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Dieser Band stellt das Spannungsfeld von Wirklichkeit und Animation
in den Mittelpunkt und lotet aus, inwieweit dieses Verhaltnis
interdisziplinar begriffen und (medien)theoretisch erfasst werden
kann. Wirklichkeit und Animation erscheinen im ersten Moment als
Gegensatz: auf der einen Seite das Reale, Nicht-Mediale,
Tatsachliche und Ursprungliche und auf der anderen Seite das
Fiktive, In-Bewegung-Gesetzte, Verwandelte und kunstlich Gemachte.
Doch gerade aus diesem vermeintlichen Kontrast ergibt sich ein
produktives Spannungsfeld: So setzen auch 'realistische' und
dokumentarische Formen vielfach Animationen ein. Realfotografische
und animierte Elemente verbinden sich in Online-Umgebungen und
Augmented-Reality-Formaten zu Hybriden. Hinsichtlich virtueller
Wirklichkeiten stellt sich ausserdem die Frage, wie
hyperrealistische Animationen und Effekte in der Postproduktion zu
bewerten sind und ob die ausgestellte Kunstlichkeit sichtbarer
Animation nicht authentischer wirkt. Parallel dazu entwickeln sich
die Animation Studies zu einem wachsenden interdisziplinaren
Forschungsfeld, dessen Stellenwert sich nicht nur im kunstlerischen
und medien-wissenschaftlichen Bereich, sondern auch in der
industriellen Anwendung zeigt.
This book is open access and available on
www.bloomsburycollections.com. It is funded by Knowledge Unlatched.
Scanning historical and current trends in animation through
different perspectives including art history, film, media and
cultural studies is a prominent facet of today's theoretical and
historical approaches in this rapidly evolving field. Global
Animation Theory offers detailed and diverse insights into the
methodologies of contemporary animation studies, as well as the
topics relevant for today's study of animation. The contact between
practical and theoretical approaches to animation at Animafest
Scanner, is closely connected to host of this event, the World
Festival of Animated Film Animafest Zagreb. It has given way to
academic writing that is very open to practical aspects of
animation, with several contributors being established not only as
animation scholars, but also as artists. This anthology presents,
alongside an introduction by the editors and a preface by well
known animation scholar Giannalberto Bendazzi, 15 selected essays
from the first three Animafest Scanner editions. They explore
various significant aspects of animation studies, some of them
still unknown to the English speaking communities.
This book is open access and available on
www.bloomsburycollections.com. It is funded by Knowledge Unlatched.
Scanning historical and current trends in animation through
different perspectives including art history, film, media and
cultural studies is a prominent facet of today's theoretical and
historical approaches in this rapidly evolving field. Global
Animation Theory offers detailed and diverse insights into the
methodologies of contemporary animation studies, as well as the
topics relevant for today's study of animation. The contact between
practical and theoretical approaches to animation at Animafest
Scanner, is closely connected to host of this event, the World
Festival of Animated Film Animafest Zagreb. It has given way to
academic writing that is very open to practical aspects of
animation, with several contributors being established not only as
animation scholars, but also as artists. This anthology presents,
alongside an introduction by the editors and a preface by well
known animation scholar Giannalberto Bendazzi, 15 selected essays
from the first three Animafest Scanner editions. They explore
various significant aspects of animation studies, some of them
still unknown to the English speaking communities.
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