Medieval attempts to capture a glimpse of heaven range from the ethereal to the mundane, utilizing media as diverse as maps, cathedrals, songs, treatises, poems, visions and sewer systems. Heaven was at once the goal of the individual Christian life and the end of the cosmic plan. It was, simply stated, perfection. But interpretations varied from the traditional to the dangerously unique as artists and authors, theologians and visionaries struggled to define that perfection. Depending on the source, heaven's attributes vary from height to depth, darkness to light, silence to symphony; the souls within it from activity to passivity, experience to essence, participation to distant admiration. Questions addressed in this anthology include: Are erotic and spiritual love mutually exclusive? Does the soul's happiness depend on the resurrection of the body? What will be the nature of the transfigured body? Will it retain its gender? Will it have senses? Will it know desire? How can desire and fulfillment exist together? Can the human soul ever know God?
Contributors to this volume examine well-known and previously unexplored texts and artefacts from historical and art historical, theological, philosophical, and literary perspectives, to complement and challenge more general surveys of the history of heaven, and above all to illuminate the richness and variety of medieval Christian ideas on heaven.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Mary of Oignies (1177-1213) was one of the first holy women to transform religious life in the late twelfth and early thirteenth centuries. Living as a beguine and a free anchoress she guided those who came to speak with her, both high clerics and common people alike. In the oral world of medieval Christianity one disregarded her word at considerable risk. This volume contains all of the relevant medieval sources on Mary of Oignies, translated by Margot King and Hugh Feiss OSB. They include: the Life written by her confessor, James of Vitry, and the Supplement thereof by Thomas of Cantimpre; the liturgical office of her feast-day; and the 'History of the Priory of Oignies'. Also included are an introductory essay about her life and significance, written by Anneke Mulder-Bakker; a study about Mary as a 'friend to the saints' by Brenda Bolton; and the manuscript transmission of her Life, by Suzan Folkerts. The volume therefore provides a comprehensive 'companion' to Mary of Oignies and her wider significance in medieval and modern scholarship.

A Benedictine Reader, 530-1530, has been more than twenty years in the making. A collaboration of a dozen scholars, this project gives as broad and deep a sense of the reality of the first one thousand years of Benedictine monasticism as can be done in one volume, using primary sources in English translation. The texts included are drawn from many different genres and from several languages and areas of Europe. The introduction to each of the thirty-two chapters aims to situate each author and text and to make connections with other texts and studies within and outside the Reader. The general introduction summarizes the main ideas and practices that are present in the Rule of Saint Benedict and in the first thousand years of Benedictine monasticism while suggesting questions that a reader might bring to the texts.

This volume offers translations of the twelfth-century Latin "vitae" of four monks of the Monastery of Savigny: Abbot Vitalis, Abbot Godfrey, Peter of Avranches, and Blessed Hamo. Founded in 1113 by Vitalis of Mortain, an influential hermit-preacher, Savigny expanded to a congregation of thirty monasteries under his successor Godfrey (1122-1138). In 1147, the entire congregation joined the Cistercian Order. Around 1172, two monks of Savigny, Peter of Avranches and Hamo, friends but very different personalities, died. Their stories were told in two further "vitae."The "vitae" of these four men exemplify the variety of people and movements found in the monastic ferment of the twelfth century.

The saintly austerities of Mary of Egypt so impressed early monks that they recorded her life to edify their brethren. Many versions circulated and the tale traveled from Palestine to Europe, from Greek to Latin to French to Spanish, from prose to poetry, from hagiography to literature, and from the monastery into the world outside. Here we see Mary through the eyes of three medieval poets: Flodoard, a canon of Reims ( 966), Hildebert of Lavardin, a bishop, ( 1134), and an Anonymous Spaniard.