T. C. W. Stinton was a highly respected classical scholar who died in 1985. He was a Fellow of Wadham College, Oxford, for over thirty years and devoted his life to teaching, inspiring his pupils with his own passionate love for the classics. As well as generously encouraging the work and publications of others, he also spent much time himself in researching and writing, concentrating mainly on Greek tragedy. This volume presents twenty-six of Tom Stinton's essays and reviews, mainly on Greek tragedy, covering his work from 1960 until his death in 1985. The papers include `Euripides and the Judgement of Paris', `The Scope and Limits of Allusion in Greek Tragedy', `The Apotheosis of Heracles from the Pyre', and `Greek Tragic Texts and the Limits of Conservatism'. Sir Hugh Lloyd-Jones, formerly Regius Professor of Greek in the University of Oxford, has written a foreword especially for this collection.

Sir Hugh Lloyd-Jones has a worldwide reputation as one of the foremost classical scholars of his generation. This collection of papers, which follows on from the two volumes published in 1990, reflects his exceptionally wide interests in the fields of Greek epic, lyric, tragedy, comedy, Hellenistic literature, religion, and intellectual history.

'The revolution that is going on in me is that which has taken place in every artist who has studied Nature long and diligently and now seeks the remains of the great spirit of antiquity; his soul wells up, he feels a transfiguration of himself from within, a feeling of freer life, higher existence, lightness and grace.' It is Mr Trevelyan's purpose, in this profoundly interesting book, to trace the course of this development in Goethe, to determine its extent, to test its sincerity. To this task he brings, not only a complete knowledge of Goethe's life and works and of classical literature, but also a fine critical sense which enables him to direct his detailed knowledge towards a philosophical conclusion.' So wrote Herbert Read in The Spectator in December 1941 on the first publication of Goethe and the Greeks. Trevalyan's account of Goethe's fascination with the Greeks, his striving to master their culture, his vision of Hellenic man, is judged not to have been supplanted by any later work in English. Professor Lloyd-Jones has written a substantial Foreword for this reissue of Trevelyan's book, giving his own assessment of Goethe's search for Hellenism and its influence on his work.

The Supplement to the Supplementum Hellenisticum, edited by Hugh Lloyd-Jones and Peter Parsons in 1983, presents new papyrus material, along with a succession of new suggestions regarding the texts and their meanings. It also provides references and brief analyses of the scholarly discussions that concern them. As in the original volume, all information is arranged alphabetically by author name and includes readings of the texts, addenda from new papyri, and references to recent scholarship. Indices of the Greek word forms of all newly added texts and of the sources follow the format of the original volume's indices. On the occasion of the publication of Supplementum Supplementi Hellenistici (SSH), Supplementum Hellenisticum (SH) is being offered at a lower price. Both volumes are available as a set for EURO 198.00.

Sophocles (497/6 406 BCE), the second of the three great tragedians of Athens and by common consent one of the world's greatest poets, wrote more than 120 plays. Only seven of these survive complete, but we have a wealth of fragments, from which much can be learned about Sophocles' language and dramatic art. This volume presents a collection of all the major fragments, ranging in length from two lines to a very substantial portion of the satyr play The Searchers. Prefatory notes provide frameworks for the fragments of known plays. Many of the Sophoclean fragments were preserved by quotation in other authors; others, some of considerable size, are known to us from papyri discovered during the past century. Among the lost plays of which we have large fragments, The Searchers shows the god Hermes, soon after his birth, playing an amusing trick on his brother Apollo; Inachus portrays Zeus coming to Argos to seduce Io, the daughter of its king; and Niobe tells how Apollo and his sister Artemis punish Niobe for a slight upon their mother by killing her twelve children. Throughout the volume, as in the extant plays, we see Sophocles drawing his subjects from heroic legend.This is the final volume of Lloyd-Jones's new Loeb Classical Library edition of Sophocles. In volumes I and II he gives a faithful and very skilful translation of the seven surviving plays. Volume I contains Oedipus Tyrannus, Ajax, and Electra. Volume II contains Oedipus at Colonus, Antigone, The Women of Trachis, and Philoctetes.

This volume is designed as a companion volume to the new text of Sophocles (published in the Oxford Classical Texts series). It aims to explain the editors' views about a large number of disputed passages that occur in the plays. Many of the discussions are too long and complex to be incorporated in the apparatus criticus of the Oxford Classical Texts, and are here expounded in full. The introduction, which gives a historical survey of Sophoclean scholarship, is followed by discussion and comment arranged play by play according to line number. In an appendix the editors offer a partial solution to the puzzle of the unknown manuscripts allegedly used by the sixteenth-century Flemish scholar Livineius.

Sophocles (497/6-406 BCE), with Aeschylus and Euripides, was one of the three great tragic poets of Athens, and is considered one of the world's greatest poets. The subjects of his plays were drawn from mythology and legend. Each play contains at least one heroic figure, a character whose strength, courage, or intelligence exceeds the human norm--but who also has more than ordinary pride and self-assurance. These qualities combine to lead to a tragic end.

Hugh Lloyd-Jones gives us, in two volumes, a new translation of the seven surviving plays. Volume I contains "Oedipus Tyrannus" (which tells the famous Oedipus story), "Ajax" (a heroic tragedy of wounded self-esteem), and "Electra" (the story of siblings who seek revenge on their mother and her lover for killing their father). Volume II contains "Oedipus at Colonus" (the climax of the fallen hero's life), "Antigone" (a conflict between public authority and an individual woman's conscience), "The Women of Trachis" (a fatal attempt by Heracles' wife to regain her husband's love), and "Philoctetes" (Odysseus's intrigue to bring an unwilling hero to the Trojan War).

Of his other plays, only fragments remain; but from these much can be learned about Sophocles' language and dramatic art. The major fragments--ranging in length from two lines to a very substantial portion of the satyr play "The Searchers"--are collected in Volume III of this edition. In prefatory notes Lloyd-Jones provides frameworks for the fragments of known plays.

The most famous series of ancient Greek plays, and the only surviving trilogy, is the Oresteia of Aeschylus, consisting of Agamemnon, Choephoroe, and Eumenides. These three plays recount the murder of Agamemnon by his queen Clytemnestra on his return from Troy with the captive Trojan princess Cassandra; the murder in turn of Clytemnestra by their son Orestes; and Orestes' subsequent pursuit by the Avenging Furies (Eumenides) and eventual absolution. Hugh Lloyd-Jones's informative notes elucidate the text, and introductions to each play set the trilogy against the background of Greek religion as a whole and Greek tragedy in particular, providing a balanced assessment of Aeschylus's dramatic art. This superior translation should be read by every student of Greek civilization, classical literature, and drama.

This new text of Sophocles is the product of many years of close collaboration between the two editors. The evidence of the manuscript tradition has been carefully assessed, and the results of one important discovery have been exploited for the first time. It has also been possible to take account of many little known or forgotten conjectures. A number of other conjectures are correctly attributed for the first time, and in a few passages the editors have ventured to offer proposals of their own.

First published in 1952, this study discusses the development of Greek prose during the fifth century and analyzes its use of abstract forms of expression, word-order, sentence structure, use of repetition, asyndeton and assonance.