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Celebrating the work of one of Ireland's most daring theatre
companies, this anthology gathers five plays by established and
emerging playwrights. They include vibrant new adaptations of the
world classics Peer Gynt and Phaedra alongside vital new dramas
that explore issues of urgent contemporary concern, such as sex and
sexuality, emigration and climate change. With contributions from
Hilary Fannin and Ellen Cranitch, Arthur Riordan, Sonya Kelly,
Morna Regan, and Shane Mac an Bhaird - as well as a foreword from
Booker Prize-winning novelist Anne Enright - this book is an
exciting snapshot of contemporary Irish playwriting. The book
operates as a showcase of outstanding new Irish playwriting,
blending work by established and emerging playwrights, and also
acts as a celebration of one of Ireland's most important theatre
companies. And it includes new plays that demonstrate Rough Magic's
consistent willingness to push the boundaries of Irish theatre,
both formally and thematically, in plays that cover such topics as
sex and sexuality, emigration and climate change. This edition
contains a foreword by Anne Enright, Booker prize winner and
Laureate of Irish Fiction.
'This is heartache for grown ups. The Weight of Love pulls you in
and does not let go' ANNE ENRIGHT 'Beautiful and painful,
exquisitely written, shot through with nostalgia for our earlier
selves' MARIAN KEYES London, 1996. Robin and Ruth meet in the staff
room of an East London school. Robin, desperate for a real
connection, instantly falls in love. Ruth, recently bereaved and
fragile, is tentative. When Robin introduces Ruth to his childhood
friend, Joseph, a tortured and talented artist, their attraction is
instant. Powerless, Robin watches on as the girl he loves and his
best friend begin a passionate and turbulent affair. Dublin 2017.
Robin and Ruth are married and have a son, Sid, who is about to
emigrate to Berlin. Theirs is a marriage haunted by the ghost of
Joseph and as the distance between them grows, Robin makes a choice
that could have potentially devastating consequences. The Weight of
Love is a beautiful exploration of how we manage life when the
notes and beats of our existence, so carefully arranged, begin to
slip off the stave. An intimate and moving account of the
intricacies of marriage and the myriad ways in which we can love
and be loved. 'Delicate, powerful, hypnotic' DONAL RYAN 'Fannin's
novel is already likely to be a serious contender for one of the
books of the year' SUNDAY TIMES
'Quite brilliant; beautifully, cleverly observed; funny,
heart-breaking.' - Roddy Doyle Hilary is four, not yet five, and
she has a mother and a father and an older brother and sisters. She
even has a name at home - Billy - that is different from her
written-down name. But now that she is in Low Babies in the local
convent school, it seems Hilary has something else called
responsibilities. The world is a changing place. Hilary's parents,
themselves products of a country bathed in sanctifying grace, and
presided over by leather-strapped Christian Brothers, wimpled nuns,
and a strictly ingrained moral code, start to question their own
life choices. As she begins to mature, Hilary's perspective shifts
from a confusing mosaic of half-understood conversations, bizarre
rules and surreal religious symbolism, to a growing awareness of
the eccentricities of the adult world around her, where money is
tight, ideas are unorthodox and where living life to the full is
the goal. As her parents' unconventional lifestyle rubs against the
grain of a pervasive Catholic society, the cracks begin to appear:
siblings are expelled from school; final demands litter the
hallway; and Hilary discovers the truth about the always-present
but never-to-be-mentioned golden-haired lady. Hopscotch is a funny,
poignant and beautifully written memoir, a spellbinding meditation
on innocence, love and memory itself.
Sleeping Around is by four top British playwrights from England,
Ireland, Scotland and Wales: Mark Ravenhill, Hilary Fannin, Stephen
Greenhorn and Abi Morgan Sleeping Around is about love and sex in
Britain as we approach the millennium. In a dozen scenes of likely
and unlikely connections, two actors (Sophie Stanton and John Lloyd
Fillingham) play a variety of couples whose ordinary lives erupt in
extraordinary moments.
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