This two-volume collection of essays provides a comprehensive examination of the idea of social control in the history of Europe. The uniqueness of these volumes lies in two main areas. First, the contributors compare methods of social control on many levels, from police to shaming, church to guilds. Second, they look at these formal and informal institutions as two-way processes. Unlike many studies of social control in the past, the scholars here examine how individuals and groups that are being controlled necessarily participate in and shape the manner in which they are regulated. Hardly passive victims of discipline and control, these folks instead claimed agency in that process, accepting and resisting--and thus molding the controls under which they functioned. In both volumes, an introduction outlines the origins and the continuing value of the concept of social control. The introductions are followed by two substantive sections. The essays in part one of volume I focus on the interplay of ecclesiastical institutions and the emerging states; those in part two of volume I look more explicitly at discipline from a bottom-up perspective. The essays in part one of volume 2 explore the various means by which communities--generally working-class communities--in nineteenth-and twentieth-century Europe were subjected to forms of discipline in the workplace, by the church, and by philanthropic housing organizations. It notes also how the communities themselves generated their own forms of internal control. Part two of volume 2 focuses on various policing institutions, exploring in particular the question of how liberal and totalitarian regimes differed in their styles of control,repression, and surveillance.

Cultural exchange, the dynamic give and take between two or more cultures, has become a distinguishing feature of modern Europe. This was already an important feature to the elites of the fifteenth, sixteenth and seventeenth centuries and it played a central role in their fashioning of self. The cultures these elites exchanged and often integrated with their own were both material and immaterial; they included palaces, city-dwellings, paintings, sculptures, ceramics, dresses and jewellery, but also gestures, ways of sitting, standing and walking, and dances. In this innovative and well-illustrated 2007 volume all this lively exchange is traced from Bruges, Augsburg and Istanbul to Italy; from Italy to Paris, Amsterdam, Dresden, Novgorod and Moscow; and even from Brazil to Rouen. This volume, which reveals how a first European identity was forged, will appeal to cultural and art historians, as well as social and cultural anthropologists.

Dutch society has undergone radical changes in recent years, due to complex political, social and ethnic developments. Reframing Dutch Culture examines issues of nationality, ethnicity, culture and identity in The Netherlands from an ethnological perspective, linking past traditions and notions of identity with more recent transformations. Weaving in a range of fascinating case studies, contributors provide an interdisciplinary analysis of these changes. The developments are related to wider European and global transformation processes, highlighting the contribution of Dutch ethnology to the international debate. This timely collection provides a fascinating and insightful window on modern Dutch society.

Dutch society has undergone radical changes in recent years, due to complex political, social and ethnic developments. Reframing Dutch Culture examines issues of nationality, ethnicity, culture and identity in The Netherlands from an ethnological perspective, linking past traditions and notions of identity with more recent transformations. Weaving in a range of fascinating case studies, contributors provide an interdisciplinary analysis of these changes. The developments are related to wider European and global transformation processes, highlighting the contribution of Dutch ethnology to the international debate. This timely collection provides a fascinating and insightful window on modern Dutch society.

Cultural exchange, the dynamic give and take between two or more cultures, has become a distinguishing feature of modern Europe. This was already an important feature to the elites of the fifteenth, sixteenth and seventeenth centuries and it played a central role in their fashioning of self. The cultures these elites exchanged and often integrated with their own were both material and immaterial; they included palaces, city-dwellings, paintings, sculptures, ceramics, dresses and jewellery, but also gestures, ways of sitting, standing and walking, and dances. In this innovative and well-illustrated 2007 volume all this lively exchange is traced from Bruges, Augsburg and Istanbul to Italy; from Italy to Paris, Amsterdam, Dresden, Novgorod and Moscow; and even from Brazil to Rouen. This volume, which reveals how a first European identity was forged, will appeal to cultural and art historians, as well as social and cultural anthropologists.

At a time when the enlarged European Community asserts the humanist values uniting its members, this series of four volumes, featuring leading scholars from twelve countries, seeks to uncover the deep but hidden unities shaping a common European past. These volumes examine the domains of religion, the city, communication and information, the conception of man and the use of material goods, identifying the links which endured and were strengthened through ceaseless cultural exchanges, even during this time of endless wars and religious disputes. Volume I examines the role of religion as a vehicle for cultural exchange. Volume II surveys the reception of foreigners within the cities of early modern Europe. Volume III explores the place of information and communication in early modern Europe. Volume IV reveals how cultural exchange played a central role in the fashioning of a first European identity.