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Continuity and change enclose a problem field that is fundamental
to the interpretation of historical material. On the one hand the
notions that are necessary to perceive the historical account as a
narrative: continuity, tradition, constancy, consistency, identity;
on the other those that provide an impetus or drive to that
account: change, innovation, rupture, or discontinuity. Resonances:
Historical Essays on Continuity and Change explores the
historiographical question of the modes of interrelation between
these motifs in historical narratives. The essays in the collection
attempt to realize theoretical consciousness through historical
narrative 'in practice', by discussing selected historical topics
from Western cultural history, within the disciplines of history,
literature, visual arts, musicology, archaeology, philosophy, and
theology. The title Resonances indicates the overall perspective of
the book: how connotations of past meanings may resonate through
time, in new contexts, assuming new meanings without surrendering
the old.
Proceedings from The Nordic Festival and Conference of Gregorian
Chant
This book is designed to meet the urgent need for a comprehensive
and definitive introduction and teaching text on corporate
environmental management. It aims to become the standard textbook
for courses examining how business can take the environment into
account while also providing an accessible and thorough overview of
this increasingly multidisciplinary subject for practitioners.
Written by the internationally acknowledged experts Stefan
Schaltegger and Roger Burritt (authors of the highly influential
"Contemporary Environmental Accounting") along with Holger
Petersen, the book invites the reader to join in an exploration of
the ways in which companies can engage in environmental management
and why such engagement can be profitable for business. The reader
is invited to: examine whether the contents reflect their own
experience, takes their experience further, or opposes their own
views; note which of the ideas presented are especially important,
add to those ideas, or encourage a reaction (positive or negative);
answer questions creatively (based on their own perspective of the
issues); encourage themselves to be inspired by questions, which
can be investigated further through other written sources of
information, such as books you will be guided to through the
bibliography, the Internet or the general media; and think about
and plan the ways in which the knowledge provided can be
implemented in your own situation. The book is organised into four
main sections. First, the fundamental ideas and linkages behind
business management, the environment and sustainable development
are briefly but clearly sketched. The second part of the book
outlines the criteria against which environmentally oriented
business management can be assessed and the fields of action in
which success can be achieved. The third part presents a discussion
and examples of strategies for environmental management, which are
linked, in the fourth part, to the essential tools of environmental
management, especially green marketing, environmental accounting
and eco-control. The book is full of case studies and examples
related to the main contents of each chapter and each chapter
provides a number of questions for the student or reader to
address. "An Introduction to Corporate Environmental Management" is
both a textbook and a sourcebook. The reader can either work
through the material in a structured way or dip into the content
and follow up on specific areas of interest. The materials are
designed to be used for understanding and reference, rather than to
be learned by heart. The primary aim is for the reader to obtain a
practical understanding of the relationship between management and
environmental issues which can be applied in day-to-day
situations--whether as part of a student's wider view of management
or within the practitioner's real-world situation. It will be
essential reading for many years to come.
This book is designed to meet the urgent need for a comprehensive
and definitive introduction and teaching text on corporate
environmental management. It will become the standard textbook for
courses examining how business can take the environment into
account while also providing an accessible and thorough overview of
this increasingly multidisciplinary subject for practitioners.
Written by the internationally acknowledged experts Stefan
Schaltegger and Roger Burritt (authors of the highly influential
"Contemporary Environmental Accounting") along with Holger
Petersen, the book invites the reader to join in an exploration of
the ways in which companies can engage in environmental management
and why such engagement can be profitable for business. The reader
is invited to: examine whether the contents reflect their own
experience, takes their experience further, or opposes their own
views; note which of the ideas presented are especially important,
add to those ideas, or encourage a reaction (positive or negative);
answer questions creatively (based on their own perspective of the
issues); encourage themselves to be inspired by questions, which
can be investigated further through other written sources of
information, such as books you will be guided to through the
bibliography, the Internet or the general media; and think about
and plan the ways in which the knowledge provided can be
implemented in your own situation. The book is organized into four
main sections. First, the fundamental ideas and linkages behind
business management, the environment and sustainable development
are briefly but clearly sketched. The second part of the book
outlines the criteria against which environmentally-oriented
business management can be assessed and the fields of action in
which success can be achieved. The third part presents a discussion
and examples of strategies for environmental management, which are
linked, in the fourth part, to the essential tools of environmental
management, especially green marketing, environmental accounting
and eco-control. The book is full of case studies and examples
related to the main contents of each chapter and each chapter
provides a number of questions for the student or reader to
address. "An Introduction to Corporate Environmental Management" is
both a textbook and a sourcebook. The reader can either work
through the material in a structured way or dip into the content
and follow up on specific areas of interest. The materials are
designed to be used for understanding and reference, rather than to
be learned by heart. The primary aim is for the reader to obtain a
practical understanding of the relationship between management and
environmental issues which can be applied in day-to-day situations
whether as part of a student's wider view of management or within
the practitioner's real-world situation. It will be essential
reading for many years to come."
The meaning of the noun 'creation', and the verb 'to create', range
from the traditional theological idea of God creating ex nihilo to
a more recent sense of the process of artistic conception. This
collection of thirteen essays, written by scholars of music,
literature, the visual arts, and theology, explores the complicated
relationship between medieval rituals and theology, and the
development of an idea of human artistic creation, which came to
the fore in the sixteenth century. The volume concentrates on the
period from the Carolingians to the Counter-Reformation but also
includes some twentieth-century musicians. Each essay is dedicated
to a particular topic concerned with ritual or artistic beginnings,
inventions, harmony and disharmony, as well as representations or
celebrations of creation. Central themes include the interplay of
the ideas of God as creator, of God acting and recreating in
medieval liturgy, of God as artist - the deus artifex of the
Pythagorean cosmology, which was occasionally referred to as
recently as the early nineteenth century - and, finally, of the
homo creator, a concept in which man reflected (and eventually
replaced) God in his artistic creativity. This book therefore
features new, significant, individual contributions from a range of
scholarly disciplines, but, taken as a whole, it also constitutes a
complex interdisciplinary study, with large-scale historical
constructions. The essays in this volume, by scholars across a
range of disciplines, explore the historical construction of and
changes to the concept and experience of creation.
Lutheran theology and religious practice re-shaped traditions from
the ritual heritage of the Medieval Latin Church. Throughout the
cultural history of European Lutheran areas, what came to be seen
as 'the arts' may be discussed in the light of (changing) Lutheran
traditions: the cultural heritage of Martin Luther. This volume
presents a collection of nine essays on Lutheran traditions and the
arts within the 500 years since the Reformation, as a special issue
of the journal 'Transfiguration' in connection with the Tenth
International Congress for Luther Research hosted at the Department
of Church History, University of Copenhagen.
This volume addresses the history of saints and sainthood in the
Middle Ages in the Baltic Region, with a special focus on the cult
of saints in Russia, Prussia, Finland, Sweden, Denmark, Estonia,
and Latvia (Livonia). Essays explore such topics as the
introduction of foreign (and "old") saints into new regions, the
creation of new local cults of saints in newly Christianized
regions, the role of the cult of saints in the creation of
political and lay identities, and the potential role of saints in
times of war.
The polyphonic lauda had its place of prominence in the lay
devotional confraternities in Italian cities in the late Middle
Ages and the early modern period. A main theme of this volume is
the influence of art music in devotional contexts dominated by
ritual functionality, where a modern aesthetic perspective is
rarely employed. The authors raise fundamental questions about the
validity of such a distinction between functional simplicity and
aesthetic sensibility, where the latter is usually reserved for
advanced, secular genres such as opera and the madrigal. The
question of an aesthetics avant la letter as applied to devotional
practices in the Middle Ages and the Renaissance is examined
through analyses of records from youth confraternities in
Renaissance Florence. Further, the use during the seventeenth
century of the traditional genre of the lauda in settings which
stylistically reflect polyphonic art music is discussed and
exemplified through the publication of 19 polyphonic laude from a
seventeenth-century manuscript found in the archives of the
Cathedral of Florence. Combining aspects of recent scholarship in
musicology, liturgical history, and confraternity studies, the
authors (a musicologist and a church historian) explore both the
devotional use of stylistically advanced music in the late
sixteenth and early seventeenth centuries as well as the idea that
the beauty of music enhances devotion. The volume features an
introduction and six chapters as well as a substantial appendix
consisting of edited texts and music for several laude.
Articles centred on the use made by European nations of medieval
texts and other artefacts to define their history and origins. The
19th century was a time of fierce national competition for the
"ownership" of medieval documents and the legitimation of national
histories. This volume contains papers dealing with the attempts of
French scholars to claim English documents (and vice versa), as
also of disputes between Scandinavian and British scholars, and
Dutch, German and Italian scholars. Regionalism is also a repeated
topic, with claims made for the autonomy of Frisia within the
Netherlands, and Languedoc within France. Other papers deal with
the rediscovery of medieval music, with early American attempts to
redirect the course of 20th century poetry by appeal to medieval
precedent, and with the continuing vitality of Dante's Divina
Commedia (especially the Inferno) in the light of 20th century
experience. The volume as a whole sheds new light on the whole
process of appropriating history, which remains a vital and
contentioustopic, both inside and outside the academic world.
CONTRIBUTORS: MARK BURDE, MAGNUS FJALLDAL, ALPITA DE JONG, ANNETTE
KREUZIGER-HERR, NILS HOLGER PETERSEN, RACHEL DRESSLER, KARL FUGELS,
WILLIAM QUINN, PETER CHRISTENSEN
The concepts of genre and ritual are central for the overall
occupation with the relationship between the history of the arts
and the history of Christianity in Western Culture. This special
issue of the journal TRANSfiguration sheds light on the complex
relationship between the two broad and difficult terms, genre and
ritual, within the cultural history of Europe. This volumea
collection of 15 essayswas planned on the basis of the first annual
international conference at the Centre for the Study of the
Cultural Heritage of Medieval Rituals, University of Copenhagen.
Lutheran theology and religious practice re-shaped traditions from
the ritual heritage of the Medieval Latin Church. Throughout the
cultural history of European Lutheran areas, what came to be seen
as "the arts" may be discussed in the light of changing Lutheran
traditions: the cultural heritage of Martin Luther. This volume
presents a collection of 9 essays on Lutheran traditions and the
arts within the 500 years since the Reformation, as a special issue
of the journal Transfiguration. This issue has been planned in
connection with the Tenth International Congress for Luther
Research hosted at the Department of Church History, University of
Copenhagen.
"Transfiguration" offers discussions of the relationship between
art forms and Christianity in the European tradition from the early
Church until today. The journal provides a much-needed venue for a
broader theological forum that extends beyond the traditional
boundaries of religious art scholarship. Looking beyond the
contexts in which religious art works are typically situated, it
aims to engage this art as a mode of expression that exists in the
space between religious practice and aesthetic display. The present
issue includes chapters on Luther's reflection on the life of a
Christian, the motif of "imitatio Christi," the relationship
between image and body, Jesus as a symbolist, and Nietzsche's "The
Antichrist".""
In 1993 and 1994, The Centre for Christianity and the Arts at the
Institute of Church History, University of Copenhagen, arranged
symposia with liturgy and the arts in the Middle Ages as the
uniting theme. Scholars, with different professional backgrounds
and from different European countries, as well as from the USA,
presented papers of which 11 are collected and published in this
book.
This book adopts a multidisciplinary and novel approach to the
historical evolution of identities in Europe - identities connected
with regions as a multi-layered and processual key concept in
dialogue and/or conflict with the emerging nation-state. In the
book, historical disciplines meet with anthropology, human
ge-ography and cultural studies to discuss how regional identities
of various kinds were created, challenged and redefined; how they
were experienced and expressed and to what extent they produced
feelings of attachment. Spatial, social, cultural and political
manifestations of identities in Europe are historical phenomena.
Their changes and forms help us understand the essential traits of
European societies, in-cluding the development of differences and
similarities, degrees of attachment and dynamics of physical and
mental borders. Drawing on a wide range of sources - from
historiography to in-terviews, hagiographical texts, images and
songs - expressing evolving identities, this book presents an
innovative approach to understanding identity formation in Europe.
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Various Artists - Oh My! (CD)
John Paul Gauthier, Ken McMahon, Duke Robillard, Alex Herriot, Clayton Sample, …
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R316
Discovery Miles 3 160
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Out of stock
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Transfiguration is a peer reviewed journal offering discussions of
the relationship between art forms and Christianity in the European
tradition from the early Church until today. There is an increasing
interest in the more or less precisely defined religious contexts
of the art forms. There is thus a demand for a theological journal
that is not limited to the traditional matters within the
discipline. The term theology is here used in a broader sense that
includes the modes of expression and thought which have come into
existence in a historical energy field between religious practice
and aesthetic display. With contributions by John D. Caputo, Dorthe
Jorgensen, Espen Dahl, Elisabeth Lovlie, Geir Hellemo, Uffe
Holmsgaard Eriksen, Mette Birkedal Bruun, Hans Jorgen Frederiksen,
Margunn Sandal, Leonora Onarheim, Kresten Thue Andersen, Martin
Wangsgaard Jurgensen
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