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Drawing on cultural trauma theory, this book investigates how
collective memory of the Nanjing Massacre is fashioned in China and
how the mass media, political power and public praxis jointly shape
the politics and culture of memory in contemporary China. Allowing
for the dimensions of history and different mediating spaces, the
authors first conduct textual analysis of news reports from
traditional media since the event took place, revealing that the
significance of the Massacre was initially portrayed as a local
incident before its construction as a national trauma and finally a
collective memory. In a study of physical and online memorial
spaces, including the Memorial Hall, commemorative activities on
the Internet and new media platforms, the book unveils the
production and reproduction of trauma narratives as well as how
these narratives have been challenged. The final part further
studies the interactions between media and other institutional
settings while exploring issues of global memory and reconciliation
in East Asia. The title will be an essential read for anyone
interested in memory studies, media and communication, and
particularly the collective memory of the Nanjing Massacre.
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