Art historian Henry M. Sayre traces the origins of the term "value" in art criticism, revealing the politics that define Manet's art. How did art critics come to speak of light and dark as, respectively, "high in value" and "low in value"? Henry M. Sayre traces the origin of this usage to one of art history's most famous and racially charged paintings, Edouard Manet's Olympia. Art critics once described light and dark in painting in terms of musical metaphor-higher and lower tones, notes, and scales. Sayre shows that it was Emile Zola who introduced the new "law of values" in an 1867 essay on Manet. Unpacking the intricate contexts of Zola's essay and of several related paintings by Manet, Sayre argues that Zola's usage of value was intentionally double coded-an economic metaphor for the political economy of slavery. In Manet's painting, Olympia and her maid represent objects of exchange, a commentary on the French Empire's complicity in the ongoing slave trade in the Americas. Expertly researched and argued, this bold study reveals the extraordinary weight of history and politics that Manet's painting bears. Locating the presence of slavery at modernism's roots, Value in Art is a surprising and necessary intervention in our understanding of art history.

"For an undergraduate introductory level course in the humanities.
"Humanities narrated in a story-telling approach.
The Humanities: Culture, Continuity & Change helps students see context and make connections across the humanities by tying together the entire cultural experience through a narrative storytelling approach. Written around Henry Sayre's belief that students learn best by remembering stories rather than memorizing facts, it captures the voices that have shaped and influenced human thinking and creativity throughout our history.

"The Humanities" by Henry M. Sayre helps the reader see context and make connections across the humanities by tying together the entire cultural experience through a narrative storytelling approach.