Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Storying Plants in Australian Children’s and Young Adult Literature: Roots and Winged Seeds explores cultural and historical aspects of the representation of plants in Australian children’s and young adult literature, encompassing colonial, postcolonial, and Indigenous perspectives. While plants tend to be backgrounded as of less narrative interest than animals and humans, this book, in conversation with the field of critical plant studies, approaches them as living beings worthy of attention. Australia is home to over 20,000 species of native plants – from pungent Eucalypts to twisting mangroves, from tiny orchids to spiky, silvery spinifex. Indigenous Australians have lived with, relied upon, and cultivated these plants for many thousands of years. When European explorers and colonists first invaded Australia, unfamiliar species of plants captured their imagination. Vulnerable to bushfires, climate change, and introduced species, plants continue to occupy fraught but vital places in Australian ecologies, texts, and cultures. Discussing writers from Ambelin Kwaymullina and Aunty Joy Murphy to May Gibbs and Ethel Turner, and embracing transnational perspectives from Ukraine, Poland, and Aotearoa New Zealand, Storying Plants addresses the stories told about plants but also the stories that plants themselves tell, engaging with the wide-ranging significance of plants in Australian children’s and Young Adult literature.

Back Cover Text They came not in spaceships of flying saucers, but in microscopic spores drifting through the infinitude of space. 100 billion stars, 100 billion solar systems in SB galaxies like our own milky way galaxy. Why did they have to come to our solar system? Somehow they made it past the powerful gravitational fields of the huge frozen outer planets Neptune, Uranus, Saturn, and Jupiter. They made it through the asteroid belt. They avoided being burnt up on Venus, Mercury, or on the sun. Somehow they manage to land on the only planet in the solar system teeming with life - our planet - Earth. Of all the planets, moons and asteroids in our solar system, why did they come here? They were monstrous, hideous, snakelike, vinelike parasite things that attacked, entered, possessed, then duplicated the bodies of the terrestrial life forms. We humans are terrestrial life forms. Dr. Fugate discovered the alien things, but no one believed him. Now twenty years later those alien things live on and walk among us. Dr. Fugate made one very bad mistake. He reported the things to the government. He trusted the government and he should have known better. The United States government is secretly cooperating with those alien things and the President of The United States is probably one of those things Now, twenty years later vast numbers of those alien things live and walk among us, and their numbers are increasing. Now Dr. Fugate is desperately trying to find a way to combat the alien things and save the world again. But how? It's too late And he's too old and too sick, both physically and mentally. He has a bad heart, and he has a bad case of arthritis, and he's depressed. And worst of all he's crazy He's paranoid schizophrenic. He sees and hears things that do not exist The alien things send assassination teams against Dr. Fugate, because he knows something that can be used against them. Dr. Fugate realizes that, but he has forgotten what it is. He believes that the answer might lie in the small, now deserted town in Western Kentucky where he first discovered the alien things. Somehow, he will have to return to Kentucky. And he is sure that the alien things will be waiting there, for him.

Born in a small fishing village in East Prussia, Germany, in 1933, Herb Flemming grew up under Hitler's regime, the son of devout Christian parents, third in a family of nine children. Forced to join the Hitler Youth, Herb's childhood was a contrast between the good at home and the evil all around him. From Gestapo shooting to Tom Sawyer-like boyhood adventures, from fleeing as a refugee to immigrating to the United States, and finally returning to Germany as a soldier in the US Army, Herb learned of God's love and the power of prayer.

After returning to America at the end of his military service, Herb and his wife, Frieda, moved to New York City, where they started a family. The Flemmings now live in West Virginia and enjoy visiting with their grandchildren whenever possible. Herb has recently returned to his former home in the small village of Rothenen, in East Prussia, now a part of Russia, only to find that not a single street or building remains. Herb is grateful to God for the miracle of His deliverance and protection, and his life is still today a powerful testimony that God answers prayer.

"No Whining" is one man's gut-wrenching yet humorous account of his eight-week journey through Craig Hospital's Spinal Cord Injury (SCI) rehabilitation program. Paralyzed from the waist down, author Herb Tabak credits Craig's 'no nonsense" rehabilitation philosophy as a major factor in the progress he has made to date towards recovery.

Tabak relates the range of adventures he experienced while an SCI patient at Craig Hospital's world-renowned spinal cord injury rehab program in plain, easy to understand language. In pointing out the reasons that make Craig Hospital unique, "No Whining" covers a diverse spectrum of topics, including: The Reality of Spinal Cord Injury The Craig Philosophy Physical Therapy Occupational Therapy Therapeutic Recreation Facing the Real World Craig Research Craig Graduates' Stories Over 30 Photos/Illustrations "No Whining" is an inspirational resource for anyone with an interest in Spinal Cord Injuries.