Despite growing cultural and economic homogenization across the globe, the visible presence of immigrant communities stands out in many metropolises of the world. In almost all major cities the cultural and physical presence of various ethnic or religious groups is very much in evidence. Yet, until now, the academic treatment of international migration has mostly been confined to limited case studies, single ethnic groups, or single locations. Crossing Over offers an alternative to this method, bringing together a diverse group of academics charged with submitting new research that juxtaposes experiences and draws on comparisons between aspects of migration in Europe and the United States. The essays focus on two main issues: security issues-heightened by recent terrorist activities-and the question of citizenship, identity, and host-guest interaction. The result is a collection of accessible research essays that shed light on both the parallels and differences that exist for immigrant groups across continents and cultures.

The West Indian Americans captures the experiences of the diverse groups of immigrants to the United States since 1965. These English-speaking Caribbean immigrants have an increasing presence in this country, particularly in New York City. The differences between the various peoples of African, East Indian, or mixed ancestry, usually unacknowledged, are described here. Henke clearly relates who the groups are-from the Jamaicans to the Garifuna-why they left their homelands, how they have adapted and impacted this country, and the new challenges they face. Many notable West Indian Americans are profiled. The West Indian Americans introduces students and other interested readers to the diversity and cultural individuality of a growing segment of the American immigrant community. After an introductory chapter that describes the history and people of Jamaica and the other English-speaking Caribbean nations, their migration to the United States and patterns of adjustment and adaptation are discussed. Next, the West Indian cultural traditions, transferred to this country especially the churches, literature, music, and festivals, are evoked. Another chapter covers family networks, return migration, and remittances to those members left behind in the West Indies. Final chapters examine the new challenges for the West Indian Americans, such as identity issues, education and job prospects, and gang and drug problems, and the contributions of West Indian immigrants.

In this volume, the editors and authors strive to understand the evolving Trans-Caribbean as a discontinuous, displacing and displaced, transnational space. It considers the imagined community in the islands as its psycho-social homeland, while simultaneously pursuing different cultural strategies of redefining and resisting colonial 'homeland' conventions (which Kamau Brathwaite appropriately termed the 'inner plantation'). Thus, the Trans-Caribbean is suspended in a double-dialectic, which opposes both the hegemonic metropolitan space inhabited, as well as the romanticized, yet colonialized, 'inner plantation, ' whose transcendence via migration perpetually turns out to be an illusion. Given this, cultural production and migration remain at the vortex of the Trans-Caribbean. The construction of cultural products in the Trans-Caribbean understood as a collection of social and new migratory practices both reflects and contests post-colonial metropolitan hegemonies. Following Arjun Appadurai's distinction, these homogenizing and heterogenizing counter-trends in Trans-Cariabbean spaces can be observed through cultural transactions manifesting themselves as ethnoscapes, mediascapes, technoscapes, financescapes, cityscapes, ideoscapes, etc. For the purposes of this book the editors invited anthropologists, sociologists, political scientists, linguists, liberal arts and gender studies specialists, as well as cultural and literary historians to begin drawing some of the diasporic trajectories on the huge canvas of cultural production throughout the Trans-Caribbean.Constructing Vernacular Culture in the Trans-Caribbean will find its audience among scholars in cultural studies, migration, literary theory, and cultural criticism who have a special interest in Caribbean and Latin American Studies, as well as among students and scholars of migration and postcolonialism and postmodernity in general."

In this new edited volume, Holger Henke and Fred Reno build on their important collection Modern Political Culture in the Caribbean (2003) and revisit some of the themes in Caribbean political culture explored some eighteen years earlier. The contributors to New Political Culture in the Caribbean consider more recent developments precipitating significant changes in the political attitudes and discourses in the region. Even the persistent themes in Caribbean political life - issues such as race, ethnicity, sovereignty, civil rights, or poverty - allow for new consideration, not only because of their longevity but also because in their contemporary form they may speak to new dynamics in society or find different forms of expression or political impact. The quality of political discourse - in terms of its content and forms of presentation - has significantly shifted over the first decades of the twenty-first century, and the impact of social media and a concomitant rise of political fringe discourses have accelerated the fragmentation of the public and polity, leading to sharper confrontations in the political sphere and giving once again rise to crude forms of nationalism. There are also various stressors and pressures that run counter to simplistic notions of nationalism and point to a great urgency for more transparent, sustainable, participatory and equitable modalities of political engagement and discourses in the region.