PTE Academic Practice Tests Plus includes: * four complete practice tests with authentic test questions by PTE Academic test writers * overviews of each part of the test so you know what to expect * detailed guidance, strategies and tips to teach you how to do each task type * MP3 disc with the recordings for all of the listening and speaking tasks Find your nearest test centre at http: //www.pearsonpte.com/centre

A dark, captivating 12+/YA tale of deception and survival, set in the Realm of Never Moon where faeries live in fear of the Owl King, for fans of Holly Black's The Folk of the Air series and Twin Crowns.

Welcome to a world of glittering courts, dangerous bargains and dazzling trickery.

Long ago, kings and queens of the faery realms exchanged talismans with one another to maintain harmony in their world. The Stag King gave up a shard of antler, the Owl King a feather, the Minnow Queen a shimmering, silver scale. But the Owl King has grown restless, and his kingdom has become dangerous as he feeds off the magic of others. Always he hunts for a new bride to sustain him.

When devoted sisters, Ilsette and Lyla, are summoned to court, the Owl King's eye soon falls on the beautiful Lyla. Determined to save her sister from a terrible fate, Ilsette sets out on a quest to find the prized feather and change the balance of power.

Lyla bewitches the king with her stories, but time is running out. Meanwhile, Ilsette's search leads her to a realm with two moons and scarlet stars. Here she must trick King Locryn into revealing the feather's secret whereabouts, so that she can steal it. She's befriended by a strange magpie and two shadow faeries, but all the while, she faces an impossible truth - to save her sister, she must destroy peace among the realms.

Inspired by faery myth and folklore, the haunting, heart wrenching tale of a girl called Nettle in a dark, foreboding faery kingdom. A wild misfit in the human world, Nettle is enthralled by the glamour of the faery realm, with its two moons and scarlet stars. She grows close to Conor, a human stolen centuries before, and she also falls under the spell of mysterious Ellion, a Shadow Faery. To try to help her beloved grandmother who is fading in her world, Nettle makes a pact with the faery king. He'll heal her grandmother in exchange for Nettle completing three tasks. She agrees, not realising that deception lurks in this enchanted place, and that she has been tricked. In this dangerous fantasy kingdom Nettle discovers, too late, her part in an age-old love story and the price she will pay.

Redeem your story, redefine your creativity, and make a life that truly matters Sometimes the greatest gift you can receive is for your life to fall apart. After years stuck in a painful cycle fueled by past abuse and ongoing addiction, actor, artist, and director Blaine Hogan finally hit rock bottom. No longer able to hide behind the veneer of success or find comfort in the shadows of compulsion, Blaine was forced to look at the story his life was telling and realize he'd lost the plot. Desperate to find hope, he gave up a budding career and took a major life detour where he discovered that facing his past was the key to unlocking a new kind of creativity. In Exit the Cave, Blaine shares the stories that shaped him while exploring how our relationship to our past defines how we imagine the future and live in the present. Through powerful personal revelations, he invites you to take up the practices of radical imagination and real creativity so you can tell a better story with your life. If you've ever been stuck, addicted, ashamed, discontented, or lost, take courage--a richer, more imaginative, and meaningful life is waiting for you just outside the cave. "A tender but fierce story of survival, reckoning, and redemption. Blaine manages to somehow weave themes of acting, allegory, addiction, family, and faith into one beautifully written account of his own healing. This is the kind of story that will redeem you."--Laura McKowen, bestselling author of We Are the Luckiest "Blaine Hogan has inspired me for many years with his unique way of seeing the world. In this book you'll find a blast of inspiration and a trusty guide to help you exit the cave and enter a world that is real and beautiful and vital."--Brad Montague, New York Times bestselling author and illustrator of The Circles All Around Us, Becoming Better Grownups, and Kid President's Guide to Being Awesome

Winner of the 2020 Paraclete Poetry Prize, Litany of Flights is a luminous examination of the journey of the soul, from moments of loss to moments of incandescent transformation. These poems remind us to behold the extraordinary in the ordinary, and that the secret workings of the divine occur even through the difficult: "the painful paring of your hollow bones has made you light." Drawing on the beauty of the natural world, the devastating effects of drought and wildfires, tender moments of daily experience, and lessons of the saints, the poet creates a landscape of light and darkness, with unexpected turns into divine presence and absence. Through a spiral of red-tailed hawks, the nest of a mourning dove, the parting of waters, and the ripeness of a persimmon, this shimmering collection invites the reader to singular and transfiguring flight. Litany of Flights (from the forthcoming collection) First, the winged movement, steady, forward. Scrub jays in flitting progress, hawks in predator glide, a ringing up, a knife-sharp slope down. Second, the effortless type, wind-splayed, motionless pinions in thermal recline, as the Psalmist says, blessings breeze his love even in sleep. Third, the hungry, against the gale, the destination singular and the sun dipping crimson. Fourth, the metallic, business or pleasure. Fifth, the whirring kind, all hummingbird. A picnic, apples and chocolate in the garden with roses, both flower and child. You miss it when it's gone. Sixth, a baffling flight of stairs, winding upward, passage and yet vehicle, spiraling to unseen landings-hope courses in the kaleidoscopic lights. Seventh, soar to the sun. Eighth, melt in bitter hubris. You know the story. Ninth, escape. A flight out of Egypt, a path through the sea cleared by divine hand. The times you ran, the times you were left behind in lament. Tenth, only rotting in the belly of a whale tames your stubborn turn from Nineveh. Eleventh, flights of despair and of yearning, two sides of one letting go, hard-earned release back into the wild, unbound by expectation, featherlike. Twelfth, in a moment, caught up high by the Beloved, the one making all things work together, wings, body, arch, air-caught up, like the Shulamite bride, to regions beyond aeronautical wisdom, transported in joy. See, he says, the painful paring of your hollow bones has made you light.

PTE Academic Practice Tests Plus includes: * four complete practice tests with authentic test questions by PTE Academic test writers * detailed guidance, strategies and tips to teach you how to do each task type * annotated answer key and score guide to help you assess your answers * real candidate answers with comments on each spoken and written task * MP3 disc with the recordings for all of the listening and speaking tasks Find your nearest test centre at http: //www.pearsonpte.com/centre

The Coursebook contains: Eight units with five lessons each Eight case study business workshop lessons relating to each of the eight units A review each unit revises key language and grammar Pronunciation practice for each unit Detailed grammar reference Video and audio scripts A glossary of key business vocabulary Coursebook video and audio material is available online in the Digital Resources area of english.com/businesspartner

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.