Herbert Read and Selected Works includes four of Herbert Read's most seminal works; A Coat of Many Colours: Occasional Essays, The English Vision: An Anthology, The Tenth Muse: Essays in Criticism and The Politics of the Unpolitical. This collection also includes the title Herbert Read: A Memorial Symposium - a collection of essays that illustrates the many different aspects and achievements of Read's career.

After joining the staff of the Burgholzli Mental Hospital in 1900, Jung developed and applied the word-association tests for studying normal and abnormal psychology. The studies have remained a significant phase in the development of Jung's conceptions and an important contribution to diagnostic psychology and psychiatry. Between 1904 and 1907 he published nine studies on the tests. These studies, together with two lectures on the association method given in 1909 at Clark University and three articles on psychophysical researches from American and English journals in 1907-1908, compose this volume. Jung's association studies showed the definite influence of Bleuler and also of Freud, with whom he worked closely for several years. With this volume, the Collected Works are complete except for the Miscellany, Bibliography and Index volumes.

Herbert Read was a maverick character in the cultural life of the twentieth century. A radical leader of the avant garde in the 1930s, and an anarchist revolutionary during the war years, by the time of his death in 1968 he had become a key figure at the heart of the British cultural establishment. To Hell with Culture offers readers an ideal overview of the ideas that marked out this seminal and hugely influential thinker. It is a controversial work that engages the reader in a wide range of topics, from revolutionary art to pornography.
Adept at challenging assumptions and penetrating to the heart of any issue, Read's deft prose encourages the reader to think critically, to question and to subvert the voice of authority, of whatever political or cultural creed. Only through such a critical evaluation of culture, Read believes, can one appreciate the art that arises from the 'unpolitical manifestation of the human spirit'. At a time when authority and value are questionable terms, and when culture itself is a contested concept, Read's is both a challenging and an enlightening voice.

The psychological and religious implications of alchemy were Jung's major preoccupation during the last thirty years of his life. The essays composing the present volume complete the publication of his alchemial researches, to which three entire volumes have been devoted ^DDL the monumental Mysterium Coniunctionis, Psychology and Alchemy, and Aion ^DDL besides shorter papers in other volumes. This collection of shorter Alchemial Studies has special value as an introduction to Jung's work on alchemy. The first study, on Chinese alchemy, marked the beginning of his interest in the subject, and was originally published in a volume written jointly with Richard Wilhelm. The other four are now published for the first time completely in English.

The Zofingia Club was a discussion group to which C.G. Jung belonged as a medical student: in 1897 he became Chairman, and gave five lectures. These have survived and are published here in a supplementary volume to the Collected Works. The lectures are of great interest to anyone concerned with Jung's early ideas, as a young medical student from a strongly Swiss Protestant background. The Lectures are: The Border Zones of Exact Science (November 1896); Some Thoughts on Psychology (May 1897); An Inaugural Address on Becoming Chairman of the Zofingia Club; Thoughts on the Nature and Value of Speculative Inquiry (Summer 1898); and Thoughts on the Interpretation of Christianity with Reference to the Theory of Albrecht Ritschl (January 1899).

The Practice of Psychotherapy brings together Jung's essays on general questions of analytic therapy and dream analysis. It also contains his profoundly interesting parallel between the transference phenomena and alchemical processes. The transference is illustrated and interpreted by means of a set of symbolic pictures, and the bond between psychotherapist and patient is shown to be a function of the kinship libido. Far from being pathological in its effects, kinship libido has an essential role to play in the work of individuation and in establishing an organic society based on the psychic connection of its members with one another and with their own roots.

For this second edition of Civilization in Transition, essential corrections have been made in the text, and the bibliographical references have been brought up to date. This volume contains essays bearing on the contemporary scene and, in particular, on the relation of the individual to society. In the earliest one (1918), Jung advanced the theory that the European conflict was basically a psychological crisis originating in the collective unconscious of individuals. He pursued this theory in papers written during the '20s and '30s, focusing on the upheaval in Germany, and he gave it a much wider application in two major works of his last years ^DDL The Undiscovered Self, concerned with the relation between the individual and a mass society, and Flying Saucers, on the birth of a myth which Jung regarded as compensating the scientistic trends of our technological era. An appendix contains documents relating to Jung's association with the International General Medical Society for Psychotherapy.

In 1911 Jung published a book of which he says: '...it laid down a programme to be followed for the next few decades of my life.' It was vastly erudite and covered innumerable fields of study: psychiatry, psychoanalysis, ethnology and comparitive religion amongst others. In due course it became a standard work and was translated into French, Dutch and Italian as well as English, in which language it was given the well-known but somewhat misleading title of The Psychology of the Unconscious. In the Foreword to the present revised edition which first appeared in 1956, Jung says: '...it was the explosion of all those psychic contents which could find no room, no breathing space, in the constricting atmosphere of Freudian psychology... It was an attempt, only partially successful, to create a wider setting for medical psychology and to bring the whole of the psychic phenomena within its purview.' For this edition, appearing ten years after the first, bibliographical citations and entries have been revised in the light of subsequent publications in the Collected Works and in the standard edition of Freud's works, some translations have been substituted in quotations, and other essential corrections have been made, but there have been no changes of substance in the text.

In this collection of fourteen essays, first published in 1943, Herbert Read extends and amplifies the point of view expressed in his successful pamphlet To Hell with Culture, which has been reprinted here. The politics of the unpolitical are the politics of those who strive for human values and not for national or sectional interests. Herbert Read defines these values and demands their recognition as a solvent of social and cultural crises', and looks forward to the future with constructive vision. This book will be of interest to students of politics, history, and cultural studies.

This book, first published in 1957, is a collection of Herbert Read's essays on various topics. The essays explore many different subjects and themes, including art, literature, religion and philosophy. This title will be of interest to a variety of readers.

The Practice of Psychotherapy brings together Jung's essays on general questions of analytic therapy and dream analysis. It also contains his profoundly interesting parallel between the transference phenomena and alchemical processes. The transference is illustrated and interpreted by means of a set of symbolic pictures, and the bond between psychotherapist and patient is shown to be a function of the kinship libido. Far from being pathological in its effects, kinship libido has an essential role to play in the work of individuation and in establishing an organic society based on the psychic connection of its members with one another and with their own roots.

Written two years after the commencement of the Second World War, the chapters in this book succinctly put forward the case for reorganizing the foundations of the social order, by rejecting capitalism and historical equilibrium, both in Europe and further afield in the British Empire, in favour of building a Socialist civilization.

Since its first appearance in 1931 Herbert Read's introduction to the understanding of art has established itself as a classic of its kind. It provides a basis for the appreciation of paintings, sculpture and art-objects of all periods by defining the elements that went into their making. A compact survey of the world's art, from primitive cave-drawings to Jackson Pollock, The Meaning of Art explains the persistence of certain principles and aspirations throughout the history of art, and summarizes the essence of such movements as Gothic, Baroque, Impressionism, Expressionism and Surrealism. This new Faber Modern Classics edition features a brand new foreword by Will Gompertz, BBC arts editor.

This book, first published in 1947, is collection of critical essays by Herbert Read that had not been previously published in book form. The essays cover several different subject areas, including literature, art, architecture, and film, from a span of twenty years. This title will be of interest to a variety of readers.

This title, first published in 1939, is an anthology that's aim was to present the English ideal in its various aspects as expressed by representative Englishmen. This book will be of interest to students of literature and to the general reader.

This book, first published in 1957, is a collection of Herbert Read's essays on various topics. The essays explore many different subjects and themes, including art, literature, religion and philosophy. This title will be of interest to a variety of readers.

In this collection of fourteen essays, first published in 1943, Herbert Read extends and amplifies the points of view expressed in his successful pamphlet To Hell with Culture, which has been reprinted here. The 'politics of the unpolitical' are the politics of those who strive for human values and not for national or sectional interests. Herbert Read defines these values and demands their recognition as a solvent of social and cultural crises', and looks forward to the future with constructive vision. This book will be of interest to students of politics, history, and philosophy.

This anthology, first published in 1939, aimed to present the English ideal in its various aspects as expressed by representative Englishmen. This book will be of interest to students of literature and to the general reader.

This book deals with the everlasting problem of war and peace. In it, the author argues that mankind must be predisposed for peace by the right kind of education and he discusses how to devise methods of education which will prevent war.

A stunning visual history of sculpture from prehistory through modernity This book presents an aesthetic of sculptural art, which has too often submitted to the rule of architecture and painting. Herbert Read emphasizes the essential and autonomous nature of sculpture—“Form in its full spatial completeness,” in the words of British sculptor Henry Moore. The Art of Sculpture provides historical support and theoretical rigor to this conception. Along the way, this incisive and wide-ranging book takes readers on a breathtaking tour of great works of sculpture from prehistoric times to the modern era.

This book, first published in 1947, is collection of critical essays by Herbert Read that had not been previously published in book form. The essays cover several different subject areas, including literature, art, architecture, and film, from a span of twenty years. This title will be of interest to a variety of readers.

Herbert Read was a maverick character in the cultural life of the twentieth century. A radical leader of the avant garde in the 1930s, and an anarchist revolutionary during the war years, by the time of his death in 1968 he had become a key figure at the heart of the British cultural establishment. To Hell with Culture offers readers an ideal overview of the ideas that marked out this seminal and hugely influential thinker. It is a controversial work that engages the reader in a wide range of topics, from revolutionary art to pornography.
Adept at challenging assumptions and penetrating to the heart of any issue, Read's deft prose encourages the reader to think critically, to question and to subvert the voice of authority, of whatever political or cultural creed. Only through such a critical evaluation of culture, Read believes, can one appreciate the art that arises from the 'unpolitical manifestation of the human spirit'. At a time when authority and value are questionable terms, and when culture itself is a contested concept, Read's is both a challenging and an enlightening voice.

This is the classic introduction to Chinese calligraphy. In nine richly illustrated chapters Chiang Yee explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied. He measures the slow change from pictograph to stroke to the style and shape of written characters by the great calligraphers. Speech and writing are two organs of the same human impulse--the conveyance of thought: the one operating through hearing, the other through sight; the one by sound from mouth to ear, the other by form or image from hand to eye. But each can do something besides convey thought. Spoken words can be so arranged as to discharge aesthetic musical significances, as in much Western poetry. Written words can be formed to liberate visual beauties; and it is these which form the subject of this book. In addition to aesthetic considerations, the text deals with such more practical subjects as the origin and construction of the Chinese characters, styles, technique, strokes, composition, training, and the relations between calligraphy and other forms of Chinese art. For the third edition the author has added two new chapters: Calligraphy and Painting discusses the dependence of Chinese painting on calligraphic training and techniques; Aesthetic Principles explores the fundamental concepts underlying every Chinese art form. Chinese Calligraphy is a superb appreciation of beauty in the movement of strokes and in the patterns of structure--and an inspiration to amateurs as well as professionals interested in the decorative arts.

Sir Herbert Read (1893-1968) was a highly influential English critic and poet. Originally published in 1929, this volume gathers together nine of Read's essays, with each one covering a different author. The essays, all of which made their first appearance in The Times Literary Supplement, are centred around the concept of 'glory' and its manifestation in works of a particularly transcendent nature. Written in an engaging style, this book will be of value to anyone with an interest in literature and literary criticism.