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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
FROM THE CREATORS OF THE HAUNTING SEASON COMES A DAZZLING
COLLECTION OF NEVER-BEFORE-SEEN GHOSTLY TALES. 'Terrific - every
bit as good as an MR James collection' ROSIE ANDREWS, author of THE
LEVIATHAN Featuring new and original stories from: Bridget Collins,
author of The Binding Imogen Hermes Gowar, author of The Mermaid
and Mrs Hancock Kiran Millwood Hargrave, author of The Mercies
Andrew Michael Hurley, author of The Loney Jess Kidd, author of
Things in Jars Natasha Pulley, author of The Watchmaker of Filigree
Street Elizabeth Macneal, author of The Doll Factory Laura Purcell,
author of The Silent Companions Susan Stokes Chapman, author of
Pandora Laura Shepherd-Robinson, author of The Square of Sevens
Stuart Turton, author of The Seven Deaths of Evelyn Hardcastle
Catriona Ward, author of The Last House on Needless Street The
tradition of a haunted tale at Christmas has flourished across the
centuries. These twelve stories - authored by some of today's most
loved and lauded writers of historical and gothic fiction - are all
centred around Christmas or Advent, boldly and playfully
re-imagining a beloved tradition for a modern audience. Taking you
from a haunted Tuscan villa to a remote Scottish island with a dark
secret,, these vibrant haunted stories are your ultimate companion
for frosty nights. So curl up, light a candle, and fall under the
spell of winters past . . . 'I absolutely devoured The Winter
Spirits. Every story is a gem' LAURA SHEPPERSON 'Another dazzling
collection. Chilling, moving and incredibly satisfying' AMANDA
MASON 'Eerily macabre, hauntingly propulsive' JOANNE BURN
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