970s as a foundation for case studies and comparisons, the volume engages with subjects that help in defining the glam phenomenon in its many manifestations and contexts. Glam rock, in its original, term-defining inception, had its birth in the UK in 1970/71, and featured at its forefront acts such as David Bowie, T. Rex, Slade, and Roxy Music. Termed "glitter rock" in the US, stateside artists included Alice Cooper, Suzi Quatro, The New York Dolls, and Kiss. In a global context, glam is represented in many other cultures, where the influences of early glam rock can be seen clearly. In this book, glam exists at the intersections of glam rock and other styles (e.g., punk, metal, disco, goth). Its performers are characterized by their flamboyant and theatrical appearance (clothes, costumes, makeup, hairstyles), they often challenge gender stereotypes and sexuality (androgyny), and they create spectacle in popular music performance, fandom, and fashion. The essays in this collection comprise theoretically-informed contributions that address the diversity of the world's popular music via artists, bands, and movements, with special attention given to the ways glam has been influential not only as a music genre, but also in fashion, design, and other visual culture.

The sword and the cross
The Normans (or Northmen) forged an empire that lasted four hundred years. Though principally known for their seat of power in Normandy, they originated from Viking stock and at the height of their supremacy had made their influence felt throughout Europe and into the Middle East. This was a martial people and its leaders took and held power with a cunning, ruthless and often cruel efficiency whilst at the same time contributing to the culture of their time. They played a pivotal role in the wars of the Crusades but the Norman Empire, constantly in a state of expansion, also found itself in armed conflict with many of the kingdoms of Europe including open battle with the Pope of Rome himself and, of course, in the invasion of Britain under Duke William. The very success of the Normans ultimately contributed to their obscurity since they integrated well with those they conquered. Nevertheless, they left an indelible mark on history and that remains evident to this day in our culture, language and architecture. This is the remarkable history of the rise and decline of the warriors with the iconic helmets and kite shaped shields who forged an empire with steel and blood. Available in softcover and hardcover with dust jacket.

This multidisciplinary collection examines the connections between education, migration and translation across school and higher education sectors, and a broad range of socio-geographical contexts. Organised around the themes of knowledge, language, mobility, and practice, it brings together studies from around the world to offer a timely critique of existing practices that privilege some ways of knowing and communicating over others. With attention to issues of internationalisation, forced migration, minorities and indigenous education, this volume asks how the dominance of English in education might be challenged, how educational contexts that privilege bi- and multi-lingualism might be re-imagined, what we might learn from existing educational practices that privilege minority or indigenous languages, and how we might exercise 'linguistic hospitality' in a world marked by high levels of forced migration and educational mobility. As such, it will appeal to scholars across the social sciences with interests in education, migration and intercultural communication.

Koza Dabasa explores Okinawa's island culture and its ghosts of war through the lens of Nenes, a four-woman pop group that draws on the distinctiveness and exoticism of Okinawan musical tradition. Both a tropical island paradise and the site of some of the bloodiest battles of World War II, Okinawa has a unique culture and a contentious history. Its musical traditions are distinct from other parts of Japan, varying in instrumentation, poetic forms, and musical scales. Nenes marks its cultural difference as Okinawan by emphasizing its own exoticism, expressed through its music, fashion, imagery, and performance style. Henry Johnson listens to Koza Dabasa as a representation of Okinawa's relationship with the Japanese music industry and with the broader themes of international warfare and local tourism. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

From entering a high-school music competition to being honoured with the New Zealand Order of Merit, Bic Runga has an established place within contemporary popular music. Focusing on her iconic album, Drive, and including informative case studies of representative tracks on the album, this book provides not only an in-depth study of one album, but skillfully navigates Runga's creative work over three decades to illuminate some of the key stages of her career. The book offers comprehension of the performer's rise to stardom, musical style, accolades, and performance achievements. Blending popular music studies with media analysis, the book is the first to offer a detailed study of Runga's creativity, and a close-up study of her debut and critically acclaimed album.

From entering a high-school music competition to being honoured with the New Zealand Order of Merit, Bic Runga has an established place within contemporary popular music. Focusing on her iconic album, Drive, and including informative case studies of representative tracks on the album, this book provides not only an in-depth study of one album, but skillfully navigates Runga's creative work over three decades to illuminate some of the key stages of her career. The book offers comprehension of the performer's rise to stardom, musical style, accolades, and performance achievements. Blending popular music studies with media analysis, the book is the first to offer a detailed study of Runga's creativity, and a close-up study of her debut and critically acclaimed album.

Koza Dabasa explores Okinawa's island culture and its ghosts of war through the lens of Nenes, a four-woman pop group that draws on the distinctiveness and exoticism of Okinawan musical tradition. Both a tropical island paradise and the site of some of the bloodiest battles of World War II, Okinawa has a unique culture and a contentious history. Its musical traditions are distinct from other parts of Japan, varying in instrumentation, poetic forms, and musical scales. Nenes marks its cultural difference as Okinawan by emphasizing its own exoticism, expressed through its music, fashion, imagery, and performance style. Henry Johnson listens to Koza Dabasa as a representation of Okinawa's relationship with the Japanese music industry and with the broader themes of international warfare and local tourism. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

This book is the first to explore style and spectacle in glam popular music performance from the 1970s to the present day, and from an international perspective. Focus is given to a number of representative artists, bands, and movements, as well as national, regional, and cultural contexts from around the globe. Approaching glam music performance and style broadly, and using the glam/glitter rock genre of the early 1970s as a foundation for case studies and comparisons, the volume engages with subjects that help in defining the glam phenomenon in its many manifestations and contexts. Glam rock, in its original, term-defining inception, had its birth in the UK in 1970/71, and featured at its forefront acts such as David Bowie, T. Rex, Slade, and Roxy Music. Termed "glitter rock" in the US, stateside artists included Alice Cooper, Suzi Quatro, The New York Dolls, and Kiss. In a global context, glam is represented in many other cultures, where the influences of early glam rock can be seen clearly. In this book, glam exists at the intersections of glam rock and other styles (e.g., punk, metal, disco, goth). Its performers are characterized by their flamboyant and theatrical appearance (clothes, costumes, makeup, hairstyles), they often challenge gender stereotypes and sexuality (androgyny), and they create spectacle in popular music performance, fandom, and fashion. The essays in this collection comprise theoretically-informed contributions that address the diversity of the world's popular music via artists, bands, and movements, with special attention given to the ways glam has been influential not only as a music genre, but also in fashion, design, and other visual culture.