'Look, my lord! See heaven itself declares against your impious intentions!' The Castle of Otranto (1764) is the first supernatural English novel and one of the most influential works of Gothic fiction. It inaugurated a literary genre that will be forever associated with the effects that Walpole pioneered. Professing to be a translation of a mysterious Italian tale from the darkest Middle Ages, the novel tells of Manfred, prince of Otranto, whose fear of an ancient prophecy sets him on a course of destruction. After the grotesque death of his only son, Conrad, on his wedding day, Manfred determines to marry the bride-to-be. The virgin Isabella flees through a castle riddled with secret passages. Chilling coincidences, ghostly visitations, arcane revelations, and violent combat combine in a heady mix that terrified the novel's first readers. In this new edition Nick Groom examines the reasons for its extraordinary impact and the Gothic culture from which it sprang. The Castle of Otranto was a game-changer, and Walpole the writer who paved the way for modern horror exponents. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"Walpole's achievement has to be saluted all the more when it is realized that single-handedly he determined (or distorted) the writing of landscape architecture history to this day' John Dixon Hunt in Greater Perfection: the practice of garden theory" By a mile, this is the most brilliant and most influential essay ever written on English garden history. For two centuries it mapped the whole landscape of the subject. However, the author was partial in the highest degree. Horace Walpole believed in progress, in modernisation, and the superiority of everything English to almost everything that had gone before. He had a special dislike of Baroque gardens, as exemplified by Versailles, which for him symbolised absolutism, tyranny, and the oppression of nature.

Manfred, the lord of the castle of Otranto, has long lived in dread of an ancient prophecy: it's foretold that when his family line ends, the true owner of the castle will appear and claim it. In a desperate bid to keep the castle, Manfred plans to coerce a young woman named Isabella into marrying him. Isabella refuses to yield to Manfred's reprehensible plan. But once she escapes into the depths of the castle, it becomes clear that Manfred isn't the only threat. As Isabelle loses herself in the seemingly endless hallways below, voices reverberate from the walls and specters wander through the dungeons. Otranto appears to be alive, and it's seeking revenge for the sins of the past.

The publication of this four-volume edition of Horace Walpole's Memoirs of the Reign of King George III completes the monumental Yale Walpole Edition that also includes 48 volumes of correspondence and three volumes of Memoirs of King George II.

Walpole's aim in Memoirs of the Reign of King George III was not to chronicle events year by year (October 1760 - February 1772), as he had done in Memoirs of King George II, but to defend what he called his "return to action" and to attack those who had thwarted it. Yet previous editors, first Sir Denis le Marchant in 1845 and then G. F. Russell Barker in 1894, abridged or altered much of what Walpole said about his friends and his enemies, and left out most of his lies and fantasies about the British Royal Family. These editors produced a narrative that seemed impersonal as well as impartial, the work of a detached spectator rather than a committed participant. The present edition is the first to go back to the manuscripts and give Walpole's text in its entirety, unabridged and unexpurgated, together with an introduction and annotation designed to help reassess the value of the memoirs as historical evidence.

This Broadview edition pairs the first Gothic novel with the first Gothic drama, both by Horace Walpole. Published on Christmas Eve, 1764, on Walpole's private press at Strawberry Hill, his Gothicized country house, The Castle of Otranto became an instant and immediate classic of the Gothic genre as well as the prototype for Gothic fiction for the next two hundred years. Walpole's brooding and intense drama, The Mysterious Mother, focuses on the protagonist's angst over an act of incest with his mother, and includes the appearance of Father Benedict, Gothic literature's first evil monk. Appendices in this edition include selections from Walpole's letters, contemporary responses, and writings illustrating the aesthetic and intellectual climate of the period. Also included is Sir Walter Scott's introduction to the 1811 edition of The Castle of Otranto.

This scarce antiquarian book is a selection from Kessinger PublishingA AcentsAcentsa A-Acentsa Acentss Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of intere

When tragedy strikes on his son's wedding day, Lord Manfred believes it is a foreboding omen, and will do whatever it takes to stop it-no matter how immoral. Set in the 18th century, The Castle of Otranto begins on the day Manfred's son, Conrad, was meant to be married. Known for his sickly nature, Conrad is the eldest child of two, and is set to marry Princess Isabella, a union that would reap strong benefits for the noble family. However, when tragedy strikes right before the ceremony, Manfred is terrified that it is a premonition of a bad luck curse. Paranoid that the curse would threaten his bloodline, he leaps into action. Determined to strengthen his legacy before it's too late, Manfred decides to divorce his wife so that he can marry Isabella in his son's place. However, when Isabella adamantly refuses, Manfred slips into a manic state of immorality, as he becomes desperate to do whatever it takes to marry Isabella. After Theodore, a brave peasant man with mysterious origins, becomes dedicated to protecting Isabella from Manfred, the lord must outsmart and overpower the couple to get his way. Through coercion, capture, and even murder, Manfred will do anything to avoid the threat of a curse. First published under a pseudonym in 1764, The Castle of Otranto by Horace Walpole is regarded as the first gothic horror novel, a literary genre that later flourished in the 18th and 19th century. Walpole's work has shaped the modern-day gothic aesthetic in literature, film, art, and music. The Castle of Otranto and the genre it inspired also encouraged many major writers, such as Mary Shelley, Bram Stoker, and Edgar Allan Poe. Featuring a dark narrative, twists, tragedy, and elements of surrealism, The Castle of Otranto is dramatic and shocking, enthralling from start to finish. This edition of The Castle of Otranto by Horace Walpole features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, The Castle of Otranto caters to a contemporary audience while preserving the original innovation of Horace Walpole's work.

When Conrad, son of Prince Manfred of Otranto, is killed in mysterious circumstances on his wedding day, his father, fearing his line is at an end, declares that he will divorce his wife and marry his late son's intended bride. Soon, however, this planned union brings about a series of supernatural events, tragic misunderstandings and cold-blooded murder. Presented as the translation of a medieval Italian text from the time of the crusades, The Castle of Otranto was the first and most influential novel of the eighteenth-century Gothic revival, and introduced several of what became its most recognizable tropes. This edition contains extra material about the author's life and works, notes and bibliographic information

First published as a scholarly translation from an ancient Italian text, this tale of a fatal prophecy set in the time of the crusades inspired terror in its early readers. On receiving a copy, the poet Thomas Gray wrote to Walpole admitting that he was "afraid to go to bed o'nights", little suspecting that his friend was the novel's true author.

With The Castle of Otranto, Walpole established the Gothic as a literary form in England. The eerie architecture of the castle and its adjacent monastery, the guilty secrets and unlawful desires of its inhabitants, and the supernatural happenings have inspired writers in this tradition from Ann Radcliffe and Bram Stoker, to Daphne Du Maurier and Stephen King.