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A wonderfully illustrated exploration of one of Hokusai's key
motifs: Mount Fuji. Hokusai's Thirty-six Views of Mount Fuji and
the three volumes of his subsequent One Hundred Views of Mount Fuji
show his fascination with a single motif: Mount Fuji. Hokusai's
near-obsession with Fuji was part of his hankering after artistic
immortality – in Buddhist and Daoist tradition, Fuji was thought
to hold the secret to eternal life, as one popular interpretation
of its name suggests: 'Fu-shi' ('not death'). Thirty-six Views of
Mount Fuji was produced from c. 1830 to 1832 when Hokusai was in
his seventies and at the height of his career. Among the prints are
three of the artist's most famous: The Great Wave off Kanagawa,
Fine Wind, Clear Morning and Thunderstorm Beneath the Summit. By
the time he created his second great tribute to Mount Fuji, three
volumes comprising One Hundred Views of Mount Fuji, he was using
the artist names Gakyo rojin ('Old Man Crazy to Paint'), and Manji
('Ten Thousand Things', or 'Everything'). Contrasting the
mountain's steadfastness and solidity with the ravages of the
surrounding elements, Hokusai depicts Fuji through different
seasons, weather conditions and settings, and in so doing
communicates an important message: while life changes, Fuji stands
still. Including all the illustrations from these two masterpieces,
this book also features many of Hokusai’s earlier renditions of
the mountain, as well as later paintings. In this way, through
Mount Fuji, this volume traces a history of Hokusai’s oeuvre
overall.
In 1814, Hokusai's sketches were published in a handbook of over
4,000 images: Hokusai Manga. It surpassed expectations as a student
reference book, and became a bestseller. Here, in an elegant,
three-volume package, an expansive selection of these works are
revealed, presenting all of the themes, motifs and drawing
techniques found in his art. The caricatures, satirical drawings,
multi-panel illustrations and narrative depictions found in the
book can clearly be seen as the basis for manga as it is understood
today. One volume explores The Life and Manners of the Day
(studying habits and objects of the everyday, from architectural
features to wrestling moves and facial expressions); the second The
Whole Earth Catalogue (largely concerned with nature, from animals
to rock faces and fish); and the third presents the Fanciful,
Mythical and Supernatural (with images narrating myths and
displaying fantastical creatures).
Best known for his iconic print Under the Wave off Kanagawa, also
known as the Great Wave, Katsushika Hokusai was a revolutionary
printmaker. His mastery of ukiyo-e in the nineteenth century has
inspired generations of artists since, and his works exposed the
world to the delicate beauty and power of Japanese woodblock
technique. In addition to his remarkable artistic output, Hokusai
was also a dedicated teacher who sought to pass down his deep
understanding of color and painting to practicing artists through
immensely detailed written tutorials. Here, for the first time in
centuries, are excerpts from his manuals, many available for the
first time in English. It is an invaluable insight into the psyche
of a true master, and a rare personal account of an artist's life
during a fascinating period in Japan's history. Connecting
Hokusai's prints from the Edo period to manga, author Ryoko Matsuba
foregrounds Hokusai's contributions to Japanese creative expression
from the 1800s to today. Also included in this book: Vincent Van
Gogh's letter about Hokusai's Great Wave and the contemporary
artist Ikeda Manabu's concise observations about Hokusai's lasting
influence.
These high-quality note cards feature 12 beloved Hokusai prints.
The artist behind the world-famous The Great Wave off Kanagawa,
Hokusai lived and worked in what is now modern day Tokyo during the
Edo Period. Hokusai Prints Note Cards are an excellent value--a
fraction of the price of other fine art note cards with
accompanying envelopes. These elegant blank note cards are printed
with twelve different works of art. On the back of each card is the
name and year of the print. 12 folded blank note cards 6 x 4 inches
(152 x 102 mm) 12 envelopes 6 1/4 x 4 1/4 inches (160 x 108 mm)
HOKUSAI'S BRUSH is a companion to the Freer Gallery of Art's
yearlong exhibition that celebrates the artist's fruitful career.
The Freer, home to the world's largest collection of paintings by
Japanese artist, Katsushika Hokusai, has put on view for the first
time in a decade his incredible and rarely seen sketches, drawings
and paintings. Together with essays that explore his life and
career, HOKUSAI'S BRUSH offers an in-depth breakdown of each
painting, providing amazing commentary that highlight Hokusai's
mastery and detail. While best known for his woodblock print series
"Thirty-six Views of Mount Fuji" and particularly the widely
recognisable "The Great Wave off Kanagawa," Hokusai is said to have
produced 30,000 pieces of art. He lived until he was ninety years
old and his last words were reportedly to say that if heaven were
to grant him another five or ten years, then he could become a true
painter. Every stunning page of HOKUSAI'S BRUSH is a testament to
the humility of that statement, emphasising his artistry and skill,
the likes of which shaped the Impressionist movement by inspiring
artists such as Monet, Degas and van Gogh.
And Fu-Gaku San-Jiu-Rokkei, Or Thirty-Six Views Of The Fuji-Yama.
And Fu-Gaku San-Jiu-Rokkei, Or Thirty-Six Views Of The Fuji-Yama.
And Fu-Gaku San-Jiu-Rokkei, Or Thirty-Six Views Of The Fuji-Yama.
Beautiful reproductions of Katsushika Hokusai's "Kingfisher,
Irises, and Pinks"; Kitagawa Utamaro's "The Courtesan Hinazuru at
the Keizetsuro"; Eisui's "Somenosuke of the Matsubaya," and 13
other works of art.
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