Continuity and change enclose a problem field that is fundamental to the interpretation of historical material. On the one hand the notions that are necessary to perceive the historical account as a narrative: continuity, tradition, constancy, consistency, identity; on the other those that provide an impetus or drive to that account: change, innovation, rupture, or discontinuity. Resonances: Historical Essays on Continuity and Change explores the historiographical question of the modes of interrelation between these motifs in historical narratives. The essays in the collection attempt to realize theoretical consciousness through historical narrative 'in practice', by discussing selected historical topics from Western cultural history, within the disciplines of history, literature, visual arts, musicology, archaeology, philosophy, and theology. The title Resonances indicates the overall perspective of the book: how connotations of past meanings may resonate through time, in new contexts, assuming new meanings without surrendering the old.

Proceedings from The Nordic Festival and Conference of Gregorian Chant

This book is designed to meet the urgent need for a comprehensive and definitive introduction and teaching text on corporate environmental management. It aims to become the standard textbook for courses examining how business can take the environment into account while also providing an accessible and thorough overview of this increasingly multidisciplinary subject for practitioners. Written by the internationally acknowledged experts Stefan Schaltegger and Roger Burritt (authors of the highly influential "Contemporary Environmental Accounting") along with Holger Petersen, the book invites the reader to join in an exploration of the ways in which companies can engage in environmental management and why such engagement can be profitable for business. The reader is invited to: examine whether the contents reflect their own experience, takes their experience further, or opposes their own views; note which of the ideas presented are especially important, add to those ideas, or encourage a reaction (positive or negative); answer questions creatively (based on their own perspective of the issues); encourage themselves to be inspired by questions, which can be investigated further through other written sources of information, such as books you will be guided to through the bibliography, the Internet or the general media; and think about and plan the ways in which the knowledge provided can be implemented in your own situation. The book is organised into four main sections. First, the fundamental ideas and linkages behind business management, the environment and sustainable development are briefly but clearly sketched. The second part of the book outlines the criteria against which environmentally oriented business management can be assessed and the fields of action in which success can be achieved. The third part presents a discussion and examples of strategies for environmental management, which are linked, in the fourth part, to the essential tools of environmental management, especially green marketing, environmental accounting and eco-control. The book is full of case studies and examples related to the main contents of each chapter and each chapter provides a number of questions for the student or reader to address. "An Introduction to Corporate Environmental Management" is both a textbook and a sourcebook. The reader can either work through the material in a structured way or dip into the content and follow up on specific areas of interest. The materials are designed to be used for understanding and reference, rather than to be learned by heart. The primary aim is for the reader to obtain a practical understanding of the relationship between management and environmental issues which can be applied in day-to-day situations--whether as part of a student's wider view of management or within the practitioner's real-world situation. It will be essential reading for many years to come.

This book is designed to meet the urgent need for a comprehensive and definitive introduction and teaching text on corporate environmental management. It will become the standard textbook for courses examining how business can take the environment into account while also providing an accessible and thorough overview of this increasingly multidisciplinary subject for practitioners. Written by the internationally acknowledged experts Stefan Schaltegger and Roger Burritt (authors of the highly influential "Contemporary Environmental Accounting") along with Holger Petersen, the book invites the reader to join in an exploration of the ways in which companies can engage in environmental management and why such engagement can be profitable for business. The reader is invited to: examine whether the contents reflect their own experience, takes their experience further, or opposes their own views; note which of the ideas presented are especially important, add to those ideas, or encourage a reaction (positive or negative); answer questions creatively (based on their own perspective of the issues); encourage themselves to be inspired by questions, which can be investigated further through other written sources of information, such as books you will be guided to through the bibliography, the Internet or the general media; and think about and plan the ways in which the knowledge provided can be implemented in your own situation. The book is organized into four main sections. First, the fundamental ideas and linkages behind business management, the environment and sustainable development are briefly but clearly sketched. The second part of the book outlines the criteria against which environmentally-oriented business management can be assessed and the fields of action in which success can be achieved. The third part presents a discussion and examples of strategies for environmental management, which are linked, in the fourth part, to the essential tools of environmental management, especially green marketing, environmental accounting and eco-control. The book is full of case studies and examples related to the main contents of each chapter and each chapter provides a number of questions for the student or reader to address. "An Introduction to Corporate Environmental Management" is both a textbook and a sourcebook. The reader can either work through the material in a structured way or dip into the content and follow up on specific areas of interest. The materials are designed to be used for understanding and reference, rather than to be learned by heart. The primary aim is for the reader to obtain a practical understanding of the relationship between management and environmental issues which can be applied in day-to-day situations whether as part of a student's wider view of management or within the practitioner's real-world situation. It will be essential reading for many years to come."

The meaning of the noun 'creation', and the verb 'to create', range from the traditional theological idea of God creating ex nihilo to a more recent sense of the process of artistic conception. This collection of thirteen essays, written by scholars of music, literature, the visual arts, and theology, explores the complicated relationship between medieval rituals and theology, and the development of an idea of human artistic creation, which came to the fore in the sixteenth century. The volume concentrates on the period from the Carolingians to the Counter-Reformation but also includes some twentieth-century musicians. Each essay is dedicated to a particular topic concerned with ritual or artistic beginnings, inventions, harmony and disharmony, as well as representations or celebrations of creation. Central themes include the interplay of the ideas of God as creator, of God acting and recreating in medieval liturgy, of God as artist - the deus artifex of the Pythagorean cosmology, which was occasionally referred to as recently as the early nineteenth century - and, finally, of the homo creator, a concept in which man reflected (and eventually replaced) God in his artistic creativity. This book therefore features new, significant, individual contributions from a range of scholarly disciplines, but, taken as a whole, it also constitutes a complex interdisciplinary study, with large-scale historical constructions. The essays in this volume, by scholars across a range of disciplines, explore the historical construction of and changes to the concept and experience of creation.

Lutheran theology and religious practice re-shaped traditions from the ritual heritage of the Medieval Latin Church. Throughout the cultural history of European Lutheran areas, what came to be seen as 'the arts' may be discussed in the light of (changing) Lutheran traditions: the cultural heritage of Martin Luther. This volume presents a collection of nine essays on Lutheran traditions and the arts within the 500 years since the Reformation, as a special issue of the journal 'Transfiguration' in connection with the Tenth International Congress for Luther Research hosted at the Department of Church History, University of Copenhagen.

This volume addresses the history of saints and sainthood in the Middle Ages in the Baltic Region, with a special focus on the cult of saints in Russia, Prussia, Finland, Sweden, Denmark, Estonia, and Latvia (Livonia). Essays explore such topics as the introduction of foreign (and "old") saints into new regions, the creation of new local cults of saints in newly Christianized regions, the role of the cult of saints in the creation of political and lay identities, and the potential role of saints in times of war.

The polyphonic lauda had its place of prominence in the lay devotional confraternities in Italian cities in the late Middle Ages and the early modern period. A main theme of this volume is the influence of art music in devotional contexts dominated by ritual functionality, where a modern aesthetic perspective is rarely employed. The authors raise fundamental questions about the validity of such a distinction between functional simplicity and aesthetic sensibility, where the latter is usually reserved for advanced, secular genres such as opera and the madrigal. The question of an aesthetics avant la letter as applied to devotional practices in the Middle Ages and the Renaissance is examined through analyses of records from youth confraternities in Renaissance Florence. Further, the use during the seventeenth century of the traditional genre of the lauda in settings which stylistically reflect polyphonic art music is discussed and exemplified through the publication of 19 polyphonic laude from a seventeenth-century manuscript found in the archives of the Cathedral of Florence. Combining aspects of recent scholarship in musicology, liturgical history, and confraternity studies, the authors (a musicologist and a church historian) explore both the devotional use of stylistically advanced music in the late sixteenth and early seventeenth centuries as well as the idea that the beauty of music enhances devotion. The volume features an introduction and six chapters as well as a substantial appendix consisting of edited texts and music for several laude.

Articles centred on the use made by European nations of medieval texts and other artefacts to define their history and origins. The 19th century was a time of fierce national competition for the "ownership" of medieval documents and the legitimation of national histories. This volume contains papers dealing with the attempts of French scholars to claim English documents (and vice versa), as also of disputes between Scandinavian and British scholars, and Dutch, German and Italian scholars. Regionalism is also a repeated topic, with claims made for the autonomy of Frisia within the Netherlands, and Languedoc within France. Other papers deal with the rediscovery of medieval music, with early American attempts to redirect the course of 20th century poetry by appeal to medieval precedent, and with the continuing vitality of Dante's Divina Commedia (especially the Inferno) in the light of 20th century experience. The volume as a whole sheds new light on the whole process of appropriating history, which remains a vital and contentioustopic, both inside and outside the academic world. CONTRIBUTORS: MARK BURDE, MAGNUS FJALLDAL, ALPITA DE JONG, ANNETTE KREUZIGER-HERR, NILS HOLGER PETERSEN, RACHEL DRESSLER, KARL FUGELS, WILLIAM QUINN, PETER CHRISTENSEN

The concepts of genre and ritual are central for the overall occupation with the relationship between the history of the arts and the history of Christianity in Western Culture. This special issue of the journal TRANSfiguration sheds light on the complex relationship between the two broad and difficult terms, genre and ritual, within the cultural history of Europe. This volumea collection of 15 essayswas planned on the basis of the first annual international conference at the Centre for the Study of the Cultural Heritage of Medieval Rituals, University of Copenhagen.

Lutheran theology and religious practice re-shaped traditions from the ritual heritage of the Medieval Latin Church. Throughout the cultural history of European Lutheran areas, what came to be seen as "the arts" may be discussed in the light of changing Lutheran traditions: the cultural heritage of Martin Luther. This volume presents a collection of 9 essays on Lutheran traditions and the arts within the 500 years since the Reformation, as a special issue of the journal Transfiguration. This issue has been planned in connection with the Tenth International Congress for Luther Research hosted at the Department of Church History, University of Copenhagen.

"Transfiguration" offers discussions of the relationship between art forms and Christianity in the European tradition from the early Church until today. The journal provides a much-needed venue for a broader theological forum that extends beyond the traditional boundaries of religious art scholarship. Looking beyond the contexts in which religious art works are typically situated, it aims to engage this art as a mode of expression that exists in the space between religious practice and aesthetic display. The present issue includes chapters on Luther's reflection on the life of a Christian, the motif of "imitatio Christi," the relationship between image and body, Jesus as a symbolist, and Nietzsche's "The Antichrist".""

In 1993 and 1994, The Centre for Christianity and the Arts at the Institute of Church History, University of Copenhagen, arranged symposia with liturgy and the arts in the Middle Ages as the uniting theme. Scholars, with different professional backgrounds and from different European countries, as well as from the USA, presented papers of which 11 are collected and published in this book.

Text in Danish.

This book adopts a multidisciplinary and novel approach to the historical evolution of identities in Europe - identities connected with regions as a multi-layered and processual key concept in dialogue and/or conflict with the emerging nation-state. In the book, historical disciplines meet with anthropology, human ge-ography and cultural studies to discuss how regional identities of various kinds were created, challenged and redefined; how they were experienced and expressed and to what extent they produced feelings of attachment. Spatial, social, cultural and political manifestations of identities in Europe are historical phenomena. Their changes and forms help us understand the essential traits of European societies, in-cluding the development of differences and similarities, degrees of attachment and dynamics of physical and mental borders. Drawing on a wide range of sources - from historiography to in-terviews, hagiographical texts, images and songs - expressing evolving identities, this book presents an innovative approach to understanding identity formation in Europe.

Medieval cathedrals and the various practices connected to them form an important and complex part of the European cultural heritage. The buildings themselves and their reception into the modern arts ensure their presence within today's cultural memories and sensibilities. In the mid-twelfth century, a new archbishop's seat was erected in the Norwegian city of Trondheim (or Nidaros) at the far north of Europe. This interdisciplinary volume, written by scholars of history, architecture, and liturgy, explores the medieval cathedral of Trondheim as a local construction in a European context. As a see of the Western Church, it was set in an international Latinate culture. At the same time, the construction of the building itself and the ritual practices in and around it were influenced by local political, religious, and cultural conditions. The relationship between the physical construction of a cathedral and its function in medieval liturgical and other ritual practices is a topic of wide relevance for architectural and liturgical scholarship. The so-called Ordo Nidrosiensis, the thirteenth-century ordinal of the Province of Nidaros, is an immense help in interpreting the architectural construction and sacred space of Nidaros Cathedral and the Ordo is dealt with in many of the articles. In accordance with general medieval practice, the Nidaros ordinal may be described as international in contents but edited with regard to local considerations.

Transfiguration is a peer reviewed journal offering discussions of the relationship between art forms and Christianity in the European tradition from the early Church until today. There is an increasing interest in the more or less precisely defined religious contexts of the art forms. There is thus a demand for a theological journal that is not limited to the traditional matters within the discipline. The term theology is here used in a broader sense that includes the modes of expression and thought which have come into existence in a historical energy field between religious practice and aesthetic display. With contributions by John D. Caputo, Dorthe Jorgensen, Espen Dahl, Elisabeth Lovlie, Geir Hellemo, Uffe Holmsgaard Eriksen, Mette Birkedal Bruun, Hans Jorgen Frederiksen, Margunn Sandal, Leonora Onarheim, Kresten Thue Andersen, Martin Wangsgaard Jurgensen