Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Edinburgh: An Architectural Portrait features an inspiring portfolio of imagery created over a ten-year period by the photographer and visual artist James Reid. Documenting the City of Edinburgh using digital, analogue and polaroid formats, the book captures the city's main conservation areas, with an emphasis on key architects, listed buildings and distinct aspects of the cityscape. Presented as a beautiful collection of black-and-white images, along with a handful of colour works, the book's digital images are a mixture of full-frame capture and large-scale composite pieces, along with a selection of 35mm analogue single-frame photography. These include panoramic views as well as more intimate perspectives, made possible by Reid's unique access to the city's various buildings and structures of note. The book also features essays by five established Edinburgh-based artists - Aly Gordon (painter), Bruce Hare (artist and architect), Marianne Magnin (artist and curator), Merlin Ramos (painter) and Henry Stevens (artist and architect) - each of whom offers a personally informed response to the city and how its architecture, art and history inform, influence and impact on them. The resulting publication is a unique visual mapping of the city's most architecturally significant areas that will appeal to not only architects, artists and academics, but also residence of and visitors to one of the world's most architecturally rich capitals of culture.

Provides simple explanations of the important concepts in population and community ecology.

Provides R code throughout, to illustrate model development and analysis, as well as appendix introducing the R language.

Interweaves ecological content and code so that either stands alone.

Supplemental web site for additional code.

Members' clubs have for many years enjoyed a special status at law, in particular in relation to the supply and sale of alcohol. The new legislation introduced by the Licensing Act 2003 in itself justified a book for those involved in the running of, licensing, policing or advising, members' clubs and Ken Pain, the original author, took the opportunity to deal with many other topics of importance to clubs, their officers and members. Club Law Manual was intended to provide a practical but authoritative guide to the relevant law to lawyers and non-lawyers alike and, to police officers and local authorities and their staff. This second edition not only brings this much used book up-to-date but enhances the original text by introducing chapters on gambling and fund-raising, hearings and appeals. Chapters on liabilities, employment, health and safety and food safety have been re-written to include issues raised by readers. The sections on entertainment, supply and sale of alcohol and internal regulation have been expanded to incorporate amendments to the Licensing Act 2003, changes to the law on sexual entertainment and the Equality Act 2010. In addition, a template for club rules is included within the appendices. The new authors are practising barristers and specialists in their fields.

WWII expert Stevens takes us on the final twists and turns of the fall of the Third Reich and the fate of its secret bases, technology and vast U-Boat fleet. From secret submarine bases in Greenland and a still-hidden U-Boat base in the Canary Islands called Fuerteventura, Stevens looks at the escape of Nazis to South America. Henry then turns to the Haunebu flying disk and Hans Kammler and the last battalion with its saucer technology-derived from the work of Nikola Tesla-to the secret submarine fleet that continued after the official end of the war. Chapters include: German Secret Bases; Norway; Greenland; The Last Battalion; Fuerteventura; Electric Schauberger; South America and Otto Skorzeny South America; The Third Power; Molecular Bomb; Fantastic U-Boats; Like Walter-Propulsion Only Better?; Tesla's Self-Acting Engine, Part One; U-530; Tesla's Self-Acting Engine, Two?; Zusammenfassung-Putting It All Together; Haunebu; Mamas, Don't Let Your Sons Grow Up To Be Bell-Boys; The Third Power in Practice; Summary of Dark Star Unresolved Post-War Nazi Mysteries; tons more.

This text reveals the facts behind the legend of the flying saucers in Hitler's Germany.