Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

All About Cats is a collection of hilarious rhymes . . . all about cats! These short, funny rhymes are brought to life with illustrations from Axel Scheffler, the bestselling illustrator of The Gruffalo. Cats are sleek, and cats are slick. They read, and do arithmetic! Have you ever seen a cat playing a piano? Or taking a bubble bath with a rubber duck? Find out what cats really get up to when people aren't around! Axel Scheffler's charming and witty illustrations introduce all kinds of cats - making mischief, playing games, singing songs and out on adventures. This collection of hilarious, quirky poems by Frantz Wittkamp is wonderfully adapted from German to English for the very first time by celebrated children's author David Henry Wilson. With fourteen delightfully funny short poems, and full-page colour illustrations by Axel Scheffler, the genius illustrator of Room on the Broom, Zog, The Smeds and the Smoos and many more, this collection is sure to entertain children young and old, and is the perfect gift for any cat fan.

This gift range is inspired by Henry Wilson's Pattern and Ornament in the Arts of India , an outstanding sourcebook of photographs and drawings for lovers of both design and India, and practising artists and designers everywhere. Henry Wilson's drawings - which in a magically abstract form copy the decoration illustrated or perform variations on it - allow the reader to understand and revel in the Indian aesthetic. They can also inspire designers to find patterns in existing decoration and produce original results.

Following the critical and commercial success of Pattern and Ornament in the Arts of India, Henry Wilson has turned for this companion volume to a single theme. But what a theme: the variety of floral motifs in the exquisitely wrought details of India's architectural wonders is boundless, and one can only marvel at the way in which the basic elements of wood, stone and plaster have been transformed into masterworks of decorative art. From the illustrious Mughal Empire during its greatest period of monument-building and artistic creativity to the time of British rule, which brought with it an unprecedented period of peace that allowed great wealth to be concentrated on the arts, the richness of India's architecture is overwhelming. Henry Wilson's fine photographs reveals the skill, patience and pictorial imagination of the many thousands of craftsmen who have turned to floral motifs and rendered them with precision and life-enriching creativity. Juxtaposed with the photographs are Wilson's own graphic transpositions of the designs - a wealth of detailed drawings, all created by hand but with a stencil-like clarity that helps us understand the original historical patterns. The result is an invaluable sourcebook that will appeal not only to those interested in one of the world's oldest civilizations and greatest cultures, but also to anyone seeking inspiration for their own graphic creations.

Rouse, a Council official, is visiting the theatre run by Mike Pemberton-Hawkesley, and his mission is simple: to save the Council money. His brainwave is to turn the theatre into a storage facility for files; Mike, understandably, is outraged. Mavis Dinwiddy - intervenes and the hilarious absurdity of the situation, compounded by Rouse's very idiosyncratic verbal style, is maintained right up to the end of this surprising and enigmatic play. Simple to stage - no set is required - this is an ideal festival piece.