In this first and only biography of light-heavyweight champion and boxing legend Joe Choynski, author Chris LaForce chronicles the life and career of a pioneer of the gloved era of pugilism. Joe Choynski was one of the greatest, most courageous, brilliant, and respected Jewish boxers in history. Born in San Francisco, California in 1868, Joe Choynski fought nearly all of the greatest heavyweights of that division s first Golden Age, despite weighing less than 170 pounds. He was one of the few who did not draw the color line. Included is a complete account of Joe s professional fights. Come follow Choynski s boxing career in such legendary matches as the battle on the Sacramento River barge with Gentleman Jim Corbett, his war with Bob Fitzsimmons, the classic brawls with Sailor Tom Sharkey, knockout of future heavyweight champion Jack Johnson, and his 20-round draw with soon-to-be heavyweight king Jim Jeffries. This book features over 180 photographs, many of them rare and published here, for the first time, anywhere The book includes a Foreword by Herbert G. Goldman, former Managing Editor of Ring magazine and Editor-in-Chief of Boxing Illustrated, and a testimonial by renowned boxing historian, Tracy Callis. Chris LaForce has been a member of IBRO (the International Boxing Research Organization) since 1984. He has written several articles for the IBRO newsletter, and is a contributing writer for the Cyber Boxing Zone, Western States Jewish History and other historical societies.

"I've done everything in the theatre except marry a property man," Fanny Brice once boasted. "I've acted for Belasco and I've laid 'em out in the rows at the Palace. I've doubled as an alligator; I've worked for the Shuberts; and I've been joined to Billy Rose in the holy bonds. I've painted the house boards and I've sold tickets and I've been fired by George M. Cohan. I've played in London before the king and in Oil City before miners with lanterns in their caps." Fanny Brice was indeed show business personified, and in this luminous volume, Herbert G. Goldman, acclaimed biographer of Al Jolson, illuminates the life of the woman who inspired the spectacularly successful Broadway show and movie Funny Girl, the vehicle that catapulted Barbra Streisand to super stardom.
In a work that is both glorious biography and captivating theatre history, Goldman illuminates both Fanny's remarkable career on stage and radio--ranging from her first triumph as "Sadie Salome" to her long run as radio's "Baby Snooks"--and her less-than-triumphant personal life. He reveals a woman who was a curious mix of elegance and earthiness, of high and low class, a lady who lived like a duchess but cursed like a sailor. She was probably the greatest comedienne the American stage has ever known as well as our first truly great torch singer, the star of some of the most memorable Ziegfeld Follies in the 1910s and 1920s, and Goldman covers her theatrical career and theatre world in vivid detail. But her personal life, as Goldman shows, was less successful. The great love of her life, the gangster Nick Arnstein, was dashing, handsome, sophisticated, but at bottom, a loser who failed at everything from running a shirt hospital to manufacturing fire extinguishers, and who spent a good part of their marriage either hiding out, awaiting trial, or in prison. Her first marriage was over almost as soon as it was consummated, and her third and last marriage, to Billy Rose, the "Bantam Barnum," ended acrimoniously when Rose left her for swimmer Eleanor Holm. As she herself remarked, "I never liked the men I loved, and I never loved the men I liked." Through it all, she remained unaffected, intelligent, independent, and, above all, honest.
Goldman's biography of Al Jolson has been hailed by critics, fellow biographers, and entertainers alike. Steve Allen called it "an amazing job of research" and added "Goldman's book brings Jolson back to life indeed." The Philadelphia Inquirer said it was "the most comprehensive biography to date," and Ronald J. Fields wrote that "Goldman has captured not only the wonderful feel of Al Jolson but the heartbeat of his time." Now, with Fanny Brice, Goldman provides an equally accomplished portrait of the greatest woman entertainer of that illustrious era, a volume that will delight every lover of the stage.