Celebrating the work of one of Ireland's most daring theatre companies, this anthology gathers five plays by established and emerging playwrights. They include vibrant new adaptations of the world classics Peer Gynt and Phaedra alongside vital new dramas that explore issues of urgent contemporary concern, such as sex and sexuality, emigration and climate change. With contributions from Hilary Fannin and Ellen Cranitch, Arthur Riordan, Sonya Kelly, Morna Regan, and Shane Mac an Bhaird - as well as a foreword from Booker Prize-winning novelist Anne Enright - this book is an exciting snapshot of contemporary Irish playwriting. The book operates as a showcase of outstanding new Irish playwriting, blending work by established and emerging playwrights, and also acts as a celebration of one of Ireland's most important theatre companies. And it includes new plays that demonstrate Rough Magic's consistent willingness to push the boundaries of Irish theatre, both formally and thematically, in plays that cover such topics as sex and sexuality, emigration and climate change. This edition contains a foreword by Anne Enright, Booker prize winner and Laureate of Irish Fiction.

Celebrating the work of one of Ireland's most daring theatre companies, this anthology gathers five plays by established and emerging playwrights. They include vibrant new adaptations of the world classics Peer Gynt and Phaedra alongside vital new dramas that explore issues of urgent contemporary concern, such as sex and sexuality, emigration and climate change. With contributions from Hilary Fannin and Ellen Cranitch, Arthur Riordan, Sonya Kelly, Morna Regan, and Shane Mac an Bhaird - as well as a foreword from Booker Prize-winning novelist Anne Enright - this book is an exciting snapshot of contemporary Irish playwriting. The book operates as a showcase of outstanding new Irish playwriting, blending work by established and emerging playwrights, and also acts as a celebration of one of Ireland's most important theatre companies. And it includes new plays that demonstrate Rough Magic's consistent willingness to push the boundaries of Irish theatre, both formally and thematically, in plays that cover such topics as sex and sexuality, emigration and climate change. This edition contains a foreword by Anne Enright, Booker prize winner and Laureate of Irish Fiction.

'This is heartache for grown ups. The Weight of Love pulls you in and does not let go' ANNE ENRIGHT 'Beautiful and painful, exquisitely written, shot through with nostalgia for our earlier selves' MARIAN KEYES London, 1996. Robin and Ruth meet in the staff room of an East London school. Robin, desperate for a real connection, instantly falls in love. Ruth, recently bereaved and fragile, is tentative. When Robin introduces Ruth to his childhood friend, Joseph, a tortured and talented artist, their attraction is instant. Powerless, Robin watches on as the girl he loves and his best friend begin a passionate and turbulent affair. Dublin 2017. Robin and Ruth are married and have a son, Sid, who is about to emigrate to Berlin. Theirs is a marriage haunted by the ghost of Joseph and as the distance between them grows, Robin makes a choice that could have potentially devastating consequences. The Weight of Love is a beautiful exploration of how we manage life when the notes and beats of our existence, so carefully arranged, begin to slip off the stave. An intimate and moving account of the intricacies of marriage and the myriad ways in which we can love and be loved. 'Delicate, powerful, hypnotic' DONAL RYAN 'Fannin's novel is already likely to be a serious contender for one of the books of the year' SUNDAY TIMES

'Quite brilliant; beautifully, cleverly observed; funny, heart-breaking.' - Roddy Doyle Hilary is four, not yet five, and she has a mother and a father and an older brother and sisters. She even has a name at home - Billy - that is different from her written-down name. But now that she is in Low Babies in the local convent school, it seems Hilary has something else called responsibilities. The world is a changing place. Hilary's parents, themselves products of a country bathed in sanctifying grace, and presided over by leather-strapped Christian Brothers, wimpled nuns, and a strictly ingrained moral code, start to question their own life choices. As she begins to mature, Hilary's perspective shifts from a confusing mosaic of half-understood conversations, bizarre rules and surreal religious symbolism, to a growing awareness of the eccentricities of the adult world around her, where money is tight, ideas are unorthodox and where living life to the full is the goal. As her parents' unconventional lifestyle rubs against the grain of a pervasive Catholic society, the cracks begin to appear: siblings are expelled from school; final demands litter the hallway; and Hilary discovers the truth about the always-present but never-to-be-mentioned golden-haired lady. Hopscotch is a funny, poignant and beautifully written memoir, a spellbinding meditation on innocence, love and memory itself.

Sleeping Around is by four top British playwrights from England, Ireland, Scotland and Wales: Mark Ravenhill, Hilary Fannin, Stephen Greenhorn and Abi Morgan Sleeping Around is about love and sex in Britain as we approach the millennium. In a dozen scenes of likely and unlikely connections, two actors (Sophie Stanton and John Lloyd Fillingham) play a variety of couples whose ordinary lives erupt in extraordinary moments.