"The Critical Heritage" gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. "The Critical Heritage" set is available as a set of 67 volumes, as mini-sets selected by period (in slipcase boxes) or as individual volumes.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves.

The presentation of poetry to auditor and reader involves a complex interaction of rhetorical, orthographical and visual mediating skills. At issue are the nature of 'authority', the creation of a readership attuned to the writer's poetic resonances, and a delicate negotiation between literary tradition and individual talent. In a series of detailed readings leading scholars focus on the presentation of work by Spenser, Herbert, Milton, Dryden, Pope, Smart, Blake, Wordsworth, Browning, Newman, Yeats, Lawrence and David Jones. The wide chronological range enables unusually extensive comparison across the boundaries of generic form, and between the varying emotional, aesthetic and rhetorical emphases of specific periods: from the creation of fictitious personae to the construction of autobiographical 'self', from the interaction of printed word and visual image to the arrangements and rearrangements of structure and sequence.

Court studies and Jacobitism have both received considerable attention from historians in recent years, yet so far no attempt has been made to provide a comprehensive examination of the Jacobite court in exile after the revolution of 1688-9. This book takes a completely fresh look at the Stuart court in France during the years when the Jacobite movement posed its greatest threat to the post-revolution governments in London. The Stuart court at Saint-Germain-en-Laye is revealed as not only large and well financed, but also magnificently located in a spectacular royal palace vacated only recently by Louis XIV and in very close contact with the French court at Versailles - yet maintaining the traditions, organisation and ceremonial of the English court at Whitehall. The book also shows how the Stuart court in France came to an end, and explains why and how it has since been so badly misrepresented.

The presentation of poetry to auditor and reader involves a complex interaction of rhetorical, orthographical and visual mediating skills. At issue are the nature of 'authority', the creation of a readership attuned to the writer's poetic resonances, and a delicate negotiation between literary tradition and individual talent. In a series of detailed readings leading scholars focus on the presentation of work by Spenser, Herbert, Milton, Dryden, Pope, Smart, Blake, Wordsworth, Browning, Yeats, Lawrence and David Jones. The wide chronological range enables unusually extensive comparison across the boundaries of generic form, and between the varying emotional, aesthetic and rhetorical emphases of specific periods: from the creation of fictitious 'persona' to the construction of autobiographical 'self', from the interaction of printed word and visual image to the arrangements and rearrangements of structure and sequence.

Pope's letters reveal the life, colour, personalities, and ideas of his time. They show his poetry in the making, and they also show Pope in the process of fashioning his own life. This selection features especially some of the letters that he revised and re-directed before publishing them himself. It also includes many recently discovered letters, here collected for the first time, which throw new light on his character, relationships, and taste. The first selection of Pope's correspondence for nearly fifty years, this volume also provides an introduction, detailed commentary, and biographical index.

This new critical introduction to Gulliver's Travels provides a fresh and impartial account of this world-famous satire. It presents Swift's work in its historical and literary context, and explores its allusions, its four-part structure, its narrative strategy and its prose style. A final chapter sketches the fictional aftermath of the Travels from the eighteenth to the twentieth century, and there is a guide to further reading.

Cambridge English Prose Texts consists of volumes devoted to selections from non-fictional English prose of the late sixteenth to the mid-nineteenth centuries. This volume is concerned with radical prose from the period 1642-60 and comprises political pamphlets covering the years of the Civil War and the Commonwealth. All the pamphlets are revolutionary in varying degrees: two by Milton, The Tenure of Kings and Magistrates and The Readie and the Easie Way to Establish a Free Commonwealth; one each by the three Leveller leaders, Lilburne, Walwyn and Overton; one by the Digger, Winstanley and one by the Republican, Harrington. There is a substantial introduction to the whole volume in which the editors offer a historical survey of the period, consider the intellectual and political context of the pamphlets, sketch in significant biographical details and examine the various styles which the writers employ. This book will prove to be an indispensable tool for all serious students of seventeenth-century literature, history and political theory.