This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a new release of the original 1926 edition.

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This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Commissioned by the enterprising actor-manager John Rich, Covent Garden's Theatre Royal first opened its doors in December 1732. Principally a playhouse during its first century, the venue has had an eventful history involving two disastrous fires and riots over ticket prices. Most notably, it hosted Handel's incomparable operas and oratorios, and was where he presented regular seasons from 1735 until his death in 1759. Not until 1847, under Michael Costa, did the theatre dedicate itself to opera, and in 1892 it received the name by which it is known today: the Royal Opera House. Secretary of the Guildhall School of Music from 1901 to 1935, Henry Saxe Wyndham (1867 1940) published this richly illustrated two-volume account in 1906, celebrating the venue's legendary personalities and productions. Volume 1 covers the period 1732 to 1819 and includes discussion of John Rich, John Philip Kemble, Sarah Siddons, and Handel's operas."

Commissioned by the enterprising actor-manager John Rich, Covent Garden's Theatre Royal first opened its doors in December 1732. Principally a playhouse during its first century, the venue has had an eventful history involving two disastrous fires and riots over ticket prices. Most notably, it hosted Handel's incomparable operas and oratorios, and was where he presented regular seasons from 1735 until his death in 1759. Not until 1847, under Michael Costa, did the theatre dedicate itself to opera, and in 1892 it received the name by which it is known today: the Royal Opera House. Secretary of the Guildhall School of Music from 1901 to 1935, Henry Saxe Wyndham (1867 1940) published this richly illustrated two-volume account in 1906, celebrating the venue's legendary personalities and productions. Volume 2 covers the period 1819 to 1897 and includes appendices which list principal events and managers."

Of German birth, Sir August Friedrich Manns (1825 1907) secured for himself a central place in nineteenth-century British musical life. Appointed by George Grove in 1855 to conduct the orchestra at the relocated Crystal Palace in Sydenham, ande held the post for more than four decades, establishing a high reputation for the Saturday Concerts and attracting internationally recognised soloists. Manns was involved in every aspect, from developing the repertoire to taking rehearsals. Under his baton, many of the great works of Brahms, Schubert and Berlioz received their first British performances, alongside world premieres of pieces by British composers such as Sullivan and Macfarren. Secretary of the Guildhall School of Music, Henry Saxe Wyndham (1867 1940) published in 1909 this engaging portrait of a musician greatly esteemed by players and audiences alike."