For the core auditing course for accounting majors. An Integrated, Up-to-Date Approach to Auditing and Assurance Services Comprehensive and up-to-date, including discussion of new standards, codes, and concepts, Auditing and Assurance Services: An Integrated Approach presents an integrated concepts approach to auditing that details the process from start to finish. Based on the author's belief that the fundamental concepts of auditing center on the nature and amount of evidence that auditors should gather in specific engagements, the text's primary objective is to illustrate auditing concepts using practical examples and real-world settings. The Sixteenth Edition remains up-to-date with examples of key real-world audit decisions and an emphasis on audit planning, risk assessment processes, and collecting and evaluating evidence in response to risks. MyAccountingLab(R) not included. Students, if MyAccountingLab is a recommended/mandatory component of the course, please ask your instructor for the correct ISBN and course ID. MyAccountingLab should only be purchased when required by an instructor. Instructors, contact your Pearson representative for more information. MyAccountingLab is an online homework, tutorial, and assessment product designed to personalize learning and improve results. With a wide range of interactive, engaging, and assignable activities, students are encouraged to actively learn and retain tough course concepts.

Redeem your story, redefine your creativity, and make a life that truly matters Sometimes the greatest gift you can receive is for your life to fall apart. After years stuck in a painful cycle fueled by past abuse and ongoing addiction, actor, artist, and director Blaine Hogan finally hit rock bottom. No longer able to hide behind the veneer of success or find comfort in the shadows of compulsion, Blaine was forced to look at the story his life was telling and realize he'd lost the plot. Desperate to find hope, he gave up a budding career and took a major life detour where he discovered that facing his past was the key to unlocking a new kind of creativity. In Exit the Cave, Blaine shares the stories that shaped him while exploring how our relationship to our past defines how we imagine the future and live in the present. Through powerful personal revelations, he invites you to take up the practices of radical imagination and real creativity so you can tell a better story with your life. If you've ever been stuck, addicted, ashamed, discontented, or lost, take courage--a richer, more imaginative, and meaningful life is waiting for you just outside the cave. "A tender but fierce story of survival, reckoning, and redemption. Blaine manages to somehow weave themes of acting, allegory, addiction, family, and faith into one beautifully written account of his own healing. This is the kind of story that will redeem you."--Laura McKowen, bestselling author of We Are the Luckiest "Blaine Hogan has inspired me for many years with his unique way of seeing the world. In this book you'll find a blast of inspiration and a trusty guide to help you exit the cave and enter a world that is real and beautiful and vital."--Brad Montague, New York Times bestselling author and illustrator of The Circles All Around Us, Becoming Better Grownups, and Kid President's Guide to Being Awesome

An inspiring graphic novel about Elizebeth Friedman, a codebreaking pioneer who changed the course of World War II. Nazi spy rings! No-good gangsters! Shakespearian lies! Discover the courageous woman who cracked all these cases and more—with only a pencil and paper. The youngest of ten siblings, Elizebeth Friedman stood out from an early age with brilliant language skills and a passion for English literature. Eventually, these talents led to a new opportunity: codebreaking. Using ciphers and other trailblazing techniques, Friedman solved coded messages to take down some of the most notorious gangsters in the United States, including the infamous Al Capone. During World War II, as German forces stormed across Europe, she took her skills to the frontlines, thwarting Nazi spies and helping lead Allied forces to victory. In this action-packed, full-color graphic novel, learn more about this daring woman who took risks, defied expectations, and confronted the enemies of World War II. Other Women Warriors of World War II: Angels of Bataan and Corregidor: The Heroic Nurses of World War II The Courageous Six Triple Eight: The All-Black Female Battalion of World War II Daring Women of D-Day: Bold Spies of World War II Jane Kendeigh: Brave Nurse of World War II Nancy Wake: Fearless Spy of World War II Sophie Scholl: Daring Activist of World War II Virginia Hall: Clever Spy of World War II

People come to the guest house for fresh air and views across the Atlantic. But if they're lucky, they might just leave with the second chance they didn't know they needed... Esme has run the guest house for as long as anyone in Ballycove can remember. But in her declining years, her sight is failing, and when she has a fall on the eve of the summer season, she is forced to take a back seat for the first time in her life. From her chair in the entry hall, not much passes Esme by. There's Cora, the wife visiting indefinitely... without her husband; Niamh, the city professional with a life-changing decision to make; and Phyllie, the grandmother whose family is slipping away from her. Esme's guests provide the colour that helps her keep her grip on the world. All of them have something they want to escape – or to hold on to. But can Esme help them find their way before the summer is over? From bestselling Irish writer Faith Hogan comes a new, uplifting story about discovering love, friendship and the healing power of the Irish sea air. It will charm fans of Sheila O'Flanagan, Heidi Swain and Susanne O'Leary. 'Once again Faith pulls you into her world instantly and never lets you go, with such an incredibly real cast of characters who you feel actually exist. A Life affirming and unputdownable read.' Phillipa Ashley 'What a delight this book is. A gorgeous cast of characters, the perfect seaside setting and Faith Hogan’s wonderful talent for dialogue all come together to make this a lovely feel-good story with an ending that will cheer your heart.' Imogen Clark

Winner of the 2020 Paraclete Poetry Prize, Litany of Flights is a luminous examination of the journey of the soul, from moments of loss to moments of incandescent transformation. These poems remind us to behold the extraordinary in the ordinary, and that the secret workings of the divine occur even through the difficult: "the painful paring of your hollow bones has made you light." Drawing on the beauty of the natural world, the devastating effects of drought and wildfires, tender moments of daily experience, and lessons of the saints, the poet creates a landscape of light and darkness, with unexpected turns into divine presence and absence. Through a spiral of red-tailed hawks, the nest of a mourning dove, the parting of waters, and the ripeness of a persimmon, this shimmering collection invites the reader to singular and transfiguring flight. Litany of Flights (from the forthcoming collection) First, the winged movement, steady, forward. Scrub jays in flitting progress, hawks in predator glide, a ringing up, a knife-sharp slope down. Second, the effortless type, wind-splayed, motionless pinions in thermal recline, as the Psalmist says, blessings breeze his love even in sleep. Third, the hungry, against the gale, the destination singular and the sun dipping crimson. Fourth, the metallic, business or pleasure. Fifth, the whirring kind, all hummingbird. A picnic, apples and chocolate in the garden with roses, both flower and child. You miss it when it's gone. Sixth, a baffling flight of stairs, winding upward, passage and yet vehicle, spiraling to unseen landings-hope courses in the kaleidoscopic lights. Seventh, soar to the sun. Eighth, melt in bitter hubris. You know the story. Ninth, escape. A flight out of Egypt, a path through the sea cleared by divine hand. The times you ran, the times you were left behind in lament. Tenth, only rotting in the belly of a whale tames your stubborn turn from Nineveh. Eleventh, flights of despair and of yearning, two sides of one letting go, hard-earned release back into the wild, unbound by expectation, featherlike. Twelfth, in a moment, caught up high by the Beloved, the one making all things work together, wings, body, arch, air-caught up, like the Shulamite bride, to regions beyond aeronautical wisdom, transported in joy. See, he says, the painful paring of your hollow bones has made you light.

David Hogan directs this action thriller in which a group of government agents and scientists attempt to save the world from imminent destruction. When material from an imploded white hole is flung towards Earth, the planet suffers extreme damage - to the extent that experts fear it will stop rotating on its axis. Federal agent John Streich (Robert Knepper), his son Andy (Cameron Bright) and scientist Chloe Edwards (Julia Benson) lead efforts to try and save the day. The only hope for survival appears to lie in the form of a disgraced scientist known as Rothman (Bruce Davison) and an obscure satellite network. Will mankind be able to prevent the apocalypse?

Searching for her birth mother, 17-year-old Angela finds her way to the remote region of the Boundary Waters between Canada and Minnesota. Here she reunites with the woman who raised her during her early years. But her happiness is short-lived, when she gets involved in a conflict with developers.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.