Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book contains the complete, authentic collection of eighteen love letters exchanged between King Henry VIII of England and Anne Boleyn. Boleyn was Henry's second wife, gaining his favour after his first wife, Catherine of Aragon, failed to provide him with the male heir he dearly craved. By all historic accounts, their initial romance was passionate and the epitome of courtly manners. This narrative is reinforced by the letters between the two as they encircled and eyed one another, awaiting the chance to commence romantic liaisons. The education and eloquence of both authors is in full display here, and the letters' authenticity is undisputed. Although in time the marriage was to sour with deadly consequences for Anne Boleyn, there is little reason to doubt the initial passion and thrill both experienced at the outset of their intimacy.

The king and his wives-letters and documents
History is full of notable figures, but far fewer in number are those who have become iconic. An indisputably iconic figure, even among the many great kings of England, is the towering figure of the Tudor monarch, King Henry VIII. He was, of course, the father of Queen Elizabeth I, Gloriana, an equally renowned monarch of her own golden age. She sought always to be and be seen as her father's daughter, but posterity preserves what it will of a life in the public consciousness and so aside from Henry's unmistakable and imposing personal appearance what is most remembered of him by many is that he was married on six occasions and habitually terminated his relationships with an axe at the executioner's block-though this occurred only twice perhaps indicating more moderation in Henry's character as a husband than he is usually credited with. There has always been something seductively attractive about this powerful man, capable of great tenderness and romance, an artist, poet and musician-and yet a ruthless and unscrupulous tyrant capable of incredible insensitivity and cruelty. This volume contains an engrossing selection of correspondence, reports and other documents concerning Henry and his wives. The central part of the book is a famous collection of love letters sent by the king to his second wife Anne Boleyn, one of his spouses who lost her head to be superceded by another beauty of the court Jane Seymour, one of Anne's ladies in waiting. In this special and unique Leonaur edition these letters are added to by the inclusion of correspondence and other documents concerning the fate of Henry's sometimes unfortunate women and the events that surrounded them.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Fred Zinnemann directs this award-winning adaptation of Robert Bolt's historical play. Sir Thomas More (Paul Scofield) has to wrestle with his conscience when he is appointed Lord Chancellor of England by King Henry VIII (Robert Shaw). The King wishes More's support in his decision to divorce his wife, Catherine of Aragon, in favour of Anne Boleyn (Vanessa Redgrave). When More refuses and resigns from his office, he falls foul of a plot by Thomas Cromwell (Leo McKern) to remove him permanently. The film won six Academy Awards including Best Picture, Best Director, Best Actor in a Leading Role (Scofield) and Best Writing, Screenplay Based On Material from Another Medium.

The Letters of Henry VIII to Anne Boleyn is perhaps the most remarkable document of the kind known to exist. The letters appear to have been written after Anne Boleyn had been sent away from court, in consequence of reports injurious to her reputation, which had begun to be publicly circulated. Her removal indeed was so abrupt that she had resolved never to return. The king soon repented his harshness, and strove to persuade her to come back; but it was a long time, and not without great trouble, before he could induce her to comply. This book is very different from other works on the same topic and two of its letters-the fifth and the thirteenth-are not comprehended in the Vatican collection. Of the seventeen letters here included eight were written in English and nine in French.

This book contains the complete, authentic collection of eighteen love letters exchanged between King Henry VIII of England and Anne Boleyn. Boleyn was Henry's second wife, gaining his favour after his first wife, Catherine of Aragon, failed to provide him with the male heir he dearly craved. By all historic accounts, their initial romance was passionate and the epitome of courtly manners. This narrative is reinforced by the letters between the two as they encircled and eyed one another, awaiting the chance to commence romantic liaisons. The education and eloquence of both authors is in full display here, and the letters' authenticity is undisputed. Although in time the marriage was to sour with deadly consequences for Anne Boleyn, there is little reason to doubt the initial passion and thrill both experienced at the outset of their intimacy.

St. Alphonsus writes: "a single bad book will be sufficient to cause the destruction of a monastery." Pope Pius XII wrote in 1947 at the beatification of Blessed Maria Goretti: "There rises to Our lips the cry of the Saviour: 'Woe to the world because of scandals ' (Matthew 18:7). Woe to those who consciously and deliberately spread corruption-in novels, newspapers, magazines, theaters, films, in a world of immodesty " We at St. Pius X Press are calling for a crusade of good books. We want to restore 1,000 old Catholic books to the market. We ask for your assistance and prayers. This book is a photographic reprint of the original The original has been inspected and many imperfections in the existing copy have been corrected. At Saint Pius X Press our goal is to remain faithful to the original in both photographic reproductions and in textual reproductions that are reprinted. Photographic reproductions are given a page by page inspection, whereas textual reproductions are proofread to correct any errors in reproduction.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>British Library<ESTCID>T137162<Notes>With a list of subscribers. T. W. = Thomas Webster.<imprintFull>Dublin: printed by James Byrn, 1766. <collation>xli, 8],38-190p.; 12

The king and his wives-letters and documents
History is full of notable figures, but far fewer in number are those who have become iconic. An indisputably iconic figure, even among the many great kings of England, is the towering figure of the Tudor monarch, King Henry VIII. He was, of course, the father of Queen Elizabeth I, Gloriana, an equally renowned monarch of her own golden age. She sought always to be and be seen as her father's daughter, but posterity preserves what it will of a life in the public consciousness and so aside from Henry's unmistakable and imposing personal appearance what is most remembered of him by many is that he was married on six occasions and habitually terminated his relationships with an axe at the executioner's block-though this occurred only twice perhaps indicating more moderation in Henry's character as a husband than he is usually credited with. There has always been something seductively attractive about this powerful man, capable of great tenderness and romance, an artist, poet and musician-and yet a ruthless and unscrupulous tyrant capable of incredible insensitivity and cruelty. This volume contains an engrossing selection of correspondence, reports and other documents concerning Henry and his wives. The central part of the book is a famous collection of love letters sent by the king to his second wife Anne Boleyn, one of his spouses who lost her head to be superceded by another beauty of the court Jane Seymour, one of Anne's ladies in waiting. In this special and unique Leonaur edition these letters are added to by the inclusion of correspondence and other documents concerning the fate of Henry's sometimes unfortunate women and the events that surrounded them.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT139785With a half-title. Edited by Thomas Hearne.London: printed for J. Churchill, 1714. 4], xxiii, 1],39, 1]p.; 8

An unabridged, illustrated edition with end-notes by J. O. Phillips, including the presumed first letter, and only one known to survive, from Anne to Henry (July, 1525)

The love letters Of Henry Eighth To Anne Boleyn were originally published at Oxford in 1720. This is an unabridged, digitally enlarged printing to include detailed notes at book's end.

Keith Michell plays the controversial, most feared and much-married king of England, whose life is seen here in a series of flashbacks as he reflects on his deathbed.